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Acutance
In photography, acutance describes a subjective perception of sharpness that is related to the edge contrast of an image. Acutance is related to the amplitude of the derivative of brightness with respect to space. Due to the nature of the human visual system, an image with higher acutance appears sharper even though an increase in acutance does not increase real resolution. Historically, acutance was enhanced chemically during development of a negative (high acutance developers), or by optical means in printing ( unsharp masking). In digital photography, onboard camera software and image postprocessing tools such as Photoshop or GIMP offer various sharpening facilities, the most widely used of which is known as "unsharp mask" because the algorithm is derived from the eponymous analog processing method. In the example image, two light gray lines were drawn on a gray background. As the transition is instantaneous, the line is as sharp as can be represented at this resolution. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sharpness (visual)
In photography, acutance describes a subjective perception of sharpness that is related to the edge contrast of an image. Acutance is related to the amplitude of the derivative of brightness with respect to space. Due to the nature of the human visual system, an image with higher acutance appears sharper even though an increase in acutance does not increase real resolution. Historically, acutance was enhanced chemically during development of a negative (high acutance developers), or by optical means in printing ( unsharp masking). In digital photography, onboard camera software and image postprocessing tools such as Photoshop or GIMP offer various sharpening facilities, the most widely used of which is known as "unsharp mask" because the algorithm is derived from the eponymous analog processing method. In the example image, two light gray lines were drawn on a gray background. As the transition is instantaneous, the line is as sharp as can be represented at this resolutio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accutance
In photography, acutance describes a subjective perception of sharpness that is related to the edge contrast of an image. Acutance is related to the amplitude of the derivative of brightness with respect to space. Due to the nature of the human visual system, an image with higher acutance appears sharper even though an increase in acutance does not increase real resolution. Historically, acutance was enhanced chemically during development of a negative (high acutance developers), or by optical means in printing ( unsharp masking). In digital photography, onboard camera software and image postprocessing tools such as Photoshop or GIMP offer various sharpening facilities, the most widely used of which is known as "unsharp mask" because the algorithm is derived from the eponymous analog processing method. In the example image, two light gray lines were drawn on a gray background. As the transition is instantaneous, the line is as sharp as can be represented at this resolution. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accutance Example
In photography, acutance describes a subjective perception of sharpness that is related to the edge contrast of an image. Acutance is related to the amplitude of the derivative of brightness with respect to space. Due to the nature of the human visual system, an image with higher acutance appears sharper even though an increase in acutance does not increase real resolution. Historically, acutance was enhanced chemically during development of a negative (high acutance developers), or by optical means in printing (unsharp masking). In digital photography, onboard camera software and image postprocessing tools such as Photoshop or GIMP offer various sharpening facilities, the most widely used of which is known as "unsharp mask" because the algorithm is derived from the eponymous analog processing method. In the example image, two light gray lines were drawn on a gray background. As the transition is instantaneous, the line is as sharp as can be represented at this resolution. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contrast (vision)
Contrast is the contradiction in luminance or colour that makes an object (or its representation in an image or display) distinguishable. In visual perception of the real world, contrast is determined by the difference in the colour and brightness of the object and other objects within the same field of view. The human visual system is more sensitive to contrast than absolute luminance; we can perceive the world similarly regardless of the huge changes in illumination over the day or from place to place. The maximum ''contrast'' of an image is the contrast ratio or dynamic range. Images with a contrast ratio close to their medium's maximum possible contrast ratio experience a ''conservation of contrast'', wherein any increase in contrast in some parts of the image must necessarily result in a decrease in contrast elsewhere. Brightening an image will increase contrast in dark areas but decrease contrast in bright areas, while darkening the image will have the opposite effect. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overshoot (signal)
In signal processing, control theory, electronics, and mathematics, overshoot is the occurrence of a signal or function exceeding its target. Undershoot is the same phenomenon in the opposite direction. It arises especially in the step response of bandlimited systems such as low-pass filters. It is often followed by ringing, and at times conflated with the latter. Definition Maximum overshoot is defined in Katsuhiko Ogata's ''Discrete-time control systems'' as "the maximum peak value of the response curve measured from the desired response of the system." Control theory In control theory, overshoot refers to an output exceeding its final, steady-state value. For a step input, the ''percentage overshoot'' (PO) is the maximum value minus the step value divided by the step value. In the case of the unit step, the ''overshoot'' is just the maximum value of the step response minus one. Also see the definition of ''overshoot'' in an electronics context. For second-order sys ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sensor
A sensor is a device that produces an output signal for the purpose of sensing a physical phenomenon. In the broadest definition, a sensor is a device, module, machine, or subsystem that detects events or changes in its environment and sends the information to other electronics, frequently a computer processor. Sensors are always used with other electronics. Sensors are used in everyday objects such as touch-sensitive elevator buttons ( tactile sensor) and lamps which dim or brighten by touching the base, and in innumerable applications of which most people are never aware. With advances in micromachinery and easy-to-use microcontroller platforms, the uses of sensors have expanded beyond the traditional fields of temperature, pressure and flow measurement, for example into MARG sensors. Analog sensors such as potentiometers and force-sensing resistors are still widely used. Their applications include manufacturing and machinery, airplanes and aerospace, cars, medicine, r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Critical Focus
In a photograph, the area of critical focus is the portion of the picture that is optically in focus. This does not relate to depth of field which describes apparent sharpness. Reducing the size of the aperture will increase the depth of field but the plane of critical focus will not change. Depth of field extends away from the plane of critical sharpness. The image is only critically in focus within a plane. The formula that describes the relationship between plane of sharpness, lens and film is :1/I+1/O = 1/F, where I is the film to lens distance, O is the distance from the lens to the plane of critical focus, and F is the focal length The focal length of an optical system is a measure of how strongly the system converges or diverges light; it is the inverse of the system's optical power. A positive focal length indicates that a system converges light, while a negative foca ... of the lens. 'Critical Focus' is also the title of a regular column by Brian J. Ford in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Signal-to-noise Ratio
Signal-to-noise ratio (SNR or S/N) is a measure used in science and engineering that compares the level of a desired signal to the level of background noise. SNR is defined as the ratio of signal power to the noise power, often expressed in decibels. A ratio higher than 1:1 (greater than 0 dB) indicates more signal than noise. SNR, bandwidth, and channel capacity of a communication channel are connected by the Shannon–Hartley theorem. Definition Signal-to-noise ratio is defined as the ratio of the power of a signal (meaningful input) to the power of background noise (meaningless or unwanted input): : \mathrm = \frac, where is average power. Both signal and noise power must be measured at the same or equivalent points in a system, and within the same system bandwidth. Depending on whether the signal is a constant () or a random variable (), the signal-to-noise ratio for random noise becomes: : \mathrm = \frac where E refers to the expected value, i.e. in thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Image Noise
Image noise is random variation of brightness or color information in images, and is usually an aspect of electronic noise. It can be produced by the image sensor and circuitry of a scanner or digital camera. Image noise can also originate in film grain and in the unavoidable shot noise of an ideal photon detector. Image noise is an undesirable by-product of image capture that obscures the desired information. Typically the term “image noise” is used to refer to noise in 2D images, not 3D images. The original meaning of "noise" was "unwanted signal"; unwanted electrical fluctuations in signals received by AM radios caused audible acoustic noise ("static"). By analogy, unwanted electrical fluctuations are also called "noise". Image noise can range from almost imperceptible specks on a digital photograph taken in good light, to optical and radioastronomical images that are almost entirely noise, from which a small amount of information can be derived by sophisticated p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Grain
Film grain or granularity is the random optical texture of processed photographic film due to the presence of small particles of a metallic silver, or dye clouds, developed from silver halide that have received enough photons. While film grain is a function of such particles (or dye clouds) it is not the same thing as such. It is an optical effect, the magnitude of which (amount of grain) depends on both the film stock and the definition at which it is observed. It can be objectionably noticeable in an over-enlarged film photograph. RMS granularity Granularity, or RMS granularity, is a numerical quantification of density non-uniformity, equal to the root-mean-square (rms) fluctuations in optical density, measured with a microdensitometer with a 0.048 mm (48-micrometre) diameter circular aperture, on a film area that has been exposed and normally developed to a mean density of 1.0 D (that is, it transmits 10% of light incident on it). Granularity is sometimes quoted as "di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Optical Resolution
Optical resolution describes the ability of an imaging system to resolve detail, in the object that is being imaged. An imaging system may have many individual components, including one or more lenses, and/or recording and display components. Each of these contributes (given suitable design, and adequate alignment) to the optical resolution of the system; the environment in which the imaging is done often is a further important factor. Lateral resolution Resolution depends on the distance between two distinguishable radiating points. The sections below describe the theoretical estimates of resolution, but the real values may differ. The results below are based on mathematical models of Airy discs, which assumes an adequate level of contrast. In low-contrast systems, the resolution may be much lower than predicted by the theory outlined below. Real optical systems are complex, and practical difficulties often increase the distance between distinguishable point sources. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
