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Akita Ranga
, also known as the , was a short-lived school of painting within the larger Japanese genre of ''ranga'', or Dutch-style painting which lasted roughly from 1773 to 1780. Based in Kubota Domain, a feudal domain, in the Tōhoku region of Honshū, northern Japan, in what is now Akita Prefecture, it was headed by the domain's lord Satake Shozan and his retainer Odano Naotake. Though many ''ranga'' artists, most prominently Shiba Kōkan, produced works on European themes, the Akita painters for the most part painted traditional Japanese themes and compositions using Western-style techniques and an approximation of oil paints. Some of the chief features that distinguish Akita ''ranga'' from traditional Japanese painting (nihonga) are the inclusion of shadows, the use of perspective, reflections in water, and the use of blue for sky and sea. In addition, ''ranga'' artists left little or no blank space on a work, emulating Western art traditions and going against East Asian ones, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kubota Domain
was a feudal domain in Edo period Japan, located in Dewa Province (modern-day Akita Prefecture), Japan. It was centered on Kubota Castle in what is now the city of Akita and was thus also known as the . It was governed for the whole of its history by the Satake clan. During its rule over Kubota, the Satake clan was ranked as a family, and as such, had the privilege of shogunal audiences in the Great Hall (''Ohiroma'') of Edo Castle. In the Boshin War of 1868–69, the domain joined the Ōuetsu Reppan Dōmei, the alliance of northern domains supporting the Tokugawa shogunate, but then later defected to the imperial side. As with all other domains, it was disbanded in 1871. History The Satake clan was a powerful samurai clan, who ruled Hitachi Province from the late Heian period through the end of the Sengoku period. In 1600, the Satake sided with the pro-Toyotomi cause at the Battle of Sekigahara.Saga, ''Memories of Silk and Straw'', pp. 16-17. After the defeat of the pro-Toyo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nihonga
''Nihonga'' (, "Japanese-style paintings") are Japanese paintings from about 1900 onwards that have been made in accordance with traditional Japanese artistic conventions, techniques and materials. While based on traditions over a thousand years old, the term was coined in the Meiji period of Imperial Japan, to distinguish such works from Western-style paintings or ''Yōga'' (). History The impetus for reinvigorating traditional painting by developing a more modern Japanese style came largely from many artist/educators, which included Shiokawa Bunrin, Kōno Bairei, Tomioka Tessai and art critics Okakura Tenshin and Ernest Fenollosa, who attempted to combat Meiji Japan's infatuation with Western culture by emphasizing to the Japanese the importance and beauty of native Japanese traditional arts. These two men played important roles in developing the curricula at major art schools, and actively encouraged and patronized artists. ''Nihonga'' was not simply a continuation of olde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satake Yoshimi
Satake may refer to: *Satake clan, a Japanese samurai clan originally from Hitachi Province *Satake Corporation, a multinational agricultural equipment maker based in Hiroshima, Japan *Asteroid 8194 Satake *Ichirō Satake (1927–2014), Japanese mathematician **Satake isomorphism **Satake diagram In the mathematical study of Lie algebras and Lie groups, a Satake diagram is a generalization of a Dynkin diagram introduced by whose configurations classify simple Lie algebras over the field of real numbers. The Satake diagrams associated to a D ... *, Japanese women's basketball player *, Japanese sailor *, Japanese politician {{Disambiguation, surname Japanese-language surnames ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samurai
were the hereditary military nobility and officer caste of medieval and early-modern Japan from the late 12th century until their abolition in 1876. They were the well-paid retainers of the '' daimyo'' (the great feudal landholders). They had high prestige and special privileges such as wearing two swords and ''Kiri-sute gomen'' (right to kill anyone of a lower class in certain situations). They cultivated the '' bushido'' codes of martial virtues, indifference to pain, and unflinching loyalty, engaging in many local battles. Though they had predecessors in earlier military and administrative officers, the samurai truly emerged during the Kamakura shogunate, ruling from 1185 to 1333. They became the ruling political class, with significant power but also significant responsibility. During the 13th century, the samurai proved themselves as adept warriors against the invading Mongols. During the peaceful Edo period (1603 to 1868), they became the stewards and chamberlains of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nagasaki, Nagasaki
is the capital and the largest city of Nagasaki Prefecture on the island of Kyushu in Japan. It became the sole port used for trade with the Portuguese and Dutch during the 16th through 19th centuries. The Hidden Christian Sites in the Nagasaki Region have been recognized and included in the UNESCO World Heritage List. Part of Nagasaki was home to a major Imperial Japanese Navy base during the First Sino-Japanese War and Russo-Japanese War. Near the end of World War II, the American atomic bombings of Hiroshima and Nagasaki made Nagasaki the second and, to date, last city in the world to experience a nuclear attack (at 11:02 am, August 9, 1945 'Japan Standard Time (UTC+9)'). , the city has an estimated population of 407,624 and a population density of 1,004 people per km2. The total area is . History Nagasaki as a Jesuit port of call The first contact with Portuguese explorers occurred in 1543. An early visitor was Fernão Mendes Pinto, who came from Sagres on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiraga Gennai
was a Japanese polymath and ''rōnin'' of the Edo period. Gennai was a Pharmacology, pharmacologist, student of ''Rangaku'', physician, author, painter and inventor well known for his ''Elekiter, Erekiteru'' (electrostatic generator), ''Kandankei'' (thermometer), and ''Kakanpu'' (asbestos cloth). Gennai also composed several works on (Homosexuality in Japan, homosexual) life and desire in Japan, such as the ''Nenashigusa'' (1763), the ''Kiku no en'' (1764), the ''San no asa'' (1768), and the ''Nenashigusa kohen'' (1768). He also wrote a few satirical essays, including "''On Farting''" Rootless Grass, and A Lousy Journey of Love. His birth name was Shiraishi Kunitomo, but he later used numerous pen names, including , (his principal literary pen name), and . He is best known by the name of Hiraga Gennai. Biography Family History Hiraga Gennai was born in 1729 in the village of Shidoura, Sanuki Province (part of the modern city of Sanuki, Kagawa. He was the third son of Sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rangaku
''Rangaku'' (Kyūjitai: /Shinjitai: , literally "Dutch learning", and by extension "Western learning") is a body of knowledge developed by Japan through its contacts with the Dutch enclave of Dejima, which allowed Japan to keep abreast of Western technology and medicine in the period when the country was closed to foreigners from 1641 to 1853 because of the Tokugawa shogunate's policy of national isolation (sakoku). Through Rangaku, some people in Japan learned many aspects of the scientific and technological revolution occurring in Europe at that time, helping the country build up the beginnings of a theoretical and technological scientific base, which helps to explain Japan's success in its radical and speedy modernization following the forced American opening of the country to foreign trade in 1854. History The Dutch traders at Dejima in Nagasaki were the only Europeans tolerated in Japan from 1639 until 1853 (the Dutch had a trading post in Hirado from 1609 till 1641 bef ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oil Paint
Oil paint is a type of slow-drying paint that consists of particles of pigment suspended in a drying oil, commonly linseed oil. The viscosity of the paint may be modified by the addition of a solvent such as turpentine or white spirit, and varnish may be added to increase the glossiness of the dried oil paint film. The addition of oil or alkyd medium can also be used to modify the viscosity and drying time of oil paint. Oil paints were first used in Asia as early as the 7th century AD and can be seen in examples of Buddhist paintings in Afghanistan. Oil-based paints made their way to Europe by the 12th century and were used for simple decoration, but oil painting did not begin to be adopted as an artistic medium there until the early 15th century. Common modern applications of oil paint are in finishing and protection of wood in buildings and exposed metal structures such as ships and bridges. Its hard-wearing properties and luminous colors make it desirable for both interior ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perspective (graphical)
Linear or point-projection perspective (from la, perspicere 'to see through') is one of two types of 3D projection, graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, generally on a flat surface, of an image as it is seen by the eye. Perspective drawing is useful for representing a three-dimensional scene in a two-dimensional medium, like paper. The most characteristic features of linear perspective are that objects appear smaller as their distance from the observer increases, and that they are subject to ''foreshortening'', meaning that an object's dimensions along the line of sight appear shorter than its dimensions across the line of sight. All objects will recede to points in the distance, usually along the horizon line, but also above and below the horizon line depending on the view used. Italian Renaissance painters and architects including Masaccio, Paolo Uccello, Piero della Fran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Han (country Subdivision)
( ja, 藩, "domain") is a Japanese historical term for the estate of a daimyo in the Edo period (1603–1868) and early Meiji period (1868–1912). Nussbaum, Louis-Frédéric. (2005)"Han"in ''Japan Encyclopedia'', p. 283. or (daimyo domain) served as a system of ''de facto'' administrative divisions of Japan alongside the ''de jure'' provinces until they were abolished in the 1870s. History Pre-Edo period The concept of originated as the personal estates of prominent warriors after the rise of the Kamakura Shogunate in 1185, which also saw the rise of feudalism and the samurai noble warrior class in Japan. This situation existed for 400 years during the Kamakura Shogunate (1185–1333), the brief Kenmu Restoration (1333–1336), and the Ashikaga Shogunate (1336–1573). became increasingly important as ''de facto'' administrative divisions as subsequent Shoguns stripped the Imperial provinces () and their officials of their legal powers. Edo period Toyotomi Hideyoshi, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiba Kōkan
, born Andō Kichirō (安藤吉次郎) or Katsusaburō (勝三郎), was a Japanese painter and printmaker of the Edo period, famous both for his Western-style '' yōga'' paintings, in imitation of Dutch oil painting styles, methods, and themes, which he painted as Kōkan, and his ukiyo-e prints, which he created under the name Harushige, but also producing forgeries of the works of Suzuki Harunobu. He is said to have boasted of his ability to forge the great master so well. He also was engaged in Western learning (Rangaku) in the field of astronomy. Life Kōkan started his artistic career at the age of 15 at the Kanō school in Edo, but left the school six years later. He was influenced then by Suzuki Harunobu and Sō Shiseki. In 1773 he met Hiraga Gennai. Kōkan mastered a number of very different styles, and was also a great innovator, exploring new methods and styles on his own. He became the first Japanese artist, in 1783, to use copperplate engraving, a print, called '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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