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Adjustable Wrench (Torke)
''Adjustable Wrench'', sometimes also ''The Adjustable Wrench'', is a composition for mixed chamber ensemble by American composer Michael Torke. It was composed in 1987. Composition The composition was composed in 1987 and had its first performance in November 24, 1987. It was commissioned by the Huddersfield Contemporary Music Festival, in the United Kingdom, where it was premiered. The work was premiered by Ensemble Lontano, conducted by Odaline de la Martinez. It was later published by Hendon Music and Boosey & Hawkes, as most of Torke's compositions, and was first recorded by Kent Nagano conducting the London Sinfonietta under Argo Records. Structure The composition is in one movement and takes up to 11 minutes to perform. It is scored for oboe, 2 clarinets in B-flat, bassoon, horn in F, two trumpets in B-flat, trombone, marimba, piano, synthesizer, two violins, viola, violoncello, and double bass. According to Torke, the work can be performed with multiple string parts ...
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Michael Torke
Michael Torke (; born September 22, 1961) is an American composer who writes music influenced by jazz and minimalism. Torke was born in Milwaukee, Wisconsin, where he attended Wilson Elementary School, graduated from Wauwatosa East High School, and studied at the Eastman School of Music with Joseph Schwantner and Christopher Rouse, and at Yale University. Works Sometimes described as a post-minimalist, his most characteristically postminimal piece is ''Four Proverbs'', in which the syllable for each pitch is fixed and variations in the melody produce streams of nonsense words. Other works in this style include ''Book of Proverbs'' and ''Song of Isaiah''. An early piece where he first used a certain post-minimalist style was '' Vanada'', made in 1984. His best-known work is probably '' Javelin'', which he composed in 1994, commissioned by the Atlanta Committee for the Olympic Games in celebration of the Atlanta Symphony Orchestra's 50th anniversary season, in conjunction with ...
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Staccato
Staccato (; Italian for "detached") is a form of musical articulation. In modern notation, it signifies a note of shortened duration, separated from the note that may follow by silence. It has been described by theorists and has appeared in music since at least 1676. Notation In 20th-century music, a dot placed above or below a note indicates that it should be played staccato, and a wedge is used for the more emphatic staccatissimo. However, before 1850, dots, dashes, and wedges were all likely to have the same meaning, even though some theorists from as early as the 1750s distinguished different degrees of staccato through the use of dots and dashes, with the dash indicating a shorter, sharper note, and the dot a longer, lighter one. A number of signs came to be used in the late 19th and early 20th centuries to discriminate more subtle nuances of staccato. These signs involve various combinations of dots, vertical and horizontal dashes, vertical and horizontal wedges, and t ...
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Compositions By Michael Torke
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography * Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space * Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones * Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungari ...
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Color Music (Torke)
''Color Music'' is a suite of five different compositions for orchestra by American composer Michael Torke. The suite is well known for its association with the composer's synesthesia. Conception When Michael Torke was studying musical composition in Yale University, he decided to start an early series of compositions "to celebrate without modulation a single color". As Torke himself puts it in the original program note for ''Ecstasic Orange'': Structure Even though Torke wrote many more pieces with color titles, the suite consists only of five compositions, written between 1984 and 1988. The order of the movements in this suite has not been established, as the compositions were originally conceived separately, and have not been published together. Therefore, the ''Color Music'' label is merely a name to refer to the compositions included in it, and has been used in recordings, but not in its original publishing house, Boosey and Hawkes. The list of compositions, sorted by ...
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The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital subscribers. It also is a producer of popular podcasts such as '' The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national " newspaper of record". For print it is ranked 18th in the world by circulation and 3rd in the U.S. The paper is owned by the New York Times Company, which is publicly traded. It has been governed by the Sulzberger family since 1896, through a dual-class share structure after its shares became publicly traded. A. G. Sulzberger, the paper's publisher and the company's chairman, is the fifth generation of the family to head the pa ...
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Financial Times
The ''Financial Times'' (''FT'') is a British daily newspaper printed in broadsheet and published digitally that focuses on business and economic current affairs. Based in London, England, the paper is owned by a Japanese holding company, Nikkei, with core editorial offices across Britain, the United States and continental Europe. In July 2015, Pearson sold the publication to Nikkei for £844 million (US$1.32 billion) after owning it since 1957. In 2019, it reported one million paying subscriptions, three-quarters of which were digital subscriptions. The newspaper has a prominent focus on financial journalism and economic analysis over generalist reporting, drawing both criticism and acclaim. The daily sponsors an annual book award and publishes a " Person of the Year" feature. The paper was founded in January 1888 as the ''London Financial Guide'' before rebranding a month later as the ''Financial Times''. It was first circulated around metropolitan London by James Sherid ...
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Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ...
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Syncopation
In music, syncopation is a variety of rhythms played together to make a piece of music, making part or all of a tune or piece of music off-beat. More simply, syncopation is "a disturbance or interruption of the regular flow of rhythm": a "placement of rhythmic stresses or accents where they wouldn't normally occur". It is the correlation of at least two sets of time intervals. Syncopation is used in many musical styles, especially dance music. According to music producer Rick Snoman, "All dance music makes use of syncopation, and it's often a vital element that helps tie the whole track together". Syncopation can also occur when a strong harmony is simultaneous with a weak beat, for instance, when a 7th-chord is played on the second beat of measure or a dominant chord is played at the fourth beat of a measure. The latter occurs frequently in tonal cadences for 18th- and early-19th-century music and is the usual conclusion of any section. A hemiola (the equivalent Latin term ...
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Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ...
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Chamber Ensemble
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. J ...
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Argo Records
Argo Records was a record label in Chicago that was established in 1955 as a division of Chess Records. Originally the label was called Marterry, but bandleader Ralph Marterie objected, and within a couple of months the imprint was renamed Argo.Cohodas, Nadine (2000). ''Spinning Blues into Gold: The Chess Brothers and the Legendary Chess Records''. New York: St. Martins. Although Chess was a blues label, the Argo division began to record jazz in 1955 and over decades attracted some big names: Gene Ammons, Kenny Burrell, Barry Harris, Illinois Jacquet, Ahmad Jamal, Ramsey Lewis, James Moody, Max Roach, Red Rodney, and Ira Sullivan. Argo also recorded pop, blues, and calypso. Its first big hit was by Clarence "Frogman" Henry, whose song " Ain't Got No Home" came out in 1956. By 1960, rhythm and blues performers on the label included Etta James and the Dells. Argo changed its name in 1965 to Cadet Records when the company discovered that an Argo Records already existed ...
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London Sinfonietta
The London Sinfonietta is an English contemporary chamber orchestra founded in 1968 and based in London. The ensemble has headquarters at Kings Place and is Resident Orchestra at the Southbank Centre. Since its inaugural concert in 1968—giving the world premiere of Sir John Tavener’s ''The Whale''—the London Sinfonietta's commitment to making new music has seen it commission over 300 works, and premiere many hundreds more. The core of the London Sinfonietta is its 18 Principal Players. In September 2013 the ensemble launched its Emerging Artists Programme. The London Sinfonietta's recordings comprise a catalogue of 20th-century classics, on numerous labels as well as the ensemble's own London Sinfonietta Label. Directors David Atherton and Nicholas Snowman founded the orchestra in 1968. Atherton was its first music director, from 1968 to 1973 and again from 1989 to 1991. Snowman was its general manager from 1968 to 1972. Michael Vyner served as the artistic directo ...
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