Adonis (Duquesnoy)
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Adonis (Duquesnoy)
''Adonis'', also known as ''Adonis Mazarin'', is a marble sculpture by Flemish artist François Duquesnoy, who completed it in the early 17th century. The Adonis bears the signature of Duquesnoy, and the statue, created around an ancient torso, should be indeed accepted as "a veritable artistic creation f Duquesnoy. It depicts Adonis, the mortal lover of the goddess Aphrodite in Greek mythology. The backward tilt of the figure is reminiscent of Duquesnoy's bronze Mercury. The sculpture is housed at The Louvre in Paris. Subject The subject of the sculpture is Adonis, offspring of the incestuous love between Myrrha and her own father, the king of Cyprus. Myrrha tricked her own father into having coitus with her, but he discovered her identity and chased her with a sword. Myrrha then pleaded to the gods, who transformed her into a myrrh tree. In the tree form, she gave birth to Adonis. Aphrodite found the infant; she was charmed by its beauty, put it into a box (according to trad ...
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François Duquesnoy
François Duquesnoy or Frans Duquesnoy (12 January 1597 – 18 July 1643) was a Flanders, Flemish Baroque sculptor who was active in Rome for most of his career. His idealized representations are often contrasted with the more emotional character of Gian Lorenzo Bernini, Bernini's works, while his style shows a great affinity to Alessandro Algardi, Algardi's sculptures. Early years Duquesnoy was born in Brussels. Having come from Flanders, Duquesnoy was called ''Il Fiammingo'' by the Italians and ''François Flamand'' by the French. His father, erôme Duquesnoy (I), Jerôme Duquesnoy the Elder, sculptor of the ''Manneken Pis'' fountain in Brussels (1619), was the court sculptor to Archduchess Isabella and Archduke Albert (1559-1621), Archduke Albert, governor of the Low Countries. Sculptor Jerôme Duquesnoy (II), Jerôme Duquesnoy, the younger was his brother. Some of Francois' early work in Brussels attracted the notice of the Archduke, who gave him the wherewithal to study in Ro ...
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Sculptures In France
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.
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Sculptures By François Duquesnoy
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.
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