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Afghan Classical Music
The classical music of Afghanistan is called klasik, which includes both instrumental (rāgas, naghmehs) and vocal forms (ghazals).Doubleday, pg. 3 Many ''ustad'', or professional musicians, are descended from Indian artists who emigrated to the royal court in Kabul in the 1860s upon the invitation of Amir Sher Ali Khan.Mikalina These north Indian musicians use Hindustani terminology and structures.Doubleday, pg. 3''Many of the Kabuli professional 'master musicians' (known as ''ustad'') are directly descended from musicians who came from India to play at the Afghan court in the 1860s. They maintain cultural and personal ties with India -- through discipleship or inter-marriage -- and they use the Hindustani musical theories and terminology, for example raga (melodic form) and ''tala'' (rhythmic cycle).'' (all emphasis in original) Afghan ragas, in contrast to Indian ones, tend to be more focused on rhythm, and are usually played with the tabla, imported from India, or the nati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afghan Musicians - Herat, 1973
Afghan may refer to: *Something of or related to Afghanistan, a country in Southern-Central Asia *Afghans, people or citizens of Afghanistan, typically of any ethnicity **Afghan (ethnonym), the historic term applied strictly to people of the Pashtun ethnicity **Ethnic groups in Afghanistan, people of various ethnicities that are nationally Afghan *Afghan Hound, a dog breed originating in the mountainous regions of Afghanistan and the surrounding regions of Central Asia *Afghan (blanket) *Afghan coat *Afghan cuisine People * Sediq Afghan (born 1958), Afghan philosopher * Asghar Afghan (born 1987), former Afghan cricketer * Afgansyah Reza (born 1989), Indonesian musician also known as "Afgan" * Afghan Muhammad (died 1648), Afghan khan in modern day Russia * Azad Khan Afghan (died 1781), Afghan Commander and Ruler Places * Afghan, Iran, a village in Sistan and Baluchestan Province, Iran Other uses * Afghan (Australia), camel drivers from Afghanistan and Pakistan who came to the Au ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tala (music)
A tala ( IAST ''tāla'') literally means a 'clap, tapping one's hand on one's arm, a musical measure'. It is the term used in Indian classical music similar to musical meter, that is any rhythmic beat or strike that measures musical time. The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions. Along with ''raga'' which forms the fabric of a melodic structure, the ''tala'' forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. ''Tala'' is an ancient music concept traceable to Vedic era texts of Hinduism, such as the '' Samaveda'' and methods for singing the Vedic hymns. The music traditions of the North and South India, particularly the ''raga'' and ''tala'' systems, were not considered as distinct till about the 16th century. There on, during the tumultuous period of Islamic rul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afghan Music
The music of Afghanistan comprises many varieties of classical music, folk music, and modern popular music. Afghanistan has a rich musical heritage and features a mix of Persian melodies, Indian compositional principles, and sounds from ethnic groups such as the Pashtuns, Tajiks and Hazaras. Instruments used range from Indian tablas to long-necked lutes. Afghanistan's classical music is closely related to Hindustani classical music while sourcing much of its lyrics directly from classical Persian poetry such as Mawlana Balkhi (Rumi) and the Iranian tradition indigenous to central Asia. Lyrics throughout most of Afghanistan are typically in Dari (Persian) and Pashto. The multi-ethnic city of Kabul has long been the regional cultural capital, but outsiders have tended to focus on the city of Herat, which is home to traditions more closely related to Iranian music than in the rest of the country.Doubleday, pg. 4 History Folk and traditional music Religious music The Afghan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ustad Mohammad Omar
Ustad Mohammad Omar (1905–1980) was a musician from Afghanistan who played the rubab. Early life and career Mohammad Omar began music lessons under his father, Ibrahim, who taught him singing, sarod, rubab and dutar. In the mid-20th century, he was Director of the National Orchestra of Radio Afghanistan, which brought together folk musicians from the different regions and distinct ethnic communities of Afghanistan. In 1974, Mohammad Omar received a Fulbright-Hays Foreign Scholar Fellowship to teach at the University of Washington, making him the first Afghan musician to teach at a major university in the United States. On November 18, 1974, Mohammad Omar gave a public concert at the university, his first rabab performance in front of a Western audience; he was accompanied on tabla by Zakir Hussain. In 1978 he met the German jazz-rock groupe Embryo at the Goethe Institut The Goethe-Institut (, GI, en, Goethe Institute) is a non-profit German cultural association o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musicians In Herat, 1973
A musician is a person who composes, conducts, or performs music. According to the United States Employment Service, "musician" is a general term used to designate one who follows music as a profession. Musicians include songwriters who write both music and lyrics for songs, conductors who direct a musical performance, or performers who perform for an audience. A music performer is generally either a singer who provides vocals or an instrumentalist who plays a musical instrument. Musicians may perform on their own or as part of a group, band or orchestra. Musicians specialize in a musical style, and some musicians play in a variety of different styles depending on cultures and background. A musician who records and releases music can be known as a recording artist. Types Composer A composer is a musician who creates musical compositions. The title is principally used for those who write classical music or film music. Those who write the music for popular songs may be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hafiz Shirazi
Khwāje Shams-od-Dīn Moḥammad Ḥāfeẓ-e Shīrāzī ( fa, خواجه شمسالدین محمّد حافظ شیرازی), known by his pen name Hafez (, ''Ḥāfeẓ'', 'the memorizer; the (safe) keeper'; 1325–1390) and as "Hafiz", was a Persian lyric poet, whose collected works are regarded by many Iranians as a pinnacle of Persian literature. His works are often found in the homes of people in the Persian-speaking world, who learn his poems by heart and use them as everyday proverbs and sayings. His life and poems have become the subjects of much analysis, commentary and interpretation, influencing post-14th century Persian writing more than any other Persian author. Hafez is best known for his Divan of Hafez, a collection of his surviving poems probably compiled after his death. His works can be described as "antinomian" and with the medieval use of the term "theosophical"; the term "theosophy" in the 13th and 14th centuries was used to indicate mystical work by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saadi (poet)
Saadi Shīrāzī ( fa, ابومحمّد مصلحالدین بن عبدالله شیرازی), better known by his pen name Saadi (; fa, سعدی, , ), also known as Sadi of Shiraz (, ''Saʿdī Shīrāzī''; born 1210; died 1291 or 1292), was a Persian poet and prose writer of the medieval period. He is recognized for the quality of his writings and for the depth of his social and moral thoughts. Saadi is widely recognized as one of the greatest poets of the classical literary tradition, earning him the nickname "The Master of Speech" or "The Wordsmith" ( ''ostâd-e soxan'') or simply "Master" ( ''ostâd'') among Persian scholars. He has been quoted in the Western traditions as well. '' Bustan'' has been ranked as one of the 100 greatest books of all time by ''The Guardian''. Biography Saadi was born in Shiraz, Iran, according to some, shortly after 1200, according to others sometime between 1213 and 1219. In the Golestan, composed in 1258, he says in lines evidently addr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abdul-Qādir Bedil
Mawlānā Abul-Ma'ānī Mīrzā Abdul-Qādir Bēdil ( fa, مولانا ابوالمعانی میرزا عبدالقادر بیدل, or Bīdel, ), also known as Bedil Dehlavī (; 1642–1720), was an Indian Sufi, and considered one of the greatest Indo-Persian poets, next to Amir Khusrau, who lived most of his life during the reign of Aurangzeb, the sixth Mughal emperor. He was the foremost representative of the later phase of the "Indian style" ( sabk-e hendī) of Persian poetry, and the most difficult and challenging poet of that school.M. SidiqqiAbdul-Qādir Bīdel Encyclopaedia Iranica. 1989. Vol. IV, Fasc. 3, pp. 244-246 Life Bedil was born in Azimabad (present-day Patna) in India. He was the son of the Mirza Abd al-Khaliq (d. 1648), a former Turkic soldier who belonged to the Arlas tribe of the Chaghatay. The descendants of the family had originally lived in the city of Bukhara in Transoxiana, before moving to India. Bedil's native language was Bengali, but he also spok ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Couplet
A couplet is a pair of successive lines of metre in poetry. A couplet usually consists of two successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (or closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (or open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's '' Arcadia '' in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called ''heroic couplets''. John Dryden in the 17th century and Alexander Pope in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of India
Owing to India's vastness and diversity, Indian music encompasses numerous genres in multiple varieties and forms which include classical music, folk (Bollywood), rock, and pop. It has a history spanning several millennia and developed over several geo-locations spanning the sub-continent. Music in India began as an integral part of socio-religious life. History Pre-history Paleolithic The 30,000-year-old paleolithic and neolithic cave paintings at the UNESCO world heritage site at Bhimbetka rock shelters in Madhya Pradesh show a type of dance. Mesolithic and chalcolithic cave art of Bhimbetka illustrates musical instruments such as Gongs, Bowed Lyre, daf etc. Neolithic Chalcolithic era (4000 BCE onward) narrow bar shaped polished stone celts like music instruments, one of the earlier musical instrument in India, were excavated at Sankarjang in the Angul district of Odisha. There is historical evidence in the form of sculptural evidence, i.e. musical instruments, si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pashtun Music
Pashto music ( ps, ) or ''Də ṭang-ṭakór'' is commonly performed in Afghanistan and Pakistan among Pashtun people. Genres Tappa Tappa ( ps, ټپه) is the oldest and most popular genre of the Pashto poetry. The Tappa is a composition of two unequal meters, in which the first line is shorter than the succeeding one, yet it reflects all human feelings and aspirations elegantly. Be it laborers, peasants, or women, all sentiments find expression in the Tappa. It is also common among the Pashtuns that a boy of school age would sing it, the elders in their hujrahs, or the women in their home and Godar alike. It is the only song sung in the time of grief and on the occasion of marriage. In music it is sung with the traditional Afghan musical instruments rubab and mangai. Tappa has up to 16 different models of harmony and is sung with full orchestra. In hujrah it is sung with rubab and sitar. Charbeta Charbetta is another popular genre, which consists of an epic poem with spec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar (raga), Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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