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Afro-Bossa
''Afro-Bossa'' is an album by American pianist, composer and bandleader Duke Ellington recorded and released on the Reprise Records, Reprise label in 1963.A Duke Ellington Panorama accessed May 11, 2010 Reception The Allmusic review by Ken Dryden awarded the album 4 stars and stated "This is easily one of Duke Ellington's essential studio recordings of the 1960s, though it isn't as widely recognized as it ought to be".Dryden, K. [ Allmusic Review] accessed May 11, 2010Track listing '':All compositions by Duke Ellington except as indicated'' # "Afro-Bossa" – 4:22 # "Purple Gazelle" – 2:44 # "Absinthe" (Billy Strayhorn) – 3:34 # "Moonbow" – 2:33 # "Sempre Amore" – 3:14 # "Caline (Silk Lace)" – 2:31 # "Tigress" (Strayhorn ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cat Anderson
William Alonzo "Cat" Anderson (September 12, 1916 – April 29, 1981) was an American jazz trumpeter known for his long period as a member of Duke Ellington's orchestra and for his wide range, especially his ability to play in the altissimo register. Biography Born in Greenville, South Carolina, Anderson lost both parents when he was four years old, and was sent to live at the Jenkins Orphanage in Charleston, where he learned to play trumpet. Classmates gave him the nickname "Cat" (which he used all his life) based on his fighting style. He toured and made his first recording with the Carolina Cotton Pickers, a small group based at the orphanage. After leaving the Cotton Pickers, Anderson played with guitarist Hartley Toots, Claude Hopkins' big band, Doc Wheeler's Sunset Orchestra (1938–1942), with whom he also recorded, Lucky Millinder, the Erskine Hawkins Orchestra, Sabby Lewis's Orchestra, and Lionel Hampton, with whom he recorded the classic "Flying Home No. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russell Procope
Russell Keith Procope (August 11, 1908 – January 21, 1981) was an American clarinetist and alto saxophonist who was a member of the Duke Ellington orchestra. Before Ellington Procope was born in New York City, United States, and grew up in San Juan Hill, where he attended school with Benny Carter. His first instrument was the violin, but he switched to clarinet and alto saxophone. He began his professional career in 1926 as a member of Billy Freeman's orchestra. He recorded with Jelly Roll Morton at the age of 20, and played with bands led by Benny Carter, Chick Webb (1929–30), Fletcher Henderson (spring of 1931 to 1934), Tiny Bradshaw, Teddy Hill, King Oliver, and Willie Bryant. Fletcher Henderson's band dissolved in 1934. Along with several other ex-Henderson musicians, Procope joined Benny Carter's orchestra. He also worked for a time with the Tiny Bradshaw and Willie Bryant bands before joining Teddy Hill in 1935. During his stay with Teddy Hill's orchestra the trumpet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buster Cooper
George "Buster" Cooper (April 4, 1929 – May 13, 2016) was an American jazz trombonist. Career A native of St. Petersburg, Florida, United States, Cooper played in a territory band with Nat Towles in Texas in the late 1940s and with Lionel Hampton in 1953. He played in the house band at the Apollo Theater in New York City in the mid-1950s, and following this he was in Benny Goodman's band. Late in the 1950s he and his brother Steve formed the Cooper Brothers Band. From 1962 to 1969, he was a trombonist in Duke Ellington's Orchestra. In 1973, he moved to Los Angeles, and played in jazz orchestras over the next several decades, including Bill Berry's band and The Capp-Pierce Juggernaut. He led a trio at a restaurant in St. Petersburg, Florida. In 1993, Cooper appeared as a jazz trombonist in the film ''Murder Between Friends'', set in New Orleans. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Nance
Ray Willis Nance (December 10, 1913 – January 28, 1976) was an American jazz trumpeter, violinist and singer. He is best remembered for his long association with Duke Ellington and his orchestra. Early years Nance was the leader of his own band in Chicago from 1932 to 1937. Then, he worked with Earl Hines from 1937 to 1939; and from 1939 to 1940 he worked with Horace Henderson. Ellington tenure Ellington hired Nance to replace trumpeter Cootie Williams, who had joined Benny Goodman, in 1940. Nance's first recorded performance with Ellington was at the Duke Ellington at Fargo, 1940 Live, Fargo, North Dakota ballroom dance. Shortly after joining the band, Nance was given the trumpet solo on the earliest recorded version of "Take the "A" Train", which became the Ellington theme. Nance's "A Train" solo is one of the most copied and admired trumpet solos in jazz history. Indeed, when Cootie Williams returned to the band more than twenty years later, he would play Nance's sol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Hamilton
Jimmy Hamilton (May 25, 1917 – September 20, 1994) was an American jazz clarinetist and saxophonist, who was a member of the Duke Ellington Orchestra. Biography Hamilton was born in Dillon, South Carolina, United States, and grew up in Philadelphia. Having learned to play piano and brass instruments, in the 1930s he started playing the latter in local bands before switching to clarinet and saxophone. During this time he studied with clarinet teacher Leon Russianoff. In 1939, he played with Lucky Millinder, Jimmy Mundy, and Bill Doggett, going on to join the Teddy Wilson sextet in 1940. After two years with Wilson, he played with Eddie Heywood and Yank Porter. In 1943, he replaced Barney Bigard in the Duke Ellington orchestra and stayed with Ellington until 1968. His style was different on his two instruments: on tenor saxophone he had an R&B sound, while on clarinet he was much more precise and technical. He wrote some of his own material in his time with Ellington. Aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lawrence Brown (jazz Trombonist)
Lawrence Brown (August 3, 1907 – September 5, 1988) was a jazz trombonist from California best remembered for his work with the Duke Ellington orchestra. He was a session musician throughout his career, and also recorded albums under his own name. Early life Lawrence Brown was born on August 3, 1907, in Lawrence, Kansas. When Brown was about six or seven years old in 1914 his family moved to Oakland, California. He began playing the violin at a young age, but quickly grew tired of it and turned to playing the tuba in his school's band. Brown came from a musical background. His father was a preacher at the African Methodist Episcopal Church, where he often sang as a part of his sermons. Brown’s mother played the organ and the piano. Brown discovered the trombone while doing janitorial work at his father’s church. He stated that he wanted to replicate the sound of cello on a trombone. Career Brown began his career with Charlie Echols and Paul Howard. In 1932, Brown ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Great Paris Concert
''The Great Paris Concert'' is a 1973 live double album by jazz pianist Duke Ellington preserving pieces of a series of performances given in Paris during February 1963, a decade prior the release. Several of the tracks were previously edited and included in '' Duke Ellington's Greatest Hits''. Those edited tracks were included on the 1989 CD re-release of ''The Great Paris Concert''. Track listing All tracks written by Duke Ellington unless otherwise noted. All tracks live. #"Kinda Dukish" – 1:52 #"Rockin' in Rhythm" ( Harry Carney, Ellington, Irving Mills) – 3:47 #"On the Sunny Side of the Street" (Dorothy Fields, Jimmy McHugh) – 2:58 #"The Star-Crossed Lovers" (Ellington, Billy Strayhorn) – 4:18 #" All of Me" (Gerald Marks, Seymour Simons) – 2:35 #" Theme from the Asphalt Jungle" – 4:08 #"Concerto for Cootie" – 2:31 #"Tutti for Cootie" (Ellington, Jimmy Hamilton) – 4:46 #"Suite Thursday: Misfit Blues" (Ellington, Strayhorn) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington & John Coltrane
''Duke Ellington & John Coltrane'' is a jazz album by Duke Ellington and John Coltrane released in January 1963 on Impulse! Records. It was one of Ellington's many collaborations in the early 1960s with musicians such as Count Basie, Louis Armstrong, Coleman Hawkins, Max Roach, and Charles Mingus, and placed him with a quartet (in this case, saxophone, piano, bass, and drums), rather than a big band. The quartet was filled out by the bassist and drummer from either of their bands. The album featured Ellington standards (e.g., "In a Sentimental Mood"), new Ellington compositions, and a new Coltrane composition ("Big Nick"). Coltrane said:I was really honored to have the opportunity of working with Duke. It was a wonderful experience. He has set standards I haven't caught up with yet. I would have liked to have worked over all those numbers again, but then I guess the performances wouldn't have had the same spontaneity. And they mightn't have been any better!Excerpt from the CD boo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinet
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the BB♭ contrabass to the E♭ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the orchestra and concert band. Etymology The word ''clarinet'' may have entered the English language via the Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
