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Afrika Mokili Mobimba
''African Jazz Mokili Mobimba'' (often referred to as ''Africa Mokili Mobimba'' or ''Afrika Mokili Mobimba'') was a popular song written in the Congolese rumba style by Mwamba Mongala and performed by Joseph Kabasele's band, African Jazz. History Beginning in June 1961, the popular Congolese band African Jazz —led by Joseph Kabasele— made a series of recordings in Brussels, Belgium. One of their new songs was "''African Jazz Mokili Mobimba''" (meaning "African Jazz all over the world"), written by guitarist Mwamba "Déchaud" Mongala in the Congolese rumba style. It was released later that year. It was a pastiche of two Latin American songs. The lyrics caution against excessive travel abroad. The song also references all of the performing musicians as well as several Congolese cities and African countries (a common way of expressing praise at the time). At just over five minutes in length, it was one of the first African recordings to make use of the larger 45 rpm records ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Grand Kallé Et L'African Jazz
''Le Grand Kallé et l'African Jazz'', often simply referred to as African Jazz, was a popular and extremely influential Congolese rumba (soukous) band from the modern-day Democratic Republic of the Congo. Founded in 1953 in Kinshasa, Léopoldville (modern-day Kinshasa) under Belgian Congo, Belgian colonial rule, the band was led by Joseph Kabasele Tshamala, popularly known by his stage name Le Grand Kallé. The group saw its heyday between 1958 and 1962, after which it was hit by defections by its members in 1963. It was briefly revived after 1966. History African Jazz emerged from the vibrant urban culture of Léopoldville during the last decade of Belgian rule in the Congo. Its music, driven by members of the Évolué, rising African middle class, became popular during the move towards independence as an expression of rising national self-confidence. The new musical style, pioneered by the group, brought together foreign musical influences and western instruments with indigenou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
OK Jazz
OK Jazz, later renamed TPOK Jazz (short for ''Tout Puissant Orchestre Kinois de Jazz''), was a Congolese rumba band from the Democratic Republic of the Congo established in 1956 and fronted by Franco. The group disbanded in 1993, but reformed in 1996. Location The OK Jazz band was formed in 1956 in Léopoldville (now Kinshasa), in what was at the time the Belgian Congo (now the Democratic Republic of the Congo). At one time in the late 1970s and early 1980s the band grew to more than fifty members. During that period, it often split into two groups; one group stayed in Kinshasa, playing in nightclubs there, while the other group toured in Africa, Europe and North America. History 1950–1959 The musicians who started OK Jazz included Vicky Longomba, Jean Serge Essous, François Luambo Makiadi, De La Lune, Augustin Moniania Roitelet, La Monta LiBerlin, Saturnin Pandi, Nicolas Bosuma Bakili Dessoin and vocalist Philippe Lando Rossignol. They used to play at Loningisa Studios i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
JazzTimes
''JazzTimes'' is an American magazine devoted to jazz. Published 10 times a year, it was founded in Washington, D.C. in 1970 by Ira Sabin as the newsletter ''Radio Free Jazz'' to complement his record store. Coverage After a decade of growth in subscriptions, deepening of writer pools, and internationalization, ''Radio Free Jazz'' expanded its focus and, at the suggestion of jazz critic Leonard Feather, changed its name to ''JazzTimes'' in 1980. Sabin's Glenn joined the magazine staff in 1984. In 1990, ''JazzTimes'' incorporated exclusive cover photography and higher quality art and graphic design. The magazine reviews audio and video releases concerts, instruments, music supplies, and books. It also includes a guide to musicians, events, record labels, and music schools. David Fricke, whose writing credits include ''Rolling Stone'', '' Melody Maker'' and ''Mojo'', also contributes to the magazine. Web traffic JazzTimes.com was redesigned in 2019. Among its most popular s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wire (magazine)
''The Wire'' (or simply ''Wire'') is a British music magazine publishing out of London, which has been issued monthly in print since 1982. Its website launched in 1997, and an online archive of its entire back catalog became available to subscribers in 2013. Since 1985, the magazine's annual year-in-review issue, Rewind, has named an album or release of the year based on critics' ballots. Originally, ''The Wire'' covered the British jazz scene with an emphasis on avant-garde and free jazz. It was marketed as a more adventurous alternative to its conservative competitor ''Jazz Journal'', and targeted younger readers at a time when ''Melody Maker'' had abandoned jazz coverage. In the late 1980s and 1990s, the magazine expanded its scope until it included a broad range of musical genres under the umbrella of non-mainstream or experimental music. Since then, ''The Wire''s coverage has included experimental rock, electronica, alternative hip hop, modern classical, free improvisat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papa Noel Nedule
Papa Noel Nedule is a soukous recording artist and guitarist in the Democratic Republic of the Congo (DRC). He was born as Antoine Nedule Monswet on December 25, 1940. Because of his Christmas birthdate, he became known as "Papa Noel," and he is often referred to under that name (without "Nedule"). He was once a member of the soukous band TPOK Jazz, led by François Luambo Makiadi, which dominated the Congolese music scene from the 1950s through the 1980s. He was an original member and leader of the band Kékélé when it was founded in 2000, although illness prevented him from joining the band in some of its later recording sessions and tours. Discography * ''Cafe Noir'' (2007) ;Contributing artist * ''The Rough Guide to Congo Gold'' (2008, World Music Network) See also * Josky Kiambukuta * Simaro Lutumba * Youlou Mabiala * Sam Mangwana * Wuta Mayi * Ndombe Opetum * Mose Se Sengo - "Fan Fan" * List of African musicians References External links Overview of Composition of T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tabu Ley Rochereau
Pascal-Emmanuel Sinamoyi Tabu (13 November 1940 – 30 November 2013), better known as Tabu Ley Rochereau, was a leading African rumba singer-songwriter from the Democratic Republic of the Congo. He was the leader of ''Orchestre Afrisa International'', as well as one of Africa's most influential vocalists and prolific songwriters. Along with guitarist Dr Nico Kasanda, Tabu Ley pioneered soukous (African rumba) and internationalised his music by fusing elements of Congolese folk music with Cuban, Caribbean and Latin American rumba. He has been described as "the Congolese personality who, along with Mobutu, marked Africa's 20th century history." He was dubbed "the African Elvis" by the ''Los Angeles Times''. After the fall of the Mobutu regime, Tabu Ley also pursued a political career. His musical career ran parallel to the other great Congolese rhumba bandleader and rival Franco Luambo Makiadi who ran the band TPOK Jazz throughout the 1960s, 1970s and '80s. During his career, Tabu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fania All-Stars
The Fania All-Stars is a musical group formed in 1968 as a showcase for the musicians on Fania Records, the leading salsa music record label of the time. History Beginnings In 1964, Fania Records was founded in New York City by Jerry Masucci, an Italian-American lawyer with a love for Cuban music, and Johnny Pacheco, a flutist, percussionist and bandleader born in the Dominican Republic but raised in the South Bronx who had like minded musical tastes. Masucci later bought out his partner Pacheco from Fania Entertainment Group, Ltd. and was the sole owner until his death in December 1997. Throughout the early years, Fania used to distribute its records around New York. Eventually success from Pacheco's ''Cañonazo'' recording would lead the label to develop its roster. Masucci and Pacheco, now executive negotiator and musical director respectively, began acquiring musicians such as Bobby Valentín, Larry Harlow, and Ray Barretto. Success In 1968, Fania Records created a co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam Mangwana
Sam, SAM or variants may refer to: Places * Sam, Benin * Sam, Boulkiemdé, Burkina Faso * Sam, Bourzanga, Burkina Faso * Sam, Kongoussi, Burkina Faso * Sam, Iran * Sam, Teton County, Idaho, United States, a populated place People and fictional characters * Sam (given name), a list of people and fictional characters with the given name or nickname * Sam (surname), a list of people with the surname ** Cen (surname) (岑), romanized "Sam" in Cantonese ** Shen (surname) (沈), often romanized "Sam" in Cantonese and other languages Religious or legendary figures * Sam (Book of Mormon), elder brother of Nephi * Sām, a Persian mythical folk hero * Sam Ziwa, an uthra (angel or celestial being) in Mandaeism Animals * Sam (army dog) (died 2000) * Sam (horse) (b 1815), British Thoroughbred * Sam (koala) (died 2009), rescued after 2009 bush fires in Victoria, Australia * Sam (orangutan), in the movie ''Dunston Checks In'' * Sam (ugly dog) (1990–2005), voted the world's ugliest dog i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Single (music)
In music, a single is a type of release, typically a song recording of fewer tracks than an LP record or an album. One can be released for sale to the public in a variety of formats. In most cases, a single is a song that is released separately from an album, although it usually also appears on an album. In other cases a recording released as a single may not appear on an album. Despite being referred to as a single, in the era of music downloads, singles can include up to as many as three tracks. The biggest digital music distributor, the iTunes Store, accepts as many as three tracks that are less than ten minutes each as a single. Any more than three tracks on a musical release or thirty minutes in total running time is an extended play (EP) or, if over six tracks long, an album. Historically, when mainstream music was purchased via vinyl records, singles would be released double-sided, i.e. there was an A-side and a B-side, on which two songs would appear, one on each si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lingala Language
Lingala (Ngala) (Lingala: ''Lingála'') is a Bantu language spoken in the northwest of the Democratic Republic of the Congo, the northern half of the Republic of the Congo, in their capitals, Kinshasa and Brazzaville, and to a lesser degree in Angola, the Central African Republic and southern South Sudan. Lingala has 15–20 million native speakers and about 25 million second-language speakers, for a total of 40–45 million speakers. History Prior to 1880, Bobangi was an important trade language on the western sections of the Congo river, more precisely between Stanley Pool ( Kinshasa) and the confluence of the Congo and Ubangi rivers. When in the early 1880s, the first Europeans and their West- and East-African troops started founding state posts for the Belgian king along this river section, they noticed the widespread use and prestige of Bobangi. They attempted to learn it, but only cared to acquire an imperfect knowledge of it, a process that gave rise to a new, str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastiche
A pastiche is a work of visual art, literature, theatre, music, or architecture that imitates the style or character of the work of one or more other artists. Unlike parody, pastiche pays homage to the work it imitates, rather than mocking it. The word is a French cognate of the Italian noun , which is a pâté or pie-filling mixed from diverse ingredients. Metaphorically, and describe works that are either composed by several authors, or that incorporate stylistic elements of other artists' work. Pastiche is an example of eclecticism in art. Allusion is not pastiche. A literary allusion may refer to another work, but it does not reiterate it. Moreover, allusion requires the audience to share in the author's cultural knowledge. Both allusion and pastiche are mechanisms of intertextuality. By art Literature In literary usage, the term denotes a literary technique employing a generally light-hearted tongue-in-cheek imitation of another's style; although jocular, it is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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