Aktaion
Actaeon (; grc, Ἀκταίων ''Aktaion''), in Greek mythology, son of the priestly herdsman Aristaeus and Autonoe in Boeotia, was a famous Theban hero. Like Achilles in a later generation, he was trained by the centaur Chiron. He fell to the fatal wrath of Artemis, but the surviving details of his transgression vary: "the only certainty is in what Aktaion suffered, his pathos, and what Artemis did: the hunter became the hunted; he was transformed into a stag, and his raging hounds, struck with a 'wolf's frenzy' (Lyssa), tore him apart as they would a stag." This is the iconic motif by which Actaeon is recognized, both in ancient art and in Renaissance and post-Renaissance depictions. The plot Among others, John Heath has observed, "The unalterable kernel of the tale was a hunter's transformation into a deer and his death in the jaws of his hunting dogs. But authors were free to suggest different motives for his death." In the version that was offered by the Hellenistic ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Actaeon Caserta
Actaeon (; grc, Ἀκταίων ''Aktaion''), in Greek mythology, son of the priestly herdsman Aristaeus and Autonoe in Boeotia, was a famous Theban hero. Like Achilles in a later generation, he was trained by the centaur Chiron. He fell to the fatal wrath of Artemis, but the surviving details of his transgression vary: "the only certainty is in what Aktaion suffered, his pathos, and what Artemis did: the hunter became the hunted; he was transformed into a stag, and his raging hounds, struck with a 'wolf's frenzy' (Lyssa), tore him apart as they would a stag." This is the iconic motif by which Actaeon is recognized, both in ancient art and in Renaissance and post-Renaissance depictions. The plot Among others, John Heath has observed, "The unalterable kernel of the tale was a hunter's transformation into a deer and his death in the jaws of his hunting dogs. But authors were free to suggest different motives for his death." In the version that was offered by the Hellenistic ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Artemis
In ancient Greek mythology and religion, Artemis (; grc-gre, Ἄρτεμις) is the goddess of the hunt, the wilderness, wild animals, nature, vegetation, childbirth, care of children, and chastity. She was heavily identified with Selene, the Moon, and Hecate, another Moon goddess, and was thus regarded as one of the most prominent lunar deities in mythology, alongside the aforementioned two.Smiths.v. Artemis/ref> She would often roam the forests of Greece, attended by her large entourage, mostly made up of nymphs, some mortals, and hunters. The goddess Diana is her Roman equivalent. In Greek tradition, Artemis is the daughter of the sky god and king of gods Zeus and Leto, and the twin sister of Apollo. In most accounts, the twins are the products of an extramarital liaison. For this, Zeus' wife Hera forbade Leto from giving birth anywhere on land. Only the island of Delos gave refuge to Leto, allowing her to give birth to her children. Usually, Artemis i ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lyssa
In Greek mythology, Lyssa (; Ancient Greek: Λύσσα ''Lússā''), called Lytta (; Λύττα ''Lúttā'') by the Athenians, was the spirit of mad rage, frenzy, and rabies in animals. She was closely related to the Maniae, the spirits of madness and insanity. Her Roman equivalent was variously named Ira, Furor, or Rabies. Sometimes she was multiplied into a host of Irae and Furores. Family In Euripides' ''Herakles'', Lyssa is incorrectly identified as "the daughter of Nyx, sprung from the blood of Ouranos"—that is, the blood from Uranus' wound following his castration by Cronus. The 1st-century Latin writer Hyginus correctly list Ira Lyssa (Lytta) as the Titan daughter of Gaia and Aether (Uranus). Mythology Lyssa personifies mad rage and frenzy, as well as rabies in animals. In ''Herakles'', she is called upon by Hera to inflict the hero Heracles with insanity. In this scenario, she is shown to take a temperate, measured approach to her role, professing "not to use er po ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Walter Burkert
Walter Burkert (; 2 February 1931 – 11 March 2015) was a German scholar of Greek mythology and cult. A professor of classics at the University of Zurich, Switzerland, he taught in the UK and the US. He has influenced generations of students of religion since the 1960s, combining in the modern way the findings of archaeology and epigraphy with the work of poets, historians, and philosophers. He was a member of both the American Philosophical Society and the American Academy of Arts and Sciences. He published books on the balance between lore and science among the followers of Pythagoras, and more extensively on ritual and archaic cult survival, on the ritual killing at the heart of religion, on mystery religions, and on the reception in the Hellenic world of Near Eastern and Persian culture, which sets Greek religion in its wider Aegean and Near Eastern context. First academic era Burkert was born in Neuendettelsau. He married Maria Bosch in 1957 and they had three chi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Zeus
Zeus or , , ; grc, Δῐός, ''Diós'', label=Genitive case, genitive Aeolic Greek, Boeotian Aeolic and Doric Greek#Laconian, Laconian grc-dor, Δεύς, Deús ; grc, Δέος, ''Déos'', label=Genitive case, genitive el, Δίας, ''Días'' () is the sky father, sky and thunder god in ancient Greek religion, who rules as king of the gods on Mount Olympus. His name is cognate with the first element of his ancient Roman religion, Roman interpretatio graeca, equivalent Jupiter (mythology), Jupiter.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. His mythology and powers are similar, though not identical, to those of Indo-European deities such as Jupiter, Perkūnas, Perun, Indra, Dyaus, and Zojz (deity), Zojz. Entry: "Dyaus" Zeus is the child of Cronus and Rhea (mythology), Rhea, the youngest of his siblings to be born, though sometimes reckoned the eldest as the others required disgorging from Cronus's stomach. In most traditions, he is m ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Catalogue Of Women
The ''Catalogue of Women'' ( grc, Γυναικῶν Κατάλογος, Gunaikôn Katálogos)—also known as the ''Ehoiai '' ( grc, Ἠοῖαι, Ēoîai, )The Latin transliterations ''Eoeae'' and ''Ehoeae'' are also used (e.g. , ); see Title and the ''ē' hoiē''-formula, below. Though rare, ''Mulierum Catalogus'', the Latin translation of , might also be encountered (e.g. ). The work is commonly cited by the abbreviations ''Cat''., ''CW'' (occasionally ''HCW'') or ''GK'' (= ''Gynaikon Katalogos'').—is a fragmentary Greek epic poem that was attributed to Hesiod during antiquity. The "women" of the title were in fact heroines, many of whom lay with gods, bearing the heroes of Greek mythology to both divine and mortal paramours. In contrast with the focus upon narrative in the Homeric ''Iliad'' and ''Odyssey'', the ''Catalogue'' was structured around a vast system of genealogies stemming from these unions and, in M. L. West's appraisal, covered "the whole of the heroic age." ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Deer (mythology)
Deer have significant roles in the mythology of various peoples located all over the world, such as object of worship, the incarnation of deities, the object of heroic quests and deeds, or as magical disguise or enchantment/curse for princesses and princes in many folk and fairy tales. The deer also symbolizes a connection to the supernatural, the Otherworld or to the fairy realm, e.g., being a messenger or an entity's familiar. In folk and fairy tales A deer or a doe (female deer) usually appears in fairy tales as the form of a princess who has been enchanted by a malevolent fairy or witch, such as ''The White Doe'' (French fairy tale) and ''The Enchanted Deer'' (Scottish fairy tale), or a transformation curse a male character falls under. Sometimes, it represents a disguise a prince dons to escape or to achieve a goal, e.g., What the Rose did to the Cypress (Persian fairy tale). Tale types that include a transformation into deer or hind are ATU 401, "The Princess Transformed in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Taboo
A taboo or tabu is a social group's ban, prohibition, or avoidance of something (usually an utterance or behavior) based on the group's sense that it is excessively repulsive, sacred, or allowed only for certain persons.''Encyclopædia Britannica Online''.Taboo. Encyclopædia Britannica Inc., 2012. Retrieved 21 Mar. 2012 Such prohibitions are present in virtually all societies. Taboos may be prohibited explicitly, for example within a legal system or religion, or implicitly, for example by social norms or conventions followed by a particular culture or organization. Taboos are often meant to protect the individual, but there are other reasons for their development. An ecological or medical background is apparent in many, including some that are seen as religious or spiritual in origin. Taboos can help use a resource more efficiently, but when applied to only a subsection of the community they can also serve to suppress said subsection of the community. A taboo acknowledged by a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Plataea
Plataea or Plataia (; grc, Πλάταια), also Plataeae or Plataiai (; grc, Πλαταιαί), was an ancient city, located in Greece in southeastern Boeotia, south of Thebes.Mish, Frederick C., Editor in Chief. “Plataea.” '' Webster’s Ninth New Collegiate Dictionary''. 9th ed. Springfield, MA: Merriam-Webster Inc., 1985. , (indexed), and (deluxe). It was the location of the Battle of Plataea in 479 BC, in which an alliance of Greek city-states defeated the Persians. Plataea was destroyed in the Peloponnesian War by Thebes and Sparta in 427 BC, and rebuilt in 386. The modern Greek town of Plataies is built near its ruins. Alliance with Athens and presence at Marathon Herodotus wrote that, in order to avoid coming under Theban hegemony, Plataea offered to "put themselves into Spartan hands". However, the Spartans refused this offer and, wishing to cause mischief between the Boeotians and Athens, recommended that the Plataeans ally themselves with Athens inste ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bacchae
''The Bacchae'' (; grc-gre, Βάκχαι, ''Bakchai''; also known as ''The Bacchantes'' ) is an ancient Greek tragedy, written by the Athenian playwright Euripides during his final years in Macedonia, at the court of Archelaus I of Macedon. It premiered posthumously at the Theatre of Dionysus in 405 BC as part of a tetralogy that also included ''Iphigeneia at Aulis'' and ''Alcmaeon in Corinth'', and which Euripides' son or nephew is assumed to have directed. It won first prize in the City Dionysia festival competition. The tragedy is based on the Greek myth of King Pentheus of Thebes and his mother Agave, and their punishment by the god Dionysus (who is Pentheus's cousin). The god Dionysus appears at the beginning of the play and proclaims that he has arrived in Thebes to avenge the slander, which has been repeated by his aunts, that he is not the son of Zeus. In response, he intends to introduce Dionysian rites into the city, and he intends to demonstrate to the king, Penth ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Euripides
Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy i ... of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the ''Suda'' says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete (''Rhesus (play), Rhesus'' is suspect). There are many fragments (some substantial) of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declinedMoses Hadas, ''Ten Plays by Euripides'', Bantam Classic (2006), Introduction, p. ixhe became, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Orchomenus (Boeotia)
Orchomenus ( grc, Ὀρχομενός ''Orchomenos''), the setting for many early Greek myths, is best known today as a rich archaeological site in Boeotia, Greece, that was inhabited from the Neolithic through the Hellenistic periods. It is often referred to as " Minyan Orchomenus", to distinguish it from a later city of the same name in Arcadia. Ancient history According to the founding myth of Orchomenos, its royal dynasty was established by the Minyans, who had followed their eponymous leader Minyas from coastal Thessaly to settle the site. In the Bronze Age, during the fourteenth and thirteenth centuries BCE, Orchomenos became a rich and important centre of civilisation in Mycenaean Greece and a rival to Thebes. The palace with its frescoed walls and the great beehive tomb show the power of Orchomenos in Mycenaean Greece. A massive hydraulic undertaking drained the marshes of Lake Kopaïs, making it a rich agricultural area. Like many sites around the Aegean Sea, Orcho ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |