Adrian Daub
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Adrian Daub
Adrian Daub (born 1980 in Cologne) is a German literary scholar and Professor of German and Comparative Literature at Stanford University, who has served as the Director of Feminist, Gender, and Sexuality Studies and serves as the Barbara D. Finberg Director of the Clayman Institute at Stanford. Life and career Daub received a B.A. from Swarthmore College in 2003 before completing an M.A. and Ph.D. at the University of Pennsylvania. His dissertation dealt with the marriage philosophies in German Romanticism and Idealism and was under the direction of Liliane Weissberg. Daub was an assistant professor of German (2008-2013) and associate professor of German (2013-2016) at Stanford and was appointed full Professor of German Studies and Comparative Literature in 2016. At Stanford, he served as the Director of Feminist, Gender, and Sexuality Studies (2016-2020) and, since 2019, has served as the Barbara D. Finberg Director of the Clayman Institute at Stanford. Daube has been the co-e ...
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Cologne, Germany
Cologne ( ; german: Köln ; ksh, Kölle ) is the largest city of the German western state of North Rhine-Westphalia (NRW) and the fourth-most populous city of Germany with 1.1 million inhabitants in the city proper and 3.6 million people in the urban region. Centered on the left (west) bank of the Rhine, Cologne is about southeast of NRW's state capital Düsseldorf and northwest of Bonn, the former capital of West Germany. The city's medieval Catholic Cologne Cathedral (), the third-tallest church and tallest cathedral in the world, constructed to house the Shrine of the Three Kings, is a globally recognized landmark and one of the most visited sights and pilgrimage destinations in Europe. The cityscape is further shaped by the Twelve Romanesque churches of Cologne, and Cologne is famous for Eau de Cologne, that has been produced in the city since 1709, and "cologne" has since come to be a generic term. Cologne was founded and established in Germanic Ubii te ...
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German Modernism
Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, and social organization which reflected the newly emerging industrial society, industrial world, including features such as urbanization, architecture, new technologies, and war. Artists attempted to depart from traditional forms of art, which they considered outdated or obsolete. The poet Ezra Pound's 1934 injunction to "Make it New" was the touchstone of the movement's approach. Modernist innovations included abstract art, the stream-of-consciousness novel, montage (filmmaking), montage cinema, atonal and twelve-tone music, divisionist painting and modern architecture. Modernism explicitly rejected the ideology of Realism (arts), realism and made use of the works of the past by the employment of reprise, incorpor ...
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