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Akai AX80
The AX80 is a polyphonic analogue keyboard synthesizer manufactured by Akai Professional in 1984. (archived on HollowSun.com) It was Akai's first venture into the professional electronic musical instrument market. The AX80 used digitally controlled oscillators (DCO) * AX80 CPU Block Diagram (No.2-1 850321A), 2* AX80 CPU Schematic Diagram (No.6-5 850313A), 12— DCOs consisting of a master oscillator, octave dividers, frequency table ROM, and 16 set of programmable counters (for 2OSCs×8voices), are implemented on digital domain. * AX80 Voice Block Diagram (No.2-2 850322A), 3* AX80 Voice Schematic Diagram (No.6-6 850314A), 14— instead of VCOs, 16 set of Waveshapers with CV input (= charge voltage for controlling the slope of sawtooth waveshape) are implemented on analog domain. Note described it as "VCOs rather than DCOs", however, his estimation seems lacking evidence. and filter circuitry based on the Curtis Electronics CEM 3372 integrated circuit. It was marketed as part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akai
Akai ( ja, 赤井, ) is a Hong Kong manufacturer of consumer electronics. It was founded as Akai Electric Company Ltd in Tokyo, Japan, in 1946. Grande Holdings in Hong Kong purchased the Akai brand, and now distributes various electronic products such as LED TV, washing machines, clothes dryers, air conditioners and smart phones, through collaborations with other electronics companies bearing relevant expertise. inMusic Brands in the United States took over Akai's brand, starting the ‘Akai Professional’ label, that distributes high-end audio electronics products. Corporate history Akai was founded by Masukichi Akai and his son, Saburo Akai (who died in 1973) as , a Japanese manufacturer in 1929 or 1946. Although reliable sources are not yet found, according to the several sourceskotobank.jp :ja:Akai Professional), Masukichi Akai established ''Akai Press Industry'' in 1923, then his son, Saburo Akai established ''Akai Electric Company Ltd.'' in 1946, and Masukichi served ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loudness
In acoustics, loudness is the subjectivity, subjective perception of sound pressure. More formally, it is defined as, "That attribute of auditory sensation in terms of which sounds can be ordered on a scale extending from quiet to loud". The relation of physical attributes of sound to perceived loudness consists of physical, physiological and psychological components. The study of apparent loudness is included in the topic of psychoacoustics and employs methods of psychophysics. In different industries, loudness may have different meanings and different measurement standards. Some definitions, such as LKFS, ITU-R BS.1770 refer to the relative loudness of different segments of electronically reproduced sounds, such as for broadcasting and cinema. Others, such as ISO 532A (Stevens loudness, measured in sones), ISO 532B (Eberhard Zwicker, Zwicker loudness), DIN 45631 and ASA/ANSI S3.4, have a more general scope and are often used to characterize loudness of environmental noise. More ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octave
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Low Frequency Oscillation
Low-frequency oscillation (LFO) is an electronic frequency that is usually below 20 Hz and creates a rhythmic pulse or sweep. This is used to modulate musical equipment such as synthesizers to create audio effects such as vibrato, tremolo and phasing. History Low-frequency oscillation was introduced with modular synthesizers of the 1960s, such as the Moog synthesizer. Often the LFO effect was accidental, as there were myriad configurations that could be "patched" by the synth operator. LFOs have since appeared in some form on almost every synthesizer. More recently other electronic musical instruments, such as samplers and software synthesizers, have included LFOs to increase their sound alteration capabilities. Overview The primary oscillator circuits of a synthesizer are used to create the audio signals. An LFO is a secondary oscillator that operates at a significantly lower frequency (hence its name), typically below 20 Hz - that is, below the range of human hear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pulse-width Modulation
Pulse-width modulation (PWM), or pulse-duration modulation (PDM), is a method of reducing the average power delivered by an electrical signal, by effectively chopping it up into discrete parts. The average value of voltage (and current) fed to the load is controlled by turning the switch between supply and load on and off at a fast rate. The longer the switch is on compared to the off periods, the higher the total power supplied to the load. Along with maximum power point tracking (MPPT), it is one of the primary methods of reducing the output of solar panels to that which can be utilized by a battery. PWM is particularly suited for running inertial loads such as motors, which are not as easily affected by this discrete switching, because their inertia causes them to react slowly. The PWM switching frequency has to be high enough not to affect the load, which is to say that the resultant waveform perceived by the load must be as smooth as possible. The rate (or frequency) a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semitone
A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically. It is defined as the interval between two adjacent notes in a 12-tone scale. For example, C is adjacent to C; the interval between them is a semitone. In a 12-note approximately equally divided scale, any interval can be defined in terms of an appropriate number of semitones (e.g. a whole tone or major second is 2 semitones wide, a major third 4 semitones, and a perfect fifth 7 semitones. In music theory, a distinction is made between a diatonic semitone, or minor second (an interval encompassing two different staff positions, e.g. from C to D) and a chromatic semitone or augmented unison (an interval between two notes at the same staff position, e.g. from C to C). These are enharmonically equivalent when twelve-tone equal temperament is used, but are not the same thing in meantone temper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waveforms
In electronics, acoustics, and related fields, the waveform of a signal is the shape of its graph as a function of time, independent of its time and magnitude scales and of any displacement in time.David Crecraft, David Gorham, ''Electronics'', 2nd ed., , CRC Press, 2002, p. 62 In electronics, the term is usually applied to periodically varying voltages, currents, or electromagnetic fields. In acoustics, it is usually applied to steady periodic sounds—variations of pressure in air or other media. In these cases, the waveform is an attribute that is independent of the frequency, amplitude, or phase shift of the signal. The term can also be used for non-periodic signals, like chirps and pulses. The waveform of an electrical signal can be visualized in an oscilloscope or any other device that can capture and plot its value at various times, with a suitable scales in the time and value axes. The electrocardiograph is a medical device to record the waveform of the electr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voltage-controlled Oscillator
A microwave (12–18GHz) voltage-controlled oscillator A voltage-controlled oscillator (VCO) is an electronic oscillator whose oscillation frequency is controlled by a voltage input. The applied input voltage determines the instantaneous oscillation frequency. Consequently, a VCO can be used for frequency modulation (FM) or phase modulation (PM) by applying a modulating signal to the control input. A VCO is also an integral part of a phase-locked loop. VCOs are used in synthesizers to generate a waveform whose pitch can be adjusted by a voltage determined by a musical keyboard or other input. A voltage-to-frequency converter (VFC) is a special type of VCO designed to be very linear in frequency control over a wide range of input control voltages. Types VCOs can be generally categorized into two groups based on the type of waveform produced. * ''Linear'' or '' harmonic oscillators'' generate a sinusoidal waveform. Harmonic oscillators in electronics usually consist of a re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland JX-3P
The Roland JX-3P is a synthesizer produced by Roland Corporation of Japan from 1983-1985. The "3P" in its name refers to "Programmable Preset Polyphonic". It is notable as one of the company's first synthesizers (along with the Jupiter-6) to incorporate a MIDI interface. Features The JX-3P is a six-note polyphonic, 61 key synthesizer with sawtooth, 50 and 10% pulse waveforms, and a noise generator. It has 32 factory programs in ROM, and user memory for 32 programs. The JX-3P also features a built-in 128-step polyphonic sequencer that can be synchronized to external devices, such as drum machines, connected to its simple clock pulse input jack. MIDI clock synchronization is not supported. As one of the earliest MIDI devices, the JX-3P's MIDI implementation is basic, supporting only note on/off, pitch bend, hold, modulation and program change messages. Neither "System Exclusive" nor "Continuous Controllers" (CC) are implemented, so external patch storage or real-time parameter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aftertouch
Keyboard expression is the ability of a keyboard instrument, keyboard musical instrument to change tone or other qualities of the sound in response to velocity, pressure or other variations in how the performer depresses the keys of the musical keyboard. Expression types include: * ''Velocity sensitivity''—how fast the key is pressed * ''Aftertouch'', or ''pressure sensitivity'' — the amount of pressure on a key, once already held down * ''Displacement sensitivity''—distance that a key is pressed down Keyboard instruments offer a range of expression types. Acoustic pianos, such as upright and grand pianos, are velocity-sensitive—the faster the key strike, the harder the hammer hits the strings. Baroque-style clavichords and professional synthesizers are aftertouch-sensitive—applied force on the key after the initial strike produces effects such as vibrato or swells in loudness, volume. Tracker pipe organs and some electronic organs are displacement-sensitive—partly dep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octaves
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DIN Connector
The DIN connector is an electrical connector that was standardized by the ' (DIN), the German Institute for Standards, in the early 1970s. The male DIN connectors (plugs) feature a 13.2 mm diameter metal shield with a notch that limits the orientation in which plug and socket can mate. The range of DIN connectors, different only in the configuration of the pins, have been standardized as DIN 41524 / IEC/DIN EN 60130-9 (3-pin at 90° and 5-pin at 45°); DIN 45322 (5-pin and 6-pin at 60°); DIN 45329 / IEC/DIN EN 60130–9 (7-pin at 45°); and DIN 45326 / IEC/DIN EN 60130-9 (8-pin at 45°). In consumer electronics, the term "DIN connector" identifies types of cylindrical connectors that the German Institute for Standards (DIN) had initially standardised for analog audio signals. Some DIN connectors have been used in analog video applications, for power connections, and for digital interfaces, such as the MIDI (DIN 41524), the IBM PC keyboard and the IBM AT keyboard connect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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