Adams Chromatic Valence Color Space
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Adams Chromatic Valence Color Space
Adams chromatic valence color spaces are a class of color spaces suggested by Elliot Quincy Adams. Two important Adams chromatic valence spaces are CIELUV and Hunter Lab. Chromatic value/valence spaces are notable for incorporating the opponent process model and the empirically-determined factor in the red/green vs. blue/yellow chromaticity components (such as in CIELAB). Chromatic value In 1942, Adams suggested chromatic ''value'' color spaces. Chromatic value, or ''chromance'', refers to the intensity of the opponent process responses and is derived from Adams' theory of color vision. A chromatic value space consists of three components: * V_Y, the Munsell–Sloan–Godlove value function: V_Y^2 = 1.4742Y - 0.004743 Y^2; * V_X - V_Y, the red–green chromaticity dimension, where V_X is the value function applied to (y_n/x_n)X instead of ''Y''; * V_Z - V_Y, the blue–yellow chromaticity dimension, where V_Z is the value function applied to (y_n/z_n)Z instead of ''Y''. A chr ...
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Color Space
A color space is a specific organization of colors. In combination with color profiling supported by various physical devices, it supports reproducible representations of colorwhether such representation entails an analog or a digital representation. A color space may be arbitrary, i.e. with physically realized colors assigned to a set of physical color swatches with corresponding assigned color names (including discrete numbers infor examplethe Pantone collection), or structured with mathematical rigor (as with the NCS System, Adobe RGB and sRGB). A "color space" is a useful conceptual tool for understanding the color capabilities of a particular device or digital file. When trying to reproduce color on another device, color spaces can show whether shadow/highlight detail and color saturation can be retained, and by how much either will be compromised. A "color model" is an abstract mathematical model describing the way colors can be represented as tuples of numbers (e. ...
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Achromatic Color
Grey (more frequent in British English) or gray (more frequent in American English) is an intermediate color between black and white. It is a neutral or achromatic color, meaning that it has no chroma. It is the color of a cloud-covered sky, of ash, and of lead. The first recorded use of ''grey'' as a color name in the English language was in 700  CE.Maerz and Paul ''A Dictionary of Color'' New York:1930 McGraw-Hill Page 196 ''Grey'' is the dominant spelling in European and Commonwealth English, while ''gray'' is more common in American English; however, both spellings are valid in both varieties of English. In Europe and North America, surveys show that gray is the color most commonly associated with neutrality, conformity, boredom, uncertainty, old age, indifference, and modesty. Only one percent of respondents chose it as their favorite color. Etymology ''Grey'' comes from the Middle English or , from the Old English , and is related to the Dutch and Germa ...
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Lab Color Space
The CIELAB color space, also referred to as ''L*a*b*'', is a color space defined by the International Commission on Illumination (abbreviated CIE) in 1976. It expresses color as three values: ''L*'' for perceptual lightness and ''a*'' and ''b*'' for the four Unique hues, unique colors of human vision: red, green, blue and yellow. CIELAB was intended as a perceptually uniform space, where a given numerical change corresponds to a similar perceived change in color. While the LAB space is not truly perceptually uniform, it nevertheless is useful in industry for detecting small differences in color. Like the CIE 1931 color space, CIEXYZ space it derives from, CIELAB color space is a device-independent, "standard observer" model. The colors it defines are not relative to any particular device such as a computer monitor or a printer, but instead relate to the CIE 1931 color space#CIE standard observer, CIE standard observer which is an averaging of the results of color matching expe ...
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Perceptual Uniformity
In color science, color difference or color distance is the separation between two colors. This metric allows quantified examination of a notion that formerly could only be described with adjectives. Quantification of these properties is of great importance to those whose work is color-critical. Common definitions make use of the Euclidean distance in a device-independent color space. Euclidean sRGB As most definitions of color difference are distances within a color space, the standard means of determining distances is the Euclidean distance. If one presently has an RGB (red, green, blue) tuple and wishes to find the color difference, computationally one of the easiest is to consider ''R'', ''G'', ''B'' linear dimensions defining the color space. A very simple example can be given between the two colors with RGB values (0, 64, 0) () and (255, 64, 0) (): their distance is 255. Going from there to (255, 64, 128) () is a distance of 128. When we wish to calculate distance from ...
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