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Adolfo Best Maugard
Adolfo Best Maugard, also known as Fito Best (June 11, 1891 – August 25, 1964),
(Spanish), ''La Jornada Michoacán''.
was a Mexican painter, film director and screenwriter.


Life

During his early career, Best made some detailed illustrations of excavation findings in the for Franz Boas.
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Mexico City
Mexico City ( es, link=no, Ciudad de México, ; abbr.: CDMX; Nahuatl: ''Altepetl Mexico'') is the capital and largest city of Mexico, and the most populous city in North America. One of the world's alpha cities, it is located in the Valley of Mexico within the high Mexican central plateau, at an altitude of . The city has 16 boroughs or ''demarcaciones territoriales'', which are in turn divided into neighborhoods or ''colonias''. The 2020 population for the city proper was 9,209,944, with a land area of . According to the most recent definition agreed upon by the federal and state governments, the population of Greater Mexico City is 21,804,515, which makes it the sixth-largest metropolitan area in the world, the second-largest urban agglomeration in the Western Hemisphere (behind São Paulo, Brazil), and the largest Spanish language, Spanish-speaking city (city proper) in the world. Greater Mexico City has a gross domestic product, GDP of $411 billion in 2011, which makes ...
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Plein Air
''En plein air'' (; French for 'outdoors'), or ''plein air'' painting, is the act of painting outdoors. This method contrasts with studio painting or academic rules that might create a predetermined look. The theory of 'En plein air' painting is credited to Pierre-Henri de Valenciennes (1750–1819), first expounded in a treatise entitled ''Reflections and Advice to a Student on Painting, Particularly on Landscape'' (1800), where he developed the concept of landscape portraiture by which the artist paints directly onto canvas ''in situ'' within the landscape. It enabled the artist to better capture the changing details of weather and light. The invention of portable canvases and easels allowed the practice to develop, particularly in France, and in the early 1830s the Barbizon school of painting in natural light was highly influential. Amongst the most prominent features of this school were its tonal qualities, colour, loose brushwork, and softness of form. These were varian ...
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Mexican Male Painters
Mexican may refer to: Mexico and its culture *Being related to, from, or connected to the country of Mexico, in North America ** People *** Mexicans, inhabitants of the country Mexico and their descendants *** Mexica, ancient indigenous people of the Valley of Mexico ** Being related to the State of Mexico, one of the 32 federal entities of Mexico ** Culture of Mexico *** Mexican cuisine *** historical synonym of Nahuatl, language of the Nahua people (including the Mexica) Arts and entertainment * "The Mexican" (short story), by Jack London * "The Mexican" (song), by the band Babe Ruth * Regional Mexican, a Latin music radio format Films * ''The Mexican'' (1918 film), a German silent film * ''The Mexican'' (1955 film), a Soviet film by Vladimir Kaplunovsky based on the Jack London story, starring Georgy Vitsin * ''The Mexican'', a 2001 American comedy film directed by Gore Verbinski, starring Brad Pitt and Julia Roberts Other uses * USS ''Mexican'' (ID-1655), United Stat ...
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José Miguel Covarrubias
Miguel Covarrubias, also known as José Miguel Covarrubias Duclaud (22 November 1904 — 4 February 1957) was a Mexican painter, caricaturist, illustrator, ethnologist and art historian. Along with his American colleague Matthew W. Stirling, he was the co-discoverer of the Olmec civilization. Early life José Miguel Covarrubias Duclaud was born 22 November 1904 in Mexico City. After graduating from the Escuela Nacional Preparatoria at the age of 14, he started producing caricatures and illustrations for texts and training materials published by the Mexican Ministry of Public Education. He also worked for the Ministry of Communications. In 1923, at the age of 19, he moved to New York City armed with a grant from the Mexican government, tremendous talent, but very little English. In her book ''Covarrubias'', author Adriana Williams writes that Mexican poet José Juan Tablada and New York Times critic/photographer Carl Van Vechten introduced him to New York's literary/cultural ...
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Porfirio Díaz
José de la Cruz Porfirio Díaz Mori ( or ; ; 15 September 1830 – 2 July 1915), known as Porfirio Díaz, was a Mexican general and politician who served seven terms as President of Mexico, a total of 31 years, from 28 November 1876 to 6 December 1876, 17 February 1877 to 1 December 1880 and from 1 December 1884 to 25 May 1911. The entire period from 1876 to 1911 is often referred to as Porfiriato and has been characterized as a ''de facto'' dictatorship. A veteran of the War of the Reform (1858–1860) and the French intervention in Mexico (1862–1867), Díaz rose to the rank of general, leading republican troops against the French-backed rule of Maximilian I. He subsequently revolted against presidents Benito Juárez and Sebastián Lerdo de Tejada on the principle of no re-election. Díaz succeeded in seizing power, ousting Lerdo in a coup in 1876, with the help of his political supporters, and was elected in 1877. In 1880, he stepped down and his political ally Manuel ...
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La Mancha De Sangre
''The Blood Stain'' (Spanish:''La Mancha de Sangre'') is a 1937 Mexican drama film directed by Adolfo Best Maugard and starring Estela Inda, José Casal and Heriberto G. Batemberg. It had serious problems with the Mexican censors due to its portrayal of prostitution.Biltereyst & Vande Winkel, p.71 The film's sets were designed by the art director Mariano Rodríguez Granada. Cast * Estela Inda * José Casal * Heriberto G. Batemberg * Manuel Dondé er Manuel Dondé (1906 – 27 May 1976) was a Mexican film actor.Kohner p.355 He frequently played villains during his long film career. Selected filmography * ''La llorona'' (1933) * ''Soulless Women'' (1934) - Policía * ''El bastardo'' (1937 ... * Lorenzo Diaz Gonzalez * Elvira Gosti * Chico Mabarak * José Muñoz * Luis Santibanez * Diego Villalba References Bibliography * Daniel Biltereyst & Roel Vande Winkel. ''Silencing Cinema: Film Censorship Around the World''. Palgrave Macmillan, 2013. External links * 1937 ...
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Fine Arts
In European academic traditions, fine art is developed primarily for aesthetics or creative expression, distinguishing it from decorative art or applied art, which also has to serve some practical function, such as pottery or most metalwork. In the aesthetic theories developed in the Italian Renaissance, the highest art was that which allowed the full expression and display of the artist's imagination, unrestricted by any of the practical considerations involved in, say, making and decorating a teapot. It was also considered important that making the artwork did not involve dividing the work between different individuals with specialized skills, as might be necessary with a piece of furniture, for example. Even within the fine arts, there was a hierarchy of genres based on the amount of creative imagination required, with history painting placed higher than still life. Historically, the five main fine arts were painting, sculpture, architecture, music, and poetry, with p ...
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¡Que Viva México!
''¡Que viva México!'' (, ; russian: Да здравствует Мексика!, Da zdravstvuyet Meksika!) is a film project begun in 1930 by the Russian avant-garde director Sergei Eisenstein (1898–1948) under contract to socialist author Upton Sinclair and other supporters in the United States. It would have been an episodic portrayal of Mexican culture and politics from pre-Conquest civilization to the Mexican Revolution. Production was beset by difficulties and was eventually abandoned. Jay Leyda and Zina Voynow call it Eisentein's "greatest film plan and his greatest personal tragedy". Overview Eisenstein had come to the United States to work on a film for Paramount Pictures, but, after various projects proposed by Charlie Chaplin and Paramount executives fell through, Paramount released him from his contract. Eisenstein would thereupon have been obliged to return to the USSR, but Upton Sinclair and a small group of financiers recruited by him and his wife Mary Craig K ...
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Sergei Eisenstein
Sergei Mikhailovich Eisenstein (russian: Сергей Михайлович Эйзенштейн, p=sʲɪrˈɡʲej mʲɪˈxajləvʲɪtɕ ɪjzʲɪnˈʂtʲejn, 2=Sergey Mikhaylovich Eyzenshteyn; 11 February 1948) was a Soviet film director, screenwriter, film editor and film theorist. He was a pioneer in the theory and practice of montage. He is noted in particular for his silent films ''Strike'' (1925), ''Battleship Potemkin'' (1925) and ''October'' (1928), as well as the historical epics ''Alexander Nevsky'' (1938) and ''Ivan the Terrible'' (1944, 1958). In its 2012 decennial poll, the magazine ''Sight & Sound'' named his ''Battleship Potemkin'' the 11th greatest film of all time. Early life Sergei Eisenstein was born on 22 January 1898 in Riga, Latvia (then part of the Russian Empire in the Governorate of Livonia), to a middle-class family. His family moved frequently in his early years, as Eisenstein continued to do throughout his life. His father, the architect Mikhail Osipov ...
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Walter Inglis Anderson
Walter Inglis Anderson (September 29, 1903 – November 30, 1965) was an American painter and writer. Anderson died from cancer November 30, 1965, at the age of 62. Early life and education Anderson was born in New Orleans to George Walter Anderson, a grain broker, and Annette McConnell Anderson, a prominent New Orleans family member who had studied art at Newcomb College. He was the second of three brothers, the eldest being Peter Anderson and the youngest James McConnell "Mac" Anderson. As a child, Anderson attended St. John’s School in Manilus, New York until his schooling was interrupted at age 14 by World War I. He then transferred to the Manual Training School in New Orleans, Louisiana. In 1922 he enrolled at the New York School of Fine and Applied Art (now Parsons School of Design). After a year at Parsons, he won a scholarship to study at The Pennsylvania Academy of the Fine Arts. Here (1924–1928) he would study under iconoclastic modernists like Henry McCart ...
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