Acéphale Records
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Acéphale Records
''Acéphale'' is the name of a public review created by Georges Bataille (which numbered five issues, from 1936 to 1939) and a secret society formed by Bataille and others who had sworn to keep silent. Its name is derived from the Greek ἀκέφαλος (''akephalos'', literally "headless"). ''Acéphale'', the review Dated 24 June 1936, the first issue was only eight pages. The cover was illustrated by André Masson with a drawing openly inspired by Leonardo da Vinci's famous drawing of '' Vitruvian Man'', who embodies classical reason. Masson's figure, however, is headless, his groin covered by a skull, and holds in his right hand a burning heart, while in his left he wields a dagger. Under the title ''Acéphale'' are printed the words ''Religion. Sociologie. Philosophie'' followed on the next line by the expression ''the sacred conjuration'' (''la conjuration sacrée''). The first article, signed by Bataille, is titled "The Sacred Conjuration" and claims that "Secretly or no ...
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Marcel Mauss
Marcel Mauss (; 10 May 1872 – 10 February 1950) was a French sociologist and anthropologist known as the "father of French ethnology". The nephew of Émile Durkheim, Mauss, in his academic work, crossed the boundaries between sociology and anthropology. Today, he is perhaps better recognised for his influence on the latter discipline, particularly with respect to his analyses of topics such as magic, sacrifice and gift exchange in different cultures around the world. Mauss had a significant influence upon Claude Lévi-Strauss, the founder of structural anthropology. His most famous work is '' The Gift'' (1925). Background Mauss was born in Épinal, Vosges, to a Jewish family, his father a merchant and mother an embroidery shop owner. Unlike his younger brother, Mauss did not join the family business and instead he followed socialist and cooperative movement in the Vosges. Following the death of his grandfather, the Mauss and Durkheim families grew close and there Mauss began ...
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New York City
New York, often called New York City or NYC, is the List of United States cities by population, most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the List of United States cities by population density, most densely populated major city in the United States, and is more than twice as populous as second-place Los Angeles. New York City lies at the southern tip of New York (state), New York State, and constitutes the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the world by urban area, urban landmass. With over 20.1 million people in its metropolitan statistical area and 23.5 million in its combined statistical area as of 2020, New York is one of the world's most populous Megacity, megacities, and over 58 million people live within of the city. New York City is a global city, global Culture of New ...
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VVV (magazine)
The cover of the final issue was designed by Roberto Matta and depicted a vagina dentata.">vagina_dentata.html" ;"title="Roberto Matta and depicted a vagina dentata">Roberto Matta and depicted a vagina dentata. ''VVV'' was a magazine devoted to the dissemination of Surrealism published in New York City from 1942 through 1944. It was the product of leading Surrealists. History and profile ''VVV'' was first published in June 1942. The magazine was published and edited by David Hare in collaboration with Marcel Duchamp, André Breton, and Max Ernst. ''VVVs editorial board also enlisted a number of associated thinkers and artists, including Aimé Césaire, Philip Lamantia, and Robert Motherwell. Each edition focused on "poetry, plastic arts, anthropology, sociology, (and) psychology," and was lavishly illustrated by Surrealist artists, including Giorgio de Chirico, Roberto Matta and Yves Tanguy. The magazine was experimental in format and in content. ''VVV'' included fold-out pages ...
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View (magazine)
''View'' was an American literary and art magazine published from 1940 to 1947 by artist and writer Charles Henri Ford, and writer and film critic Parker Tyler. The magazine is best known for introducing Surrealism to the American public.Ford, Charles Henri (editor), ''View: Parade of the Avant-Garde'', Thunder's Mouth Press, 1991. The magazine was headquartered in New York City. The magazine covered the contemporary avant-garde and Surrealist scene, and was published quarterly as finances permitted until 1947. ''View'' featured cover designs by renowned artists with the highly stylised typography of Tyler along with their art, and the prose and poetry of the day. Many of the contributors had been living in Europe, but took refuge in the U.S. during World War II bringing with them the avant-garde ideas of the time and precipitating a shift of the center of the art world from Paris to New York. It attracted contributions from writers like Wallace Stevens, an interview with whom ...
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La Révolution Surréaliste
''La Révolution surréaliste'' (English: ''The Surrealist Revolution'') was a publication by the Surrealists in Paris. Twelve issues were published between 1924 and 1929. Shortly after releasing the first ''Surrealist Manifesto'', André Breton published the inaugural issue of ''La Révolution surréaliste'' on December 1, 1924. Pierre Naville and Benjamin Péret were the initial directors of the publication and modeled the format of the journal on the conservative scientific review ''La Nature.'' The format was deceiving, and to the Surrealists' delight, ''La Révolution surréaliste'' was consistently scandalous and revolutionary. The journal focused on writing with most pages densely packed with columns of text, but also included reproductions of art, among them works by Giorgio de Chirico, Max Ernst, André Masson and Man Ray. Selected issues Issue 1 (December 1924): The cover of the initial issue announced the revolutionary agenda of ''La Révolution surréaliste'' with, ...
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Albert Skira
Albert Skira (1904–1973) was a Swiss art dealer, publisher and the founder of the Skira publishing house. The Skira publishing house, Editions d'Art Albert Skira Skira founded the eponymous publishing house in Lausanne in 1928, at various times known as Skira, Editions d'Art Albert Skira, and Skira Editore. During the 1930s Skira opened an office in Paris and the publishing house became a meeting place for important artistic figures of the time. In 1933, Skira contacted André Breton about a new journal, which he planned to be the most luxurious art and literary review the Surrealists had seen, featuring a slick format with many color illustrations. Skira's restriction was that Breton was not allowed to use the magazine to express his social and political views. Later that year ''Minotaure'' began publication, and continued until 1939. In addition to ''Minotaure'' Skira published several volumes of literature and poetry in the 1930s, both classic and contemporary, that prominen ...
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Minotaure
''Minotaure'' was a Surrealist-oriented magazine founded by Albert Skira and E. Tériade in Paris and published between 1933 and 1939. ''Minotaure'' published on the plastic arts, poetry, and literature, avant garde, as well as articles on esoteric and unusual aspects of literary and art history. Also included were psychoanalytical studies and artistic aspects of anthropology and ethnography. It was a lavish and extravagant magazine by the standards of the 1930s, profusely illustrated with high quality reproductions of art, often in color.Suarez, Jillian (September 25, 2014). Minotaure: Surrealist Magazine from the 1930s''. guggenheim.org Accessed 15 October 2019Matteson, Richard L. (2008-2019''Paris: The Heart of Surrealism 1924'' [From Documents of Dada and Surrealism: Dada and Surrealist Journals in the Mary Reynolds Collection, The Art Institute of Chicago/nowiki>]: http://www.mattesonart.com/home.aspx. Accessed 15 October 2019Rubin, William S. (1968) Dada and Surrealist Art. ...
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Documents (magazine)
''Documents'' was a Surrealist art magazine edited by Georges Bataille. Published in Paris from 1929 through 1930, it ran for 15 issues, each of which contained a wide range of original writing and photographs. ''Documents'' was financed by Georges Wildenstein, an influential Parisian art dealer and sponsor of the Surrealists. Given its title and focus, the magazine initially listed an eleven-member editorial board including Wildenstein himself (with Bataille listed as "general secretary"); however, by the fifth issue, Bataille was the only editorial member to remain on the masthead. Called "a war machine against received ideas" by Bataille, ''Documents'' brought together a wide range of contributors, ranging from dissident surrealists including Michel Leiris, André Masson, and Joan Miró, to Bataille's numismatist colleagues at the National Library's Cabinet of Coins and Medals. The publication's content was even more wide-ranging, juxtaposing essays on jazz and archaeology wi ...
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Marcel Duchamp
Henri-Robert-Marcel Duchamp (, , ; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. Duchamp is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. Duchamp has had an immense impact on twentieth-century and twenty first-century art, and he had a seminal influence on the development of conceptual art. By the time of World War I he had rejected the work of many of his fellow artists (such as Henri Matisse) as "retinal" art, intended only to please the eye. Instead, Duchamp wanted to use art to serve the mind. Early life and education Marcel Duchamp was born at Blainville-Crevon in Normandy, France, to Eugène Duchamp and Lucie Duchamp (formerly Lucie Nicolle) ...
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International Surrealist Exhibition
The International Surrealist Exhibition was held from 11 June to 4 July 1936 at the New Burlington Galleries, near Savile Row in London's Mayfair, England. Organisers The exhibition was organised by committees from England, France, Belgium, Scandinavia and Spain. The English organising committee consisted of: * Hugh Sykes Davies * David Gascoyne * Humphrey Jennings * McKnight Kauffer * Rupert Lee, Chairman * Diana Brinton Lee, Secretary * Henry Moore * Paul Nash * Roland Penrose, Honorary Treasurer * Herbert Read The French organising committee were: * André Breton * Paul Éluard * Georges Hugnet * Man Ray The remaining nations had a single committee representative: * E. L. T. Mesens, Belgium * Vilhelm Bjerke-Petersen, Denmark * Salvador Dalí, Spain The number of exhibits, paintings, sculpture, objects and drawings displayed during the exhibition's run was around 390. Danish painter Wilhelm Freddie's entries never made it to the exhibition, as they were con ...
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Human Sacrifice
Human sacrifice is the act of killing one or more humans as part of a ritual, which is usually intended to please or appease gods, a human ruler, an authoritative/priestly figure or spirits of dead ancestors or as a retainer sacrifice, wherein a monarch's servants are killed in order for them to continue to serve their master in the next life. Closely related practices found in some tribal societies are cannibalism and headhunting. Human sacrifice was practiced in many human societies beginning in prehistoric times. By the Iron Age with the associated developments in religion (the Axial Age), human sacrifice was becoming less common throughout Africa, Europe, and Asia, and came to be looked down upon as barbaric during classical antiquity. In the Americas, however, human sacrifice continued to be practiced, by some, to varying degrees until the European colonization of the Americas. Today, human sacrifice has become extremely rare. Modern secular laws treat human sacrifices ...
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