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Aita Seacă
Aita (also spelled ''Eita'' in Etruscan inscriptions) is the name of the Etruscan equivalent to the Greek Hades, the god of the underworld. Images Aita is a relatively late addition to the Etruscan pantheon, appearing in iconography and in Etruscan text beginning in the 4th century BC, and is heavily influenced by his Greek counterpart, Hades. Aita is pictured in only a few instances in Etruscan tomb painting, such as in the Golini Tomb from Orvieto Orvieto () is a city and ''comune'' in the Province of Terni, southwestern Umbria, Italy, situated on the flat summit of a large butte of volcanic tuff. The city rises dramatically above the almost-vertical faces of tuff cliffs that are compl ... and the tomb of Orcus II from Tarquinia. In these tomb paintings, he is shown with his consort Phersipnai, the Etruscan equivalent to the Greek Persephone. Although Aita is very rarely depicted, he may appear enthroned and sometimes wears a wolf cap, borrowing a key attri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomba Golini
''Tomba!'' is a 1997 platform-adventure game developed by Whoopee Camp and published by Sony Computer Entertainment for the PlayStation. It was released in Japan in 1997 and in other territories the following year. The game centers on the eponymous feral child as he attempts to recover his grandfather's bracelet from an evil race of anthropomorphic pigs. Creator Tokuro Fujiwara developed ''Tomba!'' after leaving Capcom in 1995, founding Whoopee Camp as director, producer and lead designer. He chose the game's 2D side-scrolling perspective for the format's straightforward nature, and created a non-linear "event" system to differentiate the game from other platforming titles. ''Tomba!'' was received positively by critics, with praise for its controls, visuals, and varied gameplay objectives. However, the game's audio received a more mixed reception. Despite the game's lackluster commercial performance, it was followed by a sequel in 1999, '' Tomba! 2: The Evil Swine Return''. '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tarquinia
Tarquinia (), formerly Corneto, is an old city in the province of Viterbo, Lazio, Central Italy, known chiefly for its ancient Etruscan tombs in the widespread necropoleis, or cemeteries, for which it was awarded UNESCO World Heritage status. In 1922, it was renamed after the ancient city of Tarquinii (Roman) or Tarch(u)na (Etruscan). Although little is visible of the once-great wealth and extent of the ancient city, archaeology is increasingly revealing glimpses of past glories. Location The Etruscan and Roman city is situated on the long plateau of La Civita to the north of the current town. The ancient burial grounds (necropoleis), dating from the Iron Age (9th century BC, or Villanovan period) to Roman times, were on the adjacent promontories including that of today's Tarquinia. History Etruscan city Tarquinii (Etruscan ''Tarch(u)na'') was one of the most ancient and important Etruscan cities; the ancient myths connected with Tarchuna (those of its eponymous founder ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oinochoe
An oenochoe, also spelled oinochoe ( grc, οἰνοχόη; from grc, οἶνος ''oînos'', "wine" and grc, χέω ''khéō'', "I pour," sense "wine-pourer"; plural ''oinochoai''; New Latin ''oenochoë,'' plural ''oenochoae,'' English plural ''oenochoes'' or ''oinochoes''), is a wine jug and a key form of ancient Greek pottery. Intermediate between a pithos (large storage vessel) or amphora (transport vessel), and individual cups or bowls, it held fluid for several persons temporarily until it could be poured. The term ''oinos'' (Linear B wo-no) appears in Mycenaean Greek, but not the compound. The characteristic form was popular throughout the Bronze Age, especially at prehistoric Troy. In classical times for the most part the term ''oinochoe'' implied the distribution of wine. As the word began to diversify in meaning, the shape became a more important identifier than the word. The oinochoe could pour any fluid, not just wine. The English word, pitcher, is perhaps the close ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Volterra
Volterra (; Latin: ''Volaterrae'') is a walled mountaintop town in the Tuscany region of Italy. Its history dates from before the 8th century BC and it has substantial structures from the Etruscan, Roman, and Medieval periods. History Volterra, known to the ancient Etruscans as ''Velathri'' or ''Vlathri'' and to the Romans as ''Volaterrae'', is a town and ''comune'' in the Tuscany region of Italy. The town was a Bronze Age settlement of the Proto-Villanovan culture, and an important Etruscan center (''Velàthre'', ''Velathri'' or ''Felathri'' in Etruscan, ''Volaterrae'' in Latin language), one of the "twelve cities" of the Etruscan League. The site is believed to have been continuously inhabited as a city since at least the end of the 8th century BC. It became a municipium allied to Rome at the end of the 3rd century BC. The city was a bishop's residence in the 5th century, and its episcopal power was affirmed during the 12th century. With the decline of the episcopate and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vulci
Vulci or Volci (Etruscan language, Etruscan: ''Velch'' or ''Velx'', depending on the romanization used) was a rich Etruscan civilization, Etruscan city in what is now northern Lazio, central Italy. As George Dennis (explorer), George Dennis wrote, "Vulci is a city whose very name... was scarcely remembered, but which now, for the enormous treasures of antiquity it has yielded, is exalted above every other city of the ancient world." Vulci was located near the coast of the Tyrrhenian Sea about 80 km northwest of Rome, on the Fiora River, between Montalto di Castro and Canino. Remains of the city can be seen today. The Vulci, like other Etruscans, became master sculptors in bronze as acknowledged by ancient writers. Although most large bronzes have been lost, there remain some magnificent examples of Etruscan bronze work such as the Chimera of Arezzo and the Monteleone chariot, possibly made in Vulci. In the 19th century thousands of the ancient tombs of Vulci were discovere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Art Media
Arts media is the material and tools used by an artist, composer or designer to create a work of art, for example, "pen and ink" where the pen is the tool and the ink is the material. Here is a list of types of art and the media used within those types. Architecture *Cement, concrete, mortar * Cob *Glass *Metal *Stone, brick *Wood Carpentry *Adhesives *Wood (timber) Ceramics *Bone china *Clay * Glaze *Porcelain *Pottery *Terracotta Drawing Common drawing materials *Acrylic paint *Chalk *Charcoal *Conté *Crayon *Gouache *Graphite *Ink *Oil paint * Glass paint *Pastel *Pixel * Sketch *Tempera *Watercolor *Glitter Common supports (surfaces) for drawing *Canvas *Card stock *Concrete *Fabric *Glass *Human body *Metal *Paper *Plaster *Scratchboard *Stone *Vellum *Wood Common drawing tools and methods *Brush *Finger *Pen *Ballpoint pen *Fountain pen *Gel pen *Technical pen * Marker *Pencil * Mechanical pencil (clutch, screw, and ratchet) *Colored pencil *Stylus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rape Of Persephone
The Rape of Persephone, or Abduction of Persephone, is a classical mythological subject in Western art, depicting the abduction of Persephone by Hades. This then resulted in the myth surrounding the creation of the seasons, as Demeter mourned the time that Persephone spent in the Underworld with her husband. In the context of the subject, the word "Rape" refers to the traditional translation of the Latin raptus, "seized" or "carried off", and not to sexual violence. Mythological background Persephone is the daughter of Zeus and Demeter. Hades wished to make her his wife, so he got permission from her father Zeus and help from Gaia to abduct her into the Underworld. When Persephone was picking flowers in a field, Hades emerged on his chariot from a crack on the earth, and carried off the unwilling Persephone; only Hecate and Helios witnessed the abduction, and later told Demeter. Rubens Created in 1636 and 1637, Peter Paul Rubens depicted the abduction of Persephone in a pie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calu
Calu is an Etruscan chthonic deity, often equated with the Etruscan equivalent to the Greek Hades, Aita. He is identified by his wolf attributes, such as a wolf-like appearance or a human with a wolf-skin cap. The visual representations of the cult of Calu seem to contain common elements with the Roman cult of Lupercalia Lupercalia was a pastoral festival of Ancient Rome observed annually on February 15 to purify the city, promoting health and fertility. Lupercalia was also known as ''dies Februatus'', after the purification instruments called ''februa'', the b ... and the Faliscan cult of the Hirpi Sorani ("wolves of Soranus", from Sabine hirpus "wolf"). Notes Etruscan religion Wolves in folklore, religion and mythology Etruscan gods Underworld gods {{paganism-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persephone
In ancient Greek mythology and religion, Persephone ( ; gr, Περσεφόνη, Persephónē), also called Kore or Cora ( ; gr, Κόρη, Kórē, the maiden), is the daughter of Zeus and Demeter. She became the queen of the underworld after her abduction by and marriage to her uncle Hades, the king of the underworld.Martin Nilsson (1967). ''Die Geschichte der Griechische Religion'' Vol I pp 462–463, 479–480 The myth of her abduction, her sojourn in the underworld, and her temporary return to the surface represents her functions as the embodiment of spring and the personification of vegetation, especially grain crops, which disappear into the earth when sown, sprout from the earth in spring, and are harvested when fully grown. In Classical Greek art, Persephone is invariably portrayed robed, often carrying a sheaf of grain. She may appear as a mystical divinity with a sceptre and a little box, but she was mostly represented in the process of being carried off by Hades. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phersipnai
In Etruscan mythology, Persipnei or Phersipnai (later Ferspnai) was the queen of the underworld and equivalent to the Greek goddess Persephone and Roman Proserpina. Persipnei was the consort of the divine ruler of the underworld, Aita. Together, both of these deities ruled the Etruscan underworld, which was guarded by Mantus and Mania. Indeed, her name was borrowed by the Etruscans from the Greeks. See also * Etruscan civilization The Etruscan civilization () was developed by a people of Etruria in ancient Italy with a common language and culture who formed a federation of city-states. After conquering adjacent lands, its territory covered, at its greatest extent, roughl ... References Etruscan goddesses Etruscan religion Underworld goddesses Death goddesses {{deity-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orcus II
The Tomb of Orcus ( it, Tomba dell'Orco), sometimes called the Tomb of Murina ( it, Tomba dei Murina), is a 4th-century BC Etruscan hypogeum (burial chamber) in Tarquinia, Italy. Discovered in 1868, it displays Hellenistic influences in its remarkable murals, which include the portrait of Velia Velcha, an Etruscan noblewoman, and the only known pictorial representation of the demon Tuchulcha. In general, the murals are noted for their depiction of death, evil, and unhappiness. Because the tomb was built in two sections at two stages, it is sometimes referred to as the ''Tombs of Orcus I'' and ''II''; it is believed to have belonged to the Murina family, an offshoot of the Etruscan Spurinnae. The foundation is inscribed with the following enigmatic phrase: History Orcus I was built between 470 and 450 BC (perhaps by a man named Leive; see below); a separate hypogeum, Orcus II, was built c. 325 BC. At some point in antiquity the wall between the two was removed, creating ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etruscan Language
Etruscan () was the language of the Etruscan civilization, in Italy, in the ancient region of Etruria (modern Tuscany, western Umbria, northern Latium, Emilia-Romagna, Veneto, Lombardy and Campania). Etruscan influenced Latin but was eventually completely superseded by it. The Etruscans left around 13,000 inscriptions that have been found so far, only a small minority of which are of significant length; some bilingual inscriptions with texts also in Latin, Greek, or Phoenician; and a few dozen purported loanwords. Attested from 700 BC to AD 50, the relation of Etruscan to other languages has been a source of long-running speculation and study, with its being referred to at times as an isolate, one of the Tyrsenian languages, and a number of other less well-known theories. The consensus among linguists and Etruscologists is that Etruscan was a Pre–Indo-European, and a Paleo-European language and is closely related to the Raetic language that was spoken in the Alps,Schumacher, S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_480-460_BC_(Sk_1761)_1.JPG "Click for more on -> Persephone")
