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Ahir Bhairav
Ahir Bhairav is a Hindustani classical ''raga''. It is a mixture of Bhairav and the ancient, rare ''raga'' Ahiri or Abhiri,Bor 1999 or perhaps a mixture of Bhairav and Kafi. Important traditional Compositions Some of the most important traditional compositions in Raag Ahir Bhairav are: # Man Rangeele (Teental 32BPM Vilambit) # Shankara Mhaarare (180BPM Drut); popularised by Nagaraja Rao Havaldar # Mohe Chedo Na Giridhaari (170 BPM Drut); popularised by Parveen Sultana Theory Arohana and avarohana Arohana: Avarohana: Key: S, G, M, P, D: ''shuddha'' (natural); r, n : ''komal'' (flat); ''Pa'' and ''Sa'' are sometimes avoided in ascending Arohan. The descent can be direct, but is often expressed as S' N d P m, G m Gr ~ S with a slight oscillation on ''komal re'' to express the character of Bhairav. Vadi and samavadi Vadi: Samavadi: Pakad or Chalan S, r G M, G M r, ṇ Ḍ, ṇ r S , ''komal Ni, shuddha Dha, komal Ni, komal Re, Sa'' , is the most charact ...
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Bhairav (thaat)
Bhairav is one of the ten basic thaats of Hindustani music from the Indian subcontinent. It is also the name of a raga within this thaat. But there is no connection in the similarity between in the names of the thaat and the raga. Description Ragas of the Bhairav thaat make use of Komal Rishabh and Komal Dhaivat. Bhairava is one of the names of Shiva especially in his powerful form as a naked ascetic with matted locks and body smeared with ashes. The ragas too have some of these masculine and ascetic attributes in its form and compositions. The Bhairav raga itself is extremely vast and allows a huge number of note combinations and a great range of emotional qualities from valour to peace. There are many variations based on it including (but not restricted to) Ahir Bhairav, Alam Bhairav, Anand Bhairav, Bairagi Bhairav, Beehad Bhairav, Bhavmat Bhairav, Devata Bhairav, Gauri Bhairav, Nat Bhairav, Shivmat Bhairav. Ragas Ragas belonging to the Bhairav thaat include: * Basant Mukhar ...
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Tetrachord
In music theory, a tetrachord ( el, τετράχορδoν; lat, tetrachordum) is a series of four notes separated by three intervals. In traditional music theory, a tetrachord always spanned the interval of a perfect fourth, a 4:3 frequency proportion (approx. 498 cents)—but in modern use it means any four-note segment of a scale or tone row, not necessarily related to a particular tuning system. History The name comes from ''tetra'' (from Greek—"four of something") and ''chord'' (from Greek ''chordon''—"string" or "note"). In ancient Greek music theory, ''tetrachord'' signified a segment of the greater and lesser perfect systems bounded by ''immovable'' notes ( ); the notes between these were ''movable'' ( ). It literally means ''four strings'', originally in reference to harp-like instruments such as the lyre or the kithara, with the implicit understanding that the four strings produced adjacent (i.e., conjunct) notes. Modern music theory uses the octave as the basic u ...
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Viswanathan–Ramamoorthy
Viswanathan–Ramamoorthy were an Indian music composing duo composed of M. S. Viswanathan and T. K. Ramamoorthy. They worked together on over 100 films, from 1952's '' Panam'' to 1965's '' Aayirathil Oruvan''. After their split, Ramamoorthy worked on 16 films between 1966 and 1986. He and Viswanathan reunited in 1995 for ''Engirundho Vandhan''. Early lives Ramamoorthy Ramamoorthy, born into a well-known musical family in Trichy, was a capable violinist at an early age. His father (Krishnasamy Pillai) and grandfather, Malaikottai Govindasamy Pillai, were noted violinists in Trichy. As a child, Ramamoorthy performed several times with his father. During the early 1940s he worked for Saraswathi Stores (in which AVM Productions owner Avichi Meiyappa Chettiar was a partner), and played violin for AVM composer R. Sudharsanam in several films. Ramamoorthy became friendly with P. S. Diwakar, the pianist-composer of Malayalam cinema, and roomed with P. S. Diwakar. C. R. Subburaman ...
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Rockstar (2011 Film)
''Rockstar'' is a 2011 Indian Hindi-language musical romantic drama film written and directed by Imtiaz Ali and produced by former Eros International head Sunil Lulla and Shree Ashtavinayak Cine Vision chief Dhilin Mehta, starring Ranbir Kapoor and Nargis Fakhri with music composed by A. R. Rahman. The film also features Moufid Aziz, Aditi Rao Hydari, Piyush Mishra, Shernaz Patel, Kumud Mishra in supporting roles, and also Ranbir Kapoor's granduncle Shammi Kapoor, who makes his posthumous silver-screen appearance following his death on 14 August 2011. ''Rockstar'' was released on 11 November 2011. On the day of release, Tibetans in Chennai and Kangra protested against the Central Board of Film Certification asking the film-makers to censor scenes featuring the Tibetan flag. Upon release, ''Rockstar'' received generally mixed-to-positive reviews, with high praise directed towards Kapoor's performance and Rahman's soundtrack, but received criticism for its story and screenplay. ...
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Hum Dil De Chuke Sanam
''Hum Dil De Chuke Sanam'' () is a 1999 Indian Hindi-language romantic musical film directed by Sanjay Leela Bhansali. It was released internationally as ''Straight From the Heart''. The film stars Aishwarya Rai, Salman Khan and Ajay Devgn. Based on Rashtriyashayar Jhaverchand Meghani's play ''Shetal ne Kathe'', the film narrates the story of a newlywed man who discovers that his wife is in love with another man, and decides to unite them. The film has also been described as a loose adaptation of Maitreyi Devi's Bengali novel '' Na Hanyate'', although the film itself does not credit it as a source. It was filmed throughout the Gujarat-Rajasthan border region, in addition to Budapest, Hungary, which was used to represent Italy. The film premiered in the Indian Panorama section at the 1999 International Film Festival of India. The Bengali film ''Neel Akasher Chandni'' was inspired by this movie. The film was a commercial success and emerged as one of the highest-grossing Indian ...
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Aashiqui
Aashiqui () is a 1990 Indian Hindi musical romantic drama film and first installment of Aashiqui series directed by Mahesh Bhatt, starring Rahul Roy, Anu Aggarwal and Deepak Tijori in pivotal roles. The film was known for its music, by composer duo Nadeem–Shravan (Nadeem Akhtar Saifi and Shravan Kumar Rathod) establishing their careers along with that of singer Kumar Sanu and music label T-Series. Upon release, it received positive reviews and emerged as a commercial success. The soundtrack album has been rated fourth by Planet Bollywood on their "100 Greatest Bollywood Soundtracks". It was the best selling Bollywood album at the time of its release. At the 36th Filmfare Awards, the film received 7 nominations and won 4 awards with a sweep in the music categories. The film was remade in Kannada as ''Roja'' (2002). The soundtrack album sold 20million units, making it the best-selling Bollywood soundtrack album of all time. A cover version of one of its songs, "Dheere Dheere" ...
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Ram Teri Ganga Maili
''Ram Teri Ganga Maili'' () is a 1985 Indian Hindi-language romantic drama film directed by Raj Kapoor. The film stars Mandakini and Rajiv Kapoor in lead roles. Music director Ravindra Jain received a Filmfare Award for this film. The film generated controversy because of Mandakini's bold scenes of breastfeeding and bathing in a transparent saree, which wasn't something the conservative Indian Film Certification Board allowed then. Yet, it had a U (Universal) age rating, which was later amended to U/A. It was the last film directed by Kapoor. ''Ram Teri Ganga Maili'' is included in the 'All-Time Blockbusters' list of Indian Cinema. It was certified Diamond Jubilee in Mumbai and Golden Jubilee in other major cities. The film was the year's highest-grossing film. It was also one of the highest-grossing films of the 1980s, alongside ''Kranti'' (1981) and ''Maine Pyar Kiya'' (1989). Plot Narendra Sahay a.k.a. "Naren" is the son of Jeeva Sahay. He is a rich politician in Calcut ...
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Shiv Dayal Batish
Shiv Dayal Batish (better known as S.D. Batish; 14 December 1914 – 29 July 2006) was an Indian singer and music director born in Patiala, India. He died in Santa Cruz, California, USA where he had lived since 1970. Career Shiv was a composer, playback singer and music director for Bollywood music. He broadcast his first radio program in 1936, from the studios of All India Radio, Delhi. He scored music for a number of early Bollywood movies such as ''Betab, Bahu Beti, Karwat 1949, Toofan, Haar jeet 1954, Tipu Sultan 1959, Hum Bhi Kuch Kam Nahin, Amar Keertan'', and ''Zalim Tera Jawab Naheen''. Shiv moved to the United Kingdom in 1964. While playing at a festival in Wales, Cardiff, he impressed Lord Fenner Brockway, who then helped him immigrate to the UK. He recorded a number of songs for the BBC where he became a regular radio and television artist. He wrote the lyrics, composed the music, and sang the theme song "Nai Zindagi Naya Jeevan" ("New Birth, New Life") to the BBC ...
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Karnan (1964 Film)
''Karnan'' () is a 1964 Indian Tamil-language Hindu mythological film produced and directed by B. R. Panthulu. It stars Sivaji Ganesan leading an ensemble cast consisting of N. T. Rama Rao, S. A. Ashokan, R. Muthuraman, Savitri, Devika and M. V. Rajamma. The film is based on the story of Karna, a character from the Hindu epic ''Mahabharata''. ''Karnan'', which was officially launched in 1963, was shot in palaces at Jaipur and the war sequences were filmed in Kurukshetra, which featured several soldiers from the Indian Army. The film's original soundtrack was composed by the duo Viswanathan–Ramamoorthy, while the lyrics were written by Kannadasan. The screenplay was written by A. S. Nagarajan and the dialogues by Sakthi T. K. Krishnasamy. The film was the first in Tamil to be colourised using Eastmancolor. ''Karnan'' was released on 14 January 1964, during the festival occasion of Pongal. The film ran for over 100 days in theatres, and later won the Certificate of Merit fo ...
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Vijeta (1982 Film)
''Vijeta'' (English: The Victor) is a 1982 Indian coming-of-age Hindi film produced by Shashi Kapoor and directed by Govind Nihalani. It stars Shashi Kapoor, his son Kunal Kapoor, Rekha, Amrish Puri and Supriya Pathak with K.K. Raina, Raja Bundela and Shafi Inamdar, who went on to become notable supporting actors in Bollywood movies. Plot Angad (Kunal Kapoor) is a confused teenager trying to find himself and is caught in between the marital problems of his Maharashtrian mother Neelima (Rekha) and Punjabi father Nihal (Shashi Kapoor), it is time for him to decide what he wants to do with his life. Angad chooses to become a fighter pilot with the Indian Air Force. What follows is his struggle to become a victor both with his self and the outer world. Angad is attracted to Anna Varghese (Supriya Pathak), who is the daughter of his flying instructor Group Captain Varghese (Amrish Puri) a Malayali Syrian Christian. Angad must learn to adapt to flying, leaving his mom and dad for long ...
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Dhamar (music)
Dhamar is one of the talas used in Hindustani classical music from the Indian subcontinent. It is associated with the dhrupad style and typically played on the pakhawaj and also tabla. Dhamar taal has 14 beats (''matra''s) grouped asymmetrically into a 5-2-3-4 pattern. A song in dhrupad style set to dhamar tala is also called a dhamar. The text of a dhamar concerns the antics of Krishna teasing the milkmaids during the ''Holi Holi (), also known as the Festival of Colours, the Festival of Spring, and the Festival of Love,The New Oxford Dictionary of English (1998) p. 874 "Holi /'həʊli:/ noun a Hindu spring festival ...". is an ancient Hindu religious festival ...'' (''hori'') Spring Festival of colours. It is considered a relatively light, gentle, and romantic musical form. The ''theka'' or syllabic pattern of dhamar tala is: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 क ध्धि ट धि ट धा ऽ ग त ...
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Alap
The Alap (; ) is the opening section of a typical North Indian classical performance. It is a form of melodic improvisation that introduces and develops a raga. In dhrupad singing the alap is unmetered, improvised (within the raga) and unaccompanied (except for the tanpura drone), and started at a slow tempo. For people unfamiliar with the raga form, it introduces the mode (the pattern of ascending and perhaps different descending scale) to the listener. It defines the raga, its mood, and the emphasized notes and notes with a secondary role. It's like an invocation. Instead of wholly free improvisation, many musicians perform alap schematically, for example by way of ''vistar'', where the notes of the raga are introduced one at a time, so that phrases never travel further than one note above or below what has been covered before. In such cases, the first reach into a new octave can be a powerful event. In instrumental music, when a steady pulse is introduced into the alap, it is c ...
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