Al-Jaraar Monument
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Al-Jaraar Monument
Al-Jaraar Monument ( ar, نصب الجرار) is a bronze monument located in al-Alawi area in the Karkh district of Baghdad, Iraq. The monument was designed and created by the Iraqi sculptor Miran al-Saadi who built it to represent old pots used in Baghdad throughout the ages. The monument officially opened in 1962.''Baghdad Tourism Guide Book'', Baghdad edition, 2011, p. 81 See also * Iraqi Fighter Monument * Monument to the Unknown Soldier * Victory Arch The Victory Arch ( ar, قوس النصر ''Qaws an-Naṣr''), officially known as the ''Swords of Qādisīyah''، and popularly called the ''Hands of Victory'' or the ''Crossed Swords'', are a pair of triumphal arches in central Baghdad, Iraq. E ... References Buildings and structures in Baghdad Iraqi art Statues in Iraq Monuments and memorials in Iraq Landmarks in Iraq 1962 establishments in Iraq Buildings and structures completed in 1962 {{DEFAULTSORT:Jaraar_Monument ...
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Baghdad
Baghdad (; ar, بَغْدَاد , ) is the capital of Iraq and the second-largest city in the Arab world after Cairo. It is located on the Tigris near the ruins of the ancient city of Babylon and the Sassanid Persian capital of Ctesiphon. In 762 CE, Baghdad was chosen as the capital of the Abbasid Caliphate, and became its most notable major development project. Within a short time, the city evolved into a significant cultural, commercial, and intellectual center of the Muslim world. This, in addition to housing several key academic institutions, including the House of Wisdom, as well as a multiethnic and multi-religious environment, garnered it a worldwide reputation as the "Center of Learning". Baghdad was the largest city in the world for much of the Abbasid era during the Islamic Golden Age, peaking at a population of more than a million. The city was largely destroyed at the hands of the Mongol Empire in 1258, resulting in a decline that would linger through many c ...
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Miran Al-Saadi
Miran al-Saadi (born 1934, Baghdad- 1987 Baghdad) was an Iraqi sculptor noted for producing monumental works for Baghdad's public spaces and for developing "in the field sculpture." Life and career Born 1934 in Baghdad, he graduated from the Baghdad Institute of Fine Arts in 1955. In the early 1960s, he was part of a group of Iraqi artists including Sadiq Rabie and Ismail Fatah Al Turk, Qasim al-Azzawi and Ghazi Saudi, who studied in Rome. He graduated in 1961. Al-Saadi's career coincided with a particularly turbulent period of Iraqi history. Shortly after his return to Baghdad, the reigning monarch was murdered, the monarchy abolished and a republic was established. Many artists fled Iraq at this time, however, al-Nasiri and a small group of eminent local artists, including Ismail Fatah Al Turk, Mohammed Ghani Hikmat and Khaled al-Rahal, remained in Baghdad. The Ba'ath party became an important patron of the arts, and encouraged local visual artists to demonstrate a cultura ...
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Karkh
Karkh or Al-Karkh (Arabic: الكرخ) is historically the name of the western half of Baghdad, Iraq, or alternatively, the western shore of the Tigris River as it ran through Baghdad. The eastern shore is known as Al-Rasafa.More than a wall
", , May 3–9, 2007. Its name is derived from the Syriac (ܟܪܟܐ) ''Karkha; citadel''. In a more limited sense Karkh is one of nine , with to th ...
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Iraq
Iraq,; ku, عێراق, translit=Êraq officially the Republic of Iraq, '; ku, کۆماری عێراق, translit=Komarî Êraq is a country in Western Asia. It is bordered by Turkey to Iraq–Turkey border, the north, Iran to Iran–Iraq border, the east, the Persian Gulf and Kuwait to the southeast, Saudi Arabia to the south, Jordan to Iraq–Jordan border, the southwest and Syria to Iraq–Syria border, the west. The Capital city, capital and largest city is Baghdad. Iraq is home to diverse ethnic groups including Iraqi Arabs, Kurds, Iraqi Turkmen, Turkmens, Assyrian people, Assyrians, Armenians in Iraq, Armenians, Yazidis, Mandaeans, Iranians in Iraq, Persians and Shabaks, Shabakis with similarly diverse Geography of Iraq, geography and Wildlife of Iraq, wildlife. The vast majority of the country's 44 million residents are Muslims – the notable other faiths are Christianity in Iraq, Christianity, Yazidism, Mandaeism, Yarsanism and Zoroastrianism. The official langu ...
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Iraqi Fighter Monument
Iraqi or Iraqis (in plural) means from Iraq, a country in the Middle East, and may refer to: * Iraqi people or Iraqis, people from Iraq or of Iraqi descent * A citizen of Iraq, see demographics of Iraq * Iraqi or Araghi ( fa, عراقی), someone or something of, from, or related to Persian Iraq, an old name for a region in Central Iran * Iraqi Arabic Mesopotamian Arabic, ( ar, لهجة بلاد ما بين النهرين) also known as Iraqi Arabic ( ar, اللهجة العراقية), or Gilit Mesopotamian Arabic (as opposed to North Mesopotamian Arabic, Qeltu Mesopotamian Arabic) is a contin ..., the colloquial form of Arabic spoken in Iraq * Iraqi cuisine * Iraqi culture * The Iraqis (party), a political party in Iraq * Iraqi List, a political party in Iraq * Fakhr-al-Din Iraqi, 13th-century Persian poet and Sufi. See also * List of Iraqis * Iraqi diaspora * Languages of Iraq * {{disambiguation Language and nationality disambiguation pages ...
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Monument To The Unknown Soldier, Baghdad
The Monument to the Unknown Soldier ( ar, نصب الجندي المجهول) is a monument in central Baghdad built by Italian architect based on a concept by Iraqi sculptor Khaled al-Rahal and constructed between 1979 and 1982. It was dedicated to the martyrs of the Iran–Iraq War. In 1986 the national square of Iraq, Great Celebrations square, was built near the monument, and two other monuments were built close to the square in memory of the martyrs. In 1983, the Al-Shaheed Monument on the River, was opened and in 1989 the newly built Victory Arch became the entrances to the square. The ''Unknown Soldier's Monument'' represents a traditional shield (dira¹a) dropping from the dying grasp of an Iraqi warrior. The monument also houses an underground museum. Background The ''Monument to the Unknown Soldier'' was commissioned in 1979 and completed in 1982. It was part of a broader Ba'athist government program to build a number of public works that would help instil a sense ...
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Victory Arch
The Victory Arch ( ar, قوس النصر ''Qaws an-Naṣr''), officially known as the ''Swords of Qādisīyah''، and popularly called the ''Hands of Victory'' or the ''Crossed Swords'', are a pair of triumphal arches in central Baghdad, Iraq. Each arch consists of a pair of outstretched hands holding crossed swords. The two arches mark the two entrances to Grand Festivities Square and the parade ground constructed to commemorate the Iran–Iraq War, started and led by then Iraqi President Saddam Hussein. The arches were opened to the public on 8 August 1989. It is one of Baghdad's visitor attractions and near to The Monument to the Unknown Soldier. Location The two sets of arches mark the entrances to an area known as Zawra Park. In 1986 (two years before the war's end) the government of Iraq began the construction of a festival and parade ground in Zawra Park, near the extensive presidential complex in the center of Baghdad. Known as '' Grand Festivities Square'', it comp ...
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Buildings And Structures In Baghdad
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ...
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Iraqi Art
Iraqi art is one of the richest art heritages in world and refers to all works of visual art originating from the geographical region of what is present day Iraq since ancient Mesopotamian periods. For centuries, the capital, Baghdad was the Medieval centre of the literary and artistic Arab world during the Abbasid Caliphate, in which Baghdad was the capital, but its artistic traditions suffered at the hands of the Mongol invaders in the 13th century. During other periods it has flourished, such as during the reign of Pir Budaq, or under Ottoman rule in the 16th century when Baghdad was known for its Ottoman miniature painting. In the 20th century, an art revival, which combined both tradition and modern techniques, produced many notable poets, painters and sculptors who contributed to the inventory of public artworks, especially in Baghdad. These artists are highly regarded in the Middle East, and some have earned international recognition. The Iraqi modern art movement had a pro ...
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Statues In Iraq
A statue is a free-standing sculpture in which the realistic, full-length figures of persons or animals are carved or cast in a durable material such as wood, metal or stone. Typical statues are life-sized or close to life-size; a sculpture that represents persons or animals in full figure but that is small enough to lift and carry is a statuette or figurine, whilst one more than twice life-size is a colossal statue. Statues have been produced in many cultures from prehistory to the present; the oldest-known statue dating to about 30,000 years ago. Statues represent many different people and animals, real and mythical. Many statues are placed in public places as public art. The world's tallest statue, ''Statue of Unity'', is tall and is located near the Narmada dam in Gujarat, India. Color Ancient statues often show the bare surface of the material of which they are made. For example, many people associate Greek classical art with white marble sculpture, but there is evidenc ...
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Monuments And Memorials In Iraq
A monument is a type of structure that was explicitly created to commemorate a person or event, or which has become relevant to a social group as a part of their remembrance of historic times or cultural heritage, due to its artistic, historical, political, technical or architectural importance. Some of the first monuments were dolmens or menhirs, megalithic constructions built for religious or funerary purposes. Examples of monuments include statues, (war) memorials, historical buildings, archaeological sites, and cultural assets. If there is a public interest in its preservation, a monument can for example be listed as a UNESCO World Heritage Site. Etymology It is believed that the origin of the word "monument" comes from the Greek ''mnemosynon'' and the Latin ''moneo'', ''monere'', which means 'to remind', 'to advise' or 'to warn', however, it is also believed that the word monument originates from an Albanian word 'mani men' which in Albanian language means 'rememb ...
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Landmarks In Iraq
A landmark is a recognizable natural or artificial feature used for navigation, a feature that stands out from its near environment and is often visible from long distances. In modern use, the term can also be applied to smaller structures or features, that have become local or national symbols. Etymology In old English the word ''landmearc'' (from ''land'' + ''mearc'' (mark)) was used to describe a boundary marker, an "object set up to mark the boundaries of a kingdom, estate, etc.". Starting from approx. 1560, this understanding of landmark was replaced by a more general one. A landmark became a "conspicuous object in a landscape". A ''landmark'' literally meant a geographic feature used by explorers and others to find their way back or through an area. For example, the Table Mountain near Cape Town, South Africa is used as the landmark to help sailors to navigate around southern tip of Africa during the Age of Exploration. Artificial structures are also sometimes ...
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