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Adolph Lewisohn Stadium
Lewisohn Stadium was an amphitheater and athletic facility built on the campus of the City College of New York (CCNY). It opened in 1915 and was demolished in 1973. History The Doric-colonnaded amphitheater was built between Amsterdam and Convent Avenues, from 136th to 138th Streets. Financier and philanthropist Adolph Lewisohn donated the money for construction. It opened in 1915, with a seating capacity of 8,000. The stadium hosted many athletic, musical, and theatrical events. It was one of New York's public landmarks. Lewisohn Stadium was demolished in 1973 to make way for the $125 million North Academic Center. In 1985, a plaza outside the Center was rededicated as the Lewisohn Plaza, in memory of the stadium and its philanthropist. Athletics The CCNY football team played its home games at Lewisohn from 1921 to 1950. The final game played was a 33–6 Beavers victory over Lowell Textile on November 18, 1950, in front of 300 fans. (It was CCNY's only win that season, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolph Lewisohn Stadium
Lewisohn Stadium was an amphitheater and athletic facility built on the campus of the City College of New York (CCNY). It opened in 1915 and was demolished in 1973. History The Doric-colonnaded amphitheater was built between Amsterdam and Convent Avenues, from 136th to 138th Streets. Financier and philanthropist Adolph Lewisohn donated the money for construction. It opened in 1915, with a seating capacity of 8,000. The stadium hosted many athletic, musical, and theatrical events. It was one of New York's public landmarks. Lewisohn Stadium was demolished in 1973 to make way for the $125 million North Academic Center. In 1985, a plaza outside the Center was rededicated as the Lewisohn Plaza, in memory of the stadium and its philanthropist. Athletics The CCNY football team played its home games at Lewisohn from 1921 to 1950. The final game played was a 33–6 Beavers victory over Lowell Textile on November 18, 1950, in front of 300 fans. (It was CCNY's only win that season, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirsten Flagstad
Kirsten Malfrid Flagstad (12 July 1895 – 7 December 1962) was a Norwegian opera singer, who was the outstanding Wagnerian soprano of her era. Her triumphant debut in New York on 2 February 1935 is one of the legends of opera. Giulio Gatti-Casazza, the longstanding General Manager of the Metropolitan Opera said, “I have given America two great gifts — Caruso and Flagstad.” Called "the voice of the century", she ranks among the greatest singers of the 20th century. Desmond Shawe-Taylor wrote of her in the '' New Grove Dictionary of Opera'': "No one within living memory surpassed her in sheer beauty and consistency of line and tone." Early life and career Flagstad was born in Hamar, Norway, in her grandparents' home, now the Kirsten Flagstad Museum. Though she never actually lived in Hamar, she always considered it her home town. She was raised in Oslo within a musical family; her father Michael Flagstad was a conductor and her mother Maja Flagstad a pianist. Their othe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Peerce
Jan Peerce (born Yehoshua Pinkhes Perelmuth; June 3, 1904 December 15, 1984) was an American operatic tenor. Peerce was an accomplished performer on the operatic and Broadway theatre, Broadway concert stages, in solo recitals, and as a recording artist. He is the father of film director Larry Peerce. Family life Jan Peerce was born Jacob Pincus Perelmuth (though his Hebrew gravestone gives his first name as יהושע, or Joshua, not Jacob), to a American Jews, Jewish family. His parents, Louis and Henya Perelmuth, came from the village of :be:Вёска Гарадзец, Кобрынскі раён, Horodetz, formerly in Poland, now Belarus.Biographical sketcnarrated by Jan's friend Isaac Stern/ref> Their first child, a daughter, died in an epidemic. In 1903 they emigrated to America along with their second child, a boy named Mottel. A year later, on June 3, 1904, their third child, Jacob Pincus, was born in a cold water flat in the Lower East Side, Manhattan, New York (state ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roberta Peters
Roberta Peters (May 4, 1930 – January 18, 2017) was an American coloratura soprano. One of the most prominent American singers to achieve lasting fame and success in opera, Peters is noted for her 35-year association with the Metropolitan Opera Company in New York, among the longest such associations between a singer and a company in opera. She was awarded the National Medal of Arts in 1998. Early life and career Peters was born Roberta Peterman in The Bronx, New York City, the only child of Ruth (née Hersch), a milliner, and Solomon Peterman, a shoe salesman. Her family was Jewish. Encouraged by tenor Jan Peerce, she started her music studies at age 13 with William Herman, a voice teacher known for his exacting and thorough teaching method. Under Herman's training, Peters studied the French, German and Italian languages and practiced singing scales from a clarinet method. After six years of training, Herman introduced her to impresario Sol Hurok, who arranged for an audition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leontyne Price
Mary Violet Leontyne Price (born February 10, 1927) is an American soprano who was the first African Americans, African American soprano to receive international acclaim. From 1961 she began a long association with the Metropolitan Opera, where she was the first African American to be a Prima donna, leading performer. She regularly appeared at the world's major opera houses, the Royal Opera House, San Francisco Opera, Lyric Opera of Chicago, and La Scala, the last at which she was also the first African American to sing a leading role. She was particularly renowned for her performances of the title role in Verdi's ''Aida''. Born in Laurel, Mississippi, Price attended Central State University and then Juilliard, where she had her operatic debut as Mistress Ford in Verdi's ''Falstaff (opera), Falstaff''. Having heard the performance, Virgil Thomson engaged her in ''Four Saints in Three Acts'' and she then toured—starring alongside her husband William Warfield—in a successful rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yehudi Menuhin
{{disambiguation, given names ...
Yehudi or Jehudi (Hebrew: יהודי, endonym for Jew) is a common Hebrew name: * Yehudi Menuhin (1916–1999), violinist and conductor ** Yehudi Menuhin School, a music school in Surrey, England ** Who's Yehoodi?, a catchphrase referring to the violinist * Yehudi Wyner (born 1929), composer and pianist * Jehudi Ashmun (1794–1828), religious leader and social reformer Other uses * Yehudi lights See also * Yahud (other) * Yehuda (other) * Yuda (other), / Juda (other) / Judah (other) * Jew (word) The English term ''Jew'' originates in the Biblical Hebrew word ''Yehudi'', meaning "from the Kingdom of Judah". It passed into Greek as ''Ioudaios'' and Latin as ''Iudaeus'', which evolved into the Old French ''giu'' after the letter "d" wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jascha Heifetz
Jascha Heifetz (; December 10, 1987) was a Russian-born American violinist. Born in Vilnius, he moved while still a teenager to the United States, where his Carnegie Hall debut was rapturously received. He was a virtuoso since childhood. Fritz Kreisler, another leading violinist of the twentieth century, said after hearing Heifetz's debut, "We might as well take our fiddles and break them across our knees." He had a long and successful performing career; however, after an injury to his right (bowing) arm, he switched his focus to teaching. Late in life, Heifetz became a dedicated teacher and a champion of socio-political causes. He publicly advocated to establish 9-1-1 as an emergency phone number, and crusaded for clean air. He and his students at the University of Southern California protested smog by wearing gas masks, and in 1967, he converted his Renault passenger car into an electric vehicle. Early life Heifetz was born into a Lithuanian-Jewish family in Vilnius (Russia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Van Cliburn
Harvey Lavan "Van" Cliburn Jr. (; July 12, 1934February 27, 2013) was an American pianist who, at the age of 23, achieved worldwide recognition when he won the inaugural International Tchaikovsky Competition in Moscow in 1958 during the Cold War. Cliburn's mother, a piano teacher and an accomplished pianist in her own right, discovered him playing at age three, mimicking one of her students and arranged for him to start taking lessons. Cliburn developed a rich, round tone and a singing-voice-like phrasing, having been taught from the start to sing each piece. Cliburn toured domestically and overseas. He played for royalty, heads of state, and every US president from Harry S. Truman to Barack Obama. Early life Cliburn was born in Shreveport, Louisiana, the son of Rildia Bee (' O'Bryan) and Harvey Lavan Cliburn Sr. When he was three, he began taking piano lessons from his mother, who had studied under Arthur Friedheim, a pupil of Franz Liszt. When Cliburn was six, his father, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuban Overture
''Cuban Overture'' is a symphonic overture or tone poem for orchestra composed by American composer George Gershwin. Originally titled ''Rumba'' (named for the Cuban rumba musical genre), it was a result of a two-week holiday which Gershwin took in Havana, Cuba in February 1932. Gershwin composed the piece in July and August 1932. The overture is dominated by Caribbean rhythms and Cuban native percussion, with a wide spectrum of instrumental color and technique. It is a rich and exciting work with complexity and sophistication, illustrating the influence of Cuban music and dance. Its main theme was influenced by a then current hit by Ignacio Piñeiro, "Échale Salsita". Other songs referenced by the piece's themes and phrases include the traditional folk song La Paloma. The overture is in ternary form. Première The work under the title ''Rumba'' received its première at New York's now-demolished Lewisohn Stadium on 16 August 1932, as part of an all-Gershwin programme held by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhapsody In Blue
''Rhapsody in Blue'' is a 1924 musical composition written by George Gershwin for solo piano and jazz band, which combines elements of classical music with jazz-influenced effects. Commissioned by bandleader Paul Whiteman, the work premiered in a concert titled "An Experiment in Modern Music" on February 12, 1924, in Aeolian Hall, New York City. Whiteman's band performed the rhapsody with Gershwin playing the piano. Whiteman's arranger Ferde Grofé orchestrated the rhapsody several times including the 1924 original scoring, the 1926 pit orchestra scoring, and the 1942 symphonic scoring. The rhapsody is one of Gershwin's most recognizable creations and a key composition that defined the Jazz Age. Gershwin's piece inaugurated a new era in America's musical history, established Gershwin's reputation as an eminent composer, and eventually became one of the most popular of all concert works. The ''American Heritage'' magazine posits that the famous opening clarinet glissando has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the songs " Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera ''Porgy and Bess'' (1935), which included the hit " Summertime". Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style; Maurice Ravel voiced similar objections when Gershwin inq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Everest Records
Everest Records was a record label based in Bayside, Long Island, started by Harry D. Belock and Bert Whyte in May 1958. It was devoted mainly to classical music. History The idea for starting a label was related by electronics inventor Harry Belock (who also worked on sound films in Hollywood in the 1930s) to Roland Gelatt in the February 1959 issue of '' High Fidelity'': "The more of them I heard, the more I felt that nobody had a good stereo library. So I decided to get into the business myself." The plan was to record repertory that was new to stereo. Belock was very ambitious, and told ''High Fidelity'' that "We're out to surpass Capitol. We're not shooting marbles." Belock Instrument Corporation, a manufacturer of precision equipment (particularly missile electronics) was the parent of the Everest label 1958-1960 (operated as the Belock Recording Company). Everest would issue its recordings on monaural LP (LPBR 6000 series), stereo LP (SDBR 3000 series), and tape. Eve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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