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Act Without Words I
''Act Without Words I'' is a short play by Samuel Beckett. It is a mime, Beckett's first (followed by ''Act Without Words II''). Like many of Beckett's works, the play was originally written in French (''Acte sans paroles I''), being translated into English by Beckett himself. It was written in 1956 following a request from the dancer Deryk Mendel and first performed on 3 April 1957 at the Royal Court Theatre in London. On that occasion it followed a performance of ''Endgame''. The original music to accompany the performance was written by composer John S. Beckett, Samuel's cousin, who would later collaborate with him on the radio play ''Words and Music''. Synopsis The action takes place in a desert illuminated by a "dazzling light".Beckett, S., ''Collected Shorter Plays of Samuel Beckett'', London: Faber and Faber, 1984, p 43 The cast consists of just one man, who, at the start of the play, is “flung backwards” onto the stage. After he lands he hears a whistle from the right ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Beckett
Samuel Barclay Beckett (; 13 April 1906 – 22 December 1989) was an Irish novelist, dramatist, short story writer, theatre director, poet, and literary translator. His literary and theatrical work features bleak, impersonal and tragicomic experiences of life, often coupled with black comedy and nonsense. It became increasingly minimalist as his career progressed, involving more aesthetic and linguistic experimentation, with techniques of repetition and self-reference. He is considered one of the last modernist writers, and one of the key figures in what Martin Esslin called the Theatre of the Absurd. A resident of Paris for most of his adult life, Beckett wrote in both French and English. During the Second World War, Beckett was a member of the French Resistance group Gloria SMH (Réseau Gloria). Beckett was awarded the 1969 Nobel Prize in Literature "for his writing, which—in new forms for the novel and drama—in the destitution of modern man acquires its elevation". He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fly System
A fly system, or theatrical rigging system, is a system of rope lines, blocks (pulleys), counterweights and related devices within a theater that enables a stage crew to fly (hoist) quickly, quietly and safely components such as curtains, lights, scenery, stage effects and, sometimes, people. Systems are typically designed to fly components between clear view of the audience and out of view, into the large opening, known as the fly loft, above the stage. Fly systems are often used in conjunction with other theatre systems, such as scenery wagons, stage lifts and stage turntables, to physically manipulate the mise en scène. Theatrical rigging is most prevalent in proscenium theatres with stage houses designed specifically to handle the significant dead and live loads associated with fly systems. Building, occupational safety, and fire codes limit the types and quantity of rigging permitted in a theatre based on stage configuration. Theatrical rigging standards are developed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Köhler
Wolfgang Köhler (21 January 1887 – 11 June 1967) was a German psychologist and phenomenologist who, like Max Wertheimer and Kurt Koffka, contributed to the creation of Gestalt psychology. During the Nazi regime in Germany, he protested against the dismissal of Jewish professors from universities, as well as the requirement that professors give a Nazi salute at the beginning of their classes. In 1935 he left the country for the United States, where Swarthmore College in Pennsylvania offered him a professorship. He taught with its faculty for 20 years, and did continuing research. A ''Review of General Psychology'' survey, published in 2002, ranked Köhler as the 50th most cited psychologist of the 20th century. Early life Köhler was born in the port city of Reval (now Tallinn), Governorate of Estonia, Russian Empire. His family was ethnic German, and shortly after his birth, they moved to Germany. Education In the course of his university education, Köhler studied ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tantalus
Tantalus ( grc, Τάνταλος ) was a Greek mythological figure, most famous for his punishment in Tartarus: he was made to stand in a pool of water beneath a fruit tree with low branches, with the fruit ever eluding his grasp, and the water always receding before he could take a drink. He was also called Atys. He was the father of Pelops, Niobe and Broteas, and was a son of Zeus and the nymph Plouto (mother of Tantalus), Plouto. Thus, like other heroes in Greek mythology such as Theseus (his great-great-grandson) and the Dioskouroi, Tantalus had both a hidden, divine parent and a mortal one. The Greeks used the proverb "Tantalean punishment" ( grc, Ταντάλειοι τιμωρίαι: ) in reference to those who have good things but are not permitted to enjoy them. His name and punishment are also the source of the English word ''tantalise'', referring to an object of desire that is out of reach. Etymology Plato in the ''Cratylus (dialogue), Cratylus''395e interprets ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Mythology
A major branch of classical mythology, Greek mythology is the body of myths originally told by the Ancient Greece, ancient Greeks, and a genre of Ancient Greek folklore. These stories concern the Cosmogony, origin and Cosmology#Metaphysical cosmology, nature of the world, the lives and activities of List of Greek mythological figures, deities, Greek hero cult, heroes, and List of Greek mythological creatures, mythological creatures, and the origins and significance of the ancient Greeks' own cult (religious practice), cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of myth-making itself. The Greek myths were initially propagated in an oral tradition, oral-poetic tradition most likely by Minoan civilization, Minoan and Mycenaean Greece, Mycenaean singers starting in the 18th century BC; eventually the myths of the heroes of the Trojan War and its after ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Behaviorism
Behaviorism is a systematic approach to understanding the behavior of humans and animals. It assumes that behavior is either a reflex evoked by the pairing of certain antecedent (behavioral psychology), antecedent stimuli in the environment, or a consequence of that individual's history, including especially reinforcement (psychology), reinforcement and punishment (psychology), punishment three-term contingency, contingencies, together with the individual's current motivating operation, motivational state and Stimulus control, controlling stimuli. Although behaviorists generally accept the important role of heredity in determining behavior, they focus primarily on environmental events. Behaviorism emerged in the early 1900s as a reaction to depth psychology and other traditional forms of psychology, which often had difficulty making predictions that could be tested experimentally, but derived from earlier research in the late nineteenth century, such as when Edward Thorndike p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Langdon
Harry Philmore Langdon (June 15, 1884 – December 22, 1944) was an American comedian who appeared in vaudeville, silent films (where he had his greatest fame), and talkies.Obituary ''Variety'', December 27, 1944, page 39. Life and career Born in Council Bluffs, Iowa, Langdon began working in medicine shows and stock companies while in his teens. In 1906, he entered vaudeville with his first wife, Rose Langdon. By 1915, he had developed a sketch named "Johnny's New Car", on which he performed variations in the years that followed. In 1923, he joined Principal Pictures Corporation, a company headed by producer Sol Lesser. He eventually went to The Mack Sennett Studios, where he became a major star. At the height of his film career, he was considered one of the four best comics of the silent film era. His screen character was that of a wide-eyed, childlike man with an innocent's understanding of the world and the people in it. He was a first-class pantomimist. Most of Lang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ben Turpin
Bernard "Ben" Turpin (September 19, 1869 – July 1, 1940) was an American comedian and actor, best remembered for his work in silent films. His trademarks were his cross-eyed appearance and adeptness at vigorous physical comedy. Turpin worked with notable performers such as Charlie Chaplin and Laurel and Hardy, and was a part of the Mack Sennett studio team. He is believed to have been the first filmed "victim" of the pie in the face gag. When sound came to films, Turpin chose to retire, having invested profitably in real estate, although he did do occasional cameos. Personal life Turpin was born in New Orleans, Louisiana, on September 19, 1869,His birth date was given as September 19, 1869, but other years were used at various times in his Hollywood publicity material. In the 1900 United States Census he used the year "1869", and his death certificate used "1869", and that year will be used here. ''Encyclopædia Britannica'' wrongly lists the year of his birth as "1874 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buster Keaton
Joseph Frank "Buster" Keaton (October 4, 1895 – February 1, 1966) was an American actor, comedian, and filmmaker. He is best known for his silent film work, in which his trademark was physical comedy accompanied by a stoic, deadpan expression that earned him the nickname "The Great Stone Face". Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929" when he "worked without interruption" as having made him "the greatest actor-director in the history of the movies". In 1996, ''Entertainment Weekly'' recognized Keaton as the seventh-greatest film director, and in 1999 the American Film Institute ranked him as the 21st-greatest male star of classic Hollywood cinema. Working with independent producer Joseph M. Schenck and filmmaker Edward F. Cline, Keaton made a series of successful two-reel comedies in the early 1920s, including ''One Week'' (1920), '' The Playhouse'' (1921), '' Cops'' (1922), and ''The Electric House'' (1922). He then moved to feature-leng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Estragon
Estragon (affectionately Gogo; he tells Pozzo his name is Adam) is one of the two main characters from Samuel Beckett's '' Waiting for Godot''. His name is the French word for tarragon. Personality The impulsive misanthrope Estragon represents the impulsive, simplistic side of the two main characters, much in contrast to his companion Vladimir's careful intellectualism and verbosity. He cares little for appearances, and is mostly concerned with eating and sleeping (much to Vladimir's chagrin). Due to his pessimistic outlook on life, he has abandoned all hope of any alleviation from their suffering, and regards "Godot" suspiciously. This is perhaps because Estragon has far more to worry about. Of the two, Estragon suffers the most physically. He is kicked by Lucky, takes numerous pratfalls, and is beaten by a gang of thugs every night. He also has great difficulty with his boots. In the first act, they do not fit and cause him pain. At the end of the act, he leaves them on th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir (character)
Vladimir (affectionately known as Didi; a small boy calls him Mr. Albert) is one of the two main characters from Samuel Beckett's '' Waiting for Godot''. Personality The " optimist" (and, as Beckett put it, "the major character") of ''Godot'', he represents the intellectual side of the two main characters (in contrast to his companion Estragon's earthy simplicity). One explanation of this intellectualism is that he was once a philosopher. This would explain his constant references and his attempts to engage Estragon in philosophical/religious debate. Vladimir is deeply concerned with appearances and goes to great lengths to make sure Estragon behaves so that his own dignity is preserved. He is something of a pack rat: he carries all the food the tramps have (though he never eats himself), and has other (to quote the play) "miscellaneous" junk in various pockets. Another important prop is his bowler hat. He claims that it "hurts" him, and is eventually driven to appropriate L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
