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Afro-rock
Afro rock is a style of rock music with West African influences. Afro rock bands and artists in the late 1960s and early 1970s included Osibisa, Assagai and Lafayette Afro Rock Band. Style The style relies on the use of rock string instruments (electric guitars and electric bass) and guitar effects like wah wah pedal. Songs are based around a rock chordal structure and progression with a horn section, and keyed instruments such as electric piano, organ, and clavinet. The rhythmic elements of the music are drums and bass, but other characteristically African and Afro-Cuban elements are the percussion instruments including congas, bongos, claves, whistles and other Latin percussion. Late 1960s, Super Eagles and Psychedelic Aliens were roots of afro rock. Osibisa and Assagai were founded in England. Afro rock musicians * Osibisa *Assagai *Lafayette Afro Rock Band *Cymande *Demon Fuzz * Blo * MATATA [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blo (band)
Blo was a Nigerian psychedelic funk ensemble formed in Lagos and active between 1972 and 1982. The main trio consisted of Laolu "Akins" Akintobi (drums), Berkely "Ike" Jones (guitar), and Mike "Gbenga" Odumosu (bass). The group fused the Afrobeat rhythms of Nigeria with funk and psychedelia derived from '60s Western rock music. History The roots of Blo lay in the successful mid-60s highlife group the Clusters, who also performed as a backing band for the Sierra Leonean pop star Geraldo Pino. In 1970, the trio of Akintobi, Jones, and Odumosu left the group to form Afrocollection with sisters Kehinde and Taiwo Lijadu, exploring a more Afro-rock approach. They collaborated on the jazz-rock project Salt with British drummer Ginger Baker of Cream in 1971. In late 1972, Akintobi, Jones, Odumosu formed Blo (standing for their names Berkeley, Laolu & Odumosu) and toured prior to recording their debut album ''Chapter One'' for the EMI Nigeria label. The album drew equally on the Afrobe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assagai
Assagai was an Afro-rock band, active in the early 1970s in London, whose relatively short career produced two albums recorded in 1971. It has been described as "the second best-known African group of the late 60s/early 70s in Britain" after Osibisa. History The original band consisted of five members, three from South Africa and two from Nigeria: drummer Louis Moholo, trumpeter/flautist Mongezi Feza, alto saxophonist Dudu Pukwana, tenor saxophonist Bizo Mngqikana, and guitarist/bassist Fred Coker — the latter, according to Rob Fitzpatrick in ''The Guardian'', "helped guide Assagai into position as the only real West African competition to the super-star firepower of Ghana's Osibisa" before Coker left Assagai to replace Spartacus R in Osibisa. Canterbury scene keyboardist Alan Gowen and King Crimson percussionist Jamie Muir were also briefly members (1971-72). [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Remi Kabaka
Remi Kabaka (born 27 March 1945) is an Afro-rock avant-garde drummer. He worked with John Martyn, Hugh Masekela, on ''Rhythm of the Saints'' by Paul Simon, and ''Short Cut Draw Blood'' by Jim Capaldi. He was also an important figure in the 1970s afro-jazz scene, composing the music to the film ''Black Goddess''. Discography * 1973: ''Aiye-Keta'' (with Steve Winwood and Abdul Lasisi Amao, as Third World) * 1980: ''Roots Funkadelia'' (Polydor) * 1983: ''Great Nation'' (R.A.K.) * 2020: ''Mystic Souls'' appears as a guest with The Jazz Messiahs ''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the ... track #4, #5, #6, #7, #8) (Soulitude Records) JM S-1205-2 url=https://www.soulituderecords.com/the-jazz-messiahs References 1945 births Living people musicians from Kano Nigerian drumm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alhaji K
Hajji ( ar, الحجّي; sometimes spelled Hadji, Haji, Alhaji, Al-Hadj, Al-Haj or El-Hajj) is an honorific title which is given to a Muslim who has successfully completed the Hajj to Mecca. It is also often used to refer to an elder, since it can take years to accumulate the wealth to fund the travel (and did particularly before the advent of mass air travel), and in many Muslim societies to a respected man as an honorific title. The title is placed before a person's name; for example, Saif Gani becomes ''Hajji Saif Gani''. Hadži is also used in Orthodox Christianity for people who go on pilgrimage to the grave of Christ in Jerusalem. It can then be added to the pilgrim's first name, e.g., Hadži-Prodan, Hadži-Đera, Hadži-Ruvim, Hadži-Melentije Stevanović Hajji is derived from the Arabic ', which is the active participle of the verb ' ("to make the pilgrimage"). The alternative form ' is derived from the name of the Hajj with the adjectival suffix -''ī'', and this wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fela Kuti
Fela Aníkúlápó Kuti (born Olufela Olusegun Oludotun Ransome-Kuti; 15 October 1938 – 2 August 1997), also known as Abami Eda, was a Nigerian musician, bandleader, composer, political activist, and Pan-Africanist. He is regarded as the pioneer of Afrobeat, a Nigerian music genre that combines West African music with American funk and jazz. At the height of his popularity, he was referred to as one of Africa's most "challenging and charismatic music performers". AllMusic described him as a musical and sociopolitical voice of international significance. Kuti was the son of Nigerian women's rights activist Funmilayo Ransome-Kuti. After early experiences abroad, he and his band Africa 70 (featuring drummer and musical director Tony Allen) shot to stardom in Nigeria during the 1970s, during which he was an outspoken critic and target of Nigeria's military juntas. In 1970, he founded the Kalakuta Republic commune, which declared itself independent from military rule. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afrobeat
Afrobeat is a Nigerian music genre that involves the combination of West African musical styles (such as traditional Yoruba music and highlife) and American funk, jazz, and soul influences, with a focus on chanted vocals, complex intersecting rhythms, and percussion.Grass, Randall F. "Fela AnikulaThe Art of an Afrobeat Rebel". ''The Drama Review: TDR''. MIT Press. 30: 131–148. The style was pioneered in the 1960s by Nigerian multi-instrumentalist and bandleader Fela Kuti, who is responsible for popularizing the style both within and outside Nigeria. Distinct from Afrobeat is Afrobeats – a sound originating in West Africa in the 21st century, one that takes in diverse influences and is an eclectic combination of genres such as hip hop, house, jùjú, ndombolo, R&B and soca. The two genres, though often conflated, are not the same. History Afrobeat was developed in Nigeria in the late 1960s by Fela Kuti who, with drummer Tony Allen, experimented with different c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demon Fuzz
Demon Fuzz was an English rock band which was formed in 1968 and broke up in 1972. Its members had all immigrated to Britain from Commonwealth countries. The band's name means "devil's children or bad policemen". The band's music has generally been described as progressive rock, soul, jazz rock and funk. Their album, ''Afreaka!'', has become a popular source for sampling. Since 2008, they have received sporadic airplay by the BBC radio presenters Huey Morgan and Gideon Coe. History The band was promoted by The Red Bus Company agency in London, which also handled Mungo Jerry, Mike Cooper, Titus Groan and Wildmouth which arranged for them to appear at a concert incongruously named the " Hollywood Music Festival", in May 1970 at a Leycett farm near Newcastle-under-Lyme. They played at the Phun City Festival, "a major concert event in Worthing". In November 1970, the band played a series of ten concerts called "A Penny Concert" along with Titus Groan, Heron and Comus. Among perform ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
