Air à Boire
   HOME
*





Air à Boire
''Air à boire'' is a French language, French term which was used between the mid-17th and mid-18th centuries for a "drinking song". These were generally strophic, syllabic songs to light texts. Its predecessor was ''chanson pour boire'', the difference being mainly that ''chansons pour boire'' were for one voice with lute accompaniment, whereas ''airs à boire'' are generally for more than one voice.Baron ''Airs à boire'' are generally contrasted with ''airs sérieux'', which typically had texts on more serious matters, such as "love, pastoral scenes, and political satire."Baron, Air à boire Most ''airs à boire'' occur in publications from Paris, and are for one to three voices and lute accompaniment. In the 1690s ''airs à boire'' were so popular that new collections containing them were published every three months in Paris. In the period when the term was used, over 250 collections of songs with the title ''Airs sérieux et à boire'' were published. Composers who were prol ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

French Language
French ( or ) is a Romance language of the Indo-European family. It descended from the Vulgar Latin of the Roman Empire, as did all Romance languages. French evolved from Gallo-Romance, the Latin spoken in Gaul, and more specifically in Northern Gaul. Its closest relatives are the other langues d'oïl—languages historically spoken in northern France and in southern Belgium, which French ( Francien) largely supplanted. French was also influenced by native Celtic languages of Northern Roman Gaul like Gallia Belgica and by the ( Germanic) Frankish language of the post-Roman Frankish invaders. Today, owing to France's past overseas expansion, there are numerous French-based creole languages, most notably Haitian Creole. A French-speaking person or nation may be referred to as Francophone in both English and French. French is an official language in 29 countries across multiple continents, most of which are members of the ''Organisation internationale de la Francophonie'' ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Henri Desmarets
Henri Desmarets (February 1661 – 7 September 1741) was a French composer of the Baroque period primarily known for his stage works, although he also composed sacred music as well as secular cantatas, songs and instrumental works. Biography Early years and first successes Henri Desmarets was born into a modest Paris household in February 1661. His mother, Madeleine ''née'' Frottier, came from a bourgeois Parisian family. His father, Hugues Desmarets was a huissier in the cavalry at the Grand Châtelet. Desmarets' childhood was marked by his father's death when he was eight years old, his mother's subsequent remarriage in 1670, and the death of his two siblings. In 1674, he entered into the service of King Louis XIV as a page and choir singer in the Chapelle Royale (Chapel Royal). According to Duron and Ferraton, he may have also previously sung as a choir boy in Saint-Germain l'Auxerrois which was the parish church of the kings of France. While in the service of the ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Song Forms
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers f ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

18th-century Music Genres
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand th ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

17th-century Music Genres
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Sébastien De Brossard
Sébastien de Brossard, pronounced e.bɑs.tjẽ də brɔ.saːr (12 September 1655 – 10 August 1730) was a French music theorist, composer and collector. Life Brossard was born in Dompierre, Orne. After studying philosophy and theology at Caen, he studied music and established himself in Paris in 1678 and remained there until 1687. He briefly was the private tutor of the young son of Nicolas-Joseph Foucault, a collector and bibliophile. He became a very close friend to Étienne Loulié, one of the musicians who performed the Italianate works that Marc-Antoine Charpentier was composing for Marie de Lorraine, Duchess of Guise, better known as "Mademoiselle de Guise." While in Paris, he also became close to Samuel Morland, an English inventor and polymath who was working with Joseph Sauveur, a mathematician, on the Machine de Marly. It was during talks about music with Morland that Brossard deduced the role that a major third versus a minor third play in differentiating a ma ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Sébastien Le Camus
Sébastien Le Camus (ca. 1610-1677) was a French composer. He entered into the service of Louis XIII Louis XIII (; sometimes called the Just; 27 September 1601 – 14 May 1643) was King of France from 1610 until his death in 1643 and King of Navarre (as Louis II) from 1610 to 1620, when the crown of Navarre was merged with the French crown ... in 1640 and became ''intendant de la musique'' to Gaston d'Orléans in 1648.Music and the Language of Love: Seventeenth-Century French Airs - Page 16 Catherine Gordon-Seifert - 2011 Sébastien Le Camus (ca. 1610–ca. 77) first entered into the service of Louis XIII in 1640 and was appointed as intendant de la musique to Gaston d'Orléans in 1648. References {{DEFAULTSORT:Le Camus, Sebastien 1610s births 1677 deaths French Baroque composers French male classical composers 17th-century classical composers 17th-century male musicians ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Étienne Moulinié
Étienne Moulinié (10 October 1599 – 1676) was a French Baroque composer. He was born in Languedoc, and when he was a child he sang at the Narbonne Cathedral. Through the influence of his brother Antoine (died 1655), Moulinié gained an appointment at court, as the director of music for Gaston d'Orléans, the younger brother of the king. For this post he wrote sacred and secular music, for voice or voices and lute or continuo. He also wrote music to accompany the ''ballet'' or other dances. He taught Gaston's daughter, Mlle de Montpensier. Moulinié worked for Gaston until the latter's death in 1660, at which point he was forced to find new employment. For this he returned to his birthplace of Languedoc.Grove, "Étienne Moulinié" Moulinié wrote in the genres of ''airs de cour'' and '' airs à boire''. His ''airs de cour'' are strophic and syllabic, but generally freer than others in the genre. His works were printed in a number of different forms (for voices alone and v ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Michel Lambert
Michel Lambert (1610 – 29 June 1696) was a French singing master, theorbist and composer. Career Lambert was born at Champigny-sur-Veude, France. He received his musical education as an altar boy at the Chapel of Gaston d'Orléans, a brother of king Louis XIII. He studied also with Pierre de Nyert in Paris. Since 1636, he was known as a singing teacher. In 1641, he married singer Gabrielle Dupuis who died suddenly a year later. Their daughter Madeleine (1643–1720) married Jean-Baptiste Lully in 1662. After his marriage, Lambert's career became closely linked to his sister-in-law and famous singer Hilaire Dupuis (1625–1709). In 1651, he appears as a ballet dancer at the court of Louis XIV. Beginning in 1656, his reputation as a composer was established and his compositions were regularly printed by Ballard. They consist mainly of airs on poems of Benserade and Quinault. He was the most prolific composer of airs in the second half of the 17th century. In 1661, he succeeded Je ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Jean-Baptiste Drouart De Bousset
Jean-Baptiste Drouard de Bousset (1662 - 3 October 1725) was a French baroque composer. He was born in Asnières, of minor nobility, and became ''maître de musique'' of the chapelle of the Louvre. He died in Paris Paris () is the Capital city, capital and List of communes in France with over 20,000 inhabitants, most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), ma .... His son René Drouard de Bousset was a noted organist who also published two series of cantatas on biblical subjects. Works, editions, recordings Works * ''Psaumes'' paraphrased by Elisabeth-Sophie Chéron (1648–1711), Ballard Paris. Recordings * ''Les Fastes De Bacchus'', dir. Michel Verschaeve, La Compagnie Baroque. Arion * ''Airs Sérieux'', Elizabeth Dobbin, Le Jardin Secret. Fuga Libera (Outhere, 2016) External links * References 1662 births 1725 deaths French composers French male composers
[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Jean-Féry Rebel
Jean-Féry Rebel (18 April 1666 – 2 January 1747) was an innovative French Baroque composer and violinist. Biography Rebel, a child violin prodigy, was the most famous offspring of Jean Rebel, a tenor in Louis XIV's private chapel. He later became a student of the great violinist, singer, conductor, and composer Jean-Baptiste Lully. By 1699, at age 33, Rebel became first violinist of the Académie royale de musique (also known as the Opéra). He travelled to Spain in 1700. Upon his return to France in 1705, he was given a place in the prestigious ensemble known as the Les Vingt-quatre Violons du Roi. He was chosen Maître de Musique in 1716. His most important position at court was Chamber Composer, receiving the title in 1726. Rebel served as court composer to Louis XIV and ''maître de musique'' at the Académie, and directed the Concert Spirituel (during the 1734–1735 season). Rebel was one of the first French musicians to compose sonatas in the Italian style. Many ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]