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Act Without Words II
''Act Without Words II'' is a short mime play by Samuel Beckett, his second (after '' Act Without Words I''). Like many of Beckett's works, the piece was originally composed in French (''Acte sans paroles II''), then translated into English by Beckett himself. Written in the late 1950s it opened at the Clarendon Press Institute in Oxford and was directed by John McGrath. London premiere was directed by Michael Horovitz and performed at the Institute of Contemporary Arts, on 25 January 1960. The first printing was in ''New Departures'' 1, Summer 1959. Synopsis Two sacks and a neat pile of clothes sit on a low, "violently lit"Beckett, S., ''Collected Shorter Plays of Samuel Beckett'' (London: Faber and Faber, 1984), p 49 platform at the back of a stage. Both sacks contain a man; B is on the left, A on the right. A long pole (described in the text as a " goad") enters from the right, prods the sack containing A to awaken him to his daily routine, and then exits. After needing ...
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Mime Artist
A mime artist, or simply mime (from Greek , , "imitator, actor"), is a person who uses ''mime'' (also called ''pantomime'' outside of Britain), the acting out of a story through body motions without the use of speech, as a theatrical medium or as a performance art. In earlier times, in English, such a performer would typically be referred to as a mummer. Miming is distinguished from silent comedy, in which the artist is a character in a film or skit without sound. Jacques Copeau, strongly influenced by Commedia dell'arte and Japanese Noh theatre, used masks in the training of his actors. His pupil Étienne Decroux was highly influenced by this, started exploring and developing the possibilities of mime, and developed corporeal mime into a highly sculptural form, taking it outside the realms of naturalism. Jacques Lecoq contributed significantly to the development of mime and physical theatre with his training methods. As a result of this, the practice of mime has been includ ...
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Pantomime
Pantomime (; informally panto) is a type of musical comedy stage production designed for family entertainment. It was developed in England and is performed throughout the United Kingdom, Ireland and (to a lesser extent) in other English-speaking countries, especially during the Christmas and New Year season. Modern pantomime includes songs, gags, slapstick comedy and dancing. It employs gender-crossing actors and combines topical humour with a story more or less based on a well-known fairy tale, fable or folk tale.Reid-Walsh, Jacqueline. "Pantomime", ''The Oxford Encyclopedia of Children's Literature'', Jack Zipes (ed.), Oxford University Press (2006), Pantomime is a participatory form of theatre, in which the audience is encouraged and expected to sing along with certain parts of the music and shout out phrases to the performers. Pantomime has a long theatrical history in Western culture dating back to the era of classical theatre. It developed partly from the 16th century c ...
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Workaholic
A workaholic is a person who works compulsively. A workaholic experiences an inability to limit the amount of time they spend on work despite negative consequences such as damage to their relationships or health. There is no generally accepted medical definition of this condition, although some forms of stress, impulse control disorder, obsessive-compulsive personality disorder, and obsessive-compulsive disorder can be work-related; ergomania is defined as "excessive devotion to work especially as a symptom of mental illness". The phenomenon of hustle culture, while disregarding healthy work–life balance, may exacerbate workaholism. Etymology The word itself is a portmanteau word composed of ''work'' and ''alcoholic''. Its first known appearance, according to the ''Oxford English Dictionary'', came in Canada in the ''Toronto Daily Star'' of April 5, 1947, page 6, with a punning allusion to Alcoholics Anonymous: Details The term ''workaholic'' refers to various types of ...
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Pozzo (Waiting For Godot)
Pozzo is a character from Samuel Beckett's play '' Waiting for Godot''.Fletcher, J., "The Arrival of Godot" in ''The Modern Language Review'', Vol. 64, No. 1 (Jan., 1969), pp. 34–38 His name is Italian for "well" (as in "oil well"). On the surface he is a pompous, sometimes foppish, aristocrat (he claims to live in a manor, own many slaves and a Steinway piano), cruelly using and exploiting those around him (specifically his slave, Lucky and, to a lesser extent, Estragon). He wears similar clothes to Vladimir and Estragon (i.e. a bowler and suit), but they are not in the dire condition theirs are. ''Godot'''s antagonist While by no means a villain in a conventional sense of the word, Pozzo is sometimes considered (nominally) the "antagonist" of ''Waiting for Godot''. Although he is not technically in opposition to the so-called heroes of the play (Vladimir and Estragon) he does bring chaos into their sheltered world. Upon his first entrance, he immediately goes about attempt ...
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Estragon
Estragon (affectionately Gogo; he tells Pozzo his name is Adam) is one of the two main characters from Samuel Beckett's '' Waiting for Godot''. His name is the French word for tarragon. Personality The impulsive misanthrope Estragon represents the impulsive, simplistic side of the two main characters, much in contrast to his companion Vladimir's careful intellectualism and verbosity. He cares little for appearances, and is mostly concerned with eating and sleeping (much to Vladimir's chagrin). Due to his pessimistic outlook on life, he has abandoned all hope of any alleviation from their suffering, and regards "Godot" suspiciously. This is perhaps because Estragon has far more to worry about. Of the two, Estragon suffers the most physically. He is kicked by Lucky, takes numerous pratfalls, and is beaten by a gang of thugs every night. He also has great difficulty with his boots. In the first act, they do not fit and cause him pain. At the end of the act, he leaves them on th ...
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Vladimir (character)
Vladimir (affectionately known as Didi; a small boy calls him Mr. Albert) is one of the two main characters from Samuel Beckett's '' Waiting for Godot''. Personality The " optimist" (and, as Beckett put it, "the major character") of ''Godot'', he represents the intellectual side of the two main characters (in contrast to his companion Estragon's earthy simplicity). One explanation of this intellectualism is that he was once a philosopher. This would explain his constant references and his attempts to engage Estragon in philosophical/religious debate. Vladimir is deeply concerned with appearances and goes to great lengths to make sure Estragon behaves so that his own dignity is preserved. He is something of a pack rat: he carries all the food the tramps have (though he never eats himself), and has other (to quote the play) "miscellaneous" junk in various pockets. Another important prop is his bowler hat. He claims that it "hurts" him, and is eventually driven to appropriate L ...
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The Unnamable (novel)
''The Unnamable'' is a 1953 novel by Samuel Beckett. It was originally published in French as ''L'Innommable'' and later translated by the author into English. Grove Press published the English edition in 1958. As part of the Trilogy Following the completion of ''Malone Dies'' in 1948, Beckett spent three months writing '' Waiting for Godot'' before beginning work on ''The Unnamable'', which he completed in 1950. ''The Unnamable'' is the final volume in Beckett's "Trilogy" of novels, which begins with ''Molloy'' and continues with ''Malone Dies''. As Benjamin Kunkel observes, "The trilogy proceeds by way of collapse. Beckett’s successive monologuists, confined to a series of small rooms, try and fail to tell their stories; and each narrator is then revealed to be the alias, and each story the alibi, of its successor, until, pulling all of Beckett’s earlier creations down upon its nonexistent head, there is only the disembodied voice of the Unnamable." In this way, according ...
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Logic
Logic is the study of correct reasoning. It includes both formal and informal logic. Formal logic is the science of deductively valid inferences or of logical truths. It is a formal science investigating how conclusions follow from premises in a topic-neutral way. When used as a countable noun, the term "a logic" refers to a logical formal system that articulates a proof system. Formal logic contrasts with informal logic, which is associated with informal fallacies, critical thinking, and argumentation theory. While there is no general agreement on how formal and informal logic are to be distinguished, one prominent approach associates their difference with whether the studied arguments are expressed in formal or informal languages. Logic plays a central role in multiple fields, such as philosophy, mathematics, computer science, and linguistics. Logic studies arguments, which consist of a set of premises together with a conclusion. Premises and conclusions are usually un ...
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Mana
According to Melanesian and Polynesian mythology, ''mana'' is a supernatural force that permeates the universe. Anyone or anything can have ''mana''. They believed it to be a cultivation or possession of energy and power, rather than being a source of power. It is an intentional force. In the 19th century, scholars compared ''mana'' to similar concepts such as the ''orenda'' of the Iroquois Indians and theorized that ''mana'' was a universal phenomenon that explained the origin of religions. ''Mana'' is not universal to all of Melanesia. Etymology The reconstructed Proto-Oceanic word "mana" is thought to have referred to "powerful forces of nature such as thunder and storm winds" rather than supernatural power. That meaning became detached as the Oceanic-speaking peoples spread eastward and the word started to refer to unseen supernatural powers. Polynesian culture ''Mana'' is a foundation of Polynesian theology, a spiritual quality with a supernatural origin and a sacr ...
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Nekyia Staatliche Antikensammlungen 1494 N2
In ancient Greek cult-practice and literature, a ''nekyia'' or ''nekya'' ( grc, νέκυια, νεκυία; νεκύα ) is a "rite by which ghosts were called up and questioned about the future," i.e., necromancy. A ''nekyia'' is not necessarily the same thing as a ''katabasis''. While they both afford the opportunity to converse with the dead, only a ''katabasis'' is the actual, physical journey to the underworld undertaken by several heroes in Greek and Roman myth. In common parlance, however, the term "nekyia" is often used to subsume both types of event, so that by Late Antiquity for example " Olympiodorus ... claimed that three latonicmyths were classified as nekyia (an underworld story, as in Homer's ''Odyssey'' book 11)". Questioning ghosts A number of sites in Greece and Italy were dedicated wholly or in part to this practice. "The Underworld communicated with the earth by direct channels. These were caverns whose depths were unplumbed, like that of Heraclea Pontic ...
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Monterey County Weekly
The ''Monterey County Weekly'' (sometimes called the "Weekly," formerly the ''Coast Weekly.'') is a locally owned and independent newsmedia company founded in 1988. As per the publication's name, it publishes in print weekly, and since 2020 online daily as ''Monterey County NOW''. The company is based in the city of Seaside, in Monterey County, California. The Weekly has been a member of the Association of Alternative Newsmedia since 1989. History Monterey County Weekly was launched in 1988 by Bradley Zeve, its founding Editor & Publisher, and current CEO. Zeve served as the Free Speech chair for the Association of Alternative Newsmedia (2004-2019), is the former president of the Sea Studios Foundation and co-founded The Sun newspaper in Santa Cruz, CA. Erik Cushman serves as Publisher and currently sits on the California Newspaper Publisher's Association Board of Directors. Cushman was the co-founder of the Missoula Independent. The Weekly established the Monterey County W ...
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