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Accademia Gallery
The Galleria dell'Accademia di Firenze, or "Gallery of the Academy of Florence", is an art museum in Florence, Italy. It is best known as the home of Michelangelo's sculpture ''David''. It also has other sculptures by Michelangelo and a large collection of paintings by Florentine artists, mostly from the period 1300–1600 (the Trecento to the Late Renaissance). It is smaller and more specialized than the Uffizi, the main art museum in Florence. It adjoins the Accademia di Belle Arti or academy of fine arts of Florence, but despite the name has no other connection with it. In 2016, it had 1.46 million visitors, making it the second-most-visited art museum in Italy, after the Uffizi (2.02 million). History The Galleria dell'Accademia was founded in 1784 by Pietro Leopoldo, Grand Duke of Tuscany. In 2001 the "Museo degli strumenti musicali" collection opened. It includes musical instruments made by Stradivarius, Niccolò Amati and Bartolomeo Cristofori which were acqu ...
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David (Michelangelo)
''David'' is a masterpiece of Renaissance sculpture, created in marble between 1501 and 1504 by the Italian artist Michelangelo. ''David'' is a marble statue of the Biblical figure David, a favoured subject in the art of Florence. ''David'' was originally commissioned as one of a series of statues of prophets to be positioned along the roofline of the east end of Florence Cathedral, but was instead placed in a public square, outside the Palazzo Vecchio, the seat of civic government in Florence, in the Piazza della Signoria, where it was unveiled on 8 September 1504. The statue was moved to the Galleria dell'Accademia, Florence, in 1873, and later replaced at the original location by a replica. Because of the nature of the figure it represented, the statue soon came to symbolize the defence of civil liberties embodied in the Republic of Florence, an independent city-state threatened on all sides by more powerful rival states and by the hegemony of the Medici family. The ey ...
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Palestrina Pietà
The ''Palestrina Pietà'' is a marble sculpture of the Italian Renaissance, dating from c. 1555 and now in the Galleria dell'Accademia, Florence. It was formerly attributed to Michelangelo, but now it is mostly considered to have been completed by someone else, such as Niccolò Menghini or Gian Lorenzo Bernini. According to the Galleria dell'Accademia, the sculpture's "attribution to the master is still somehow controversial". This Pietà depicts three figures, one of them the body of Jesus Christ. The sculpture was originally in a room beside the Santa Rosalia church in Palestrina and was owned by the Barberini family. Some sources indicate it was made in 1556. The sculpture was acquired by the government in 1939. The attribution to Michelangelo was made in the first half of the 18th century. There is no earlier discussion of the work as there is for nearly all others attributed to the master. See also *List of works by Michelangelo The following is a list of works of paintin ...
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1784 Establishments In The Grand Duchy Of Tuscany
Events January–March * January 6 – Treaty of Constantinople: The Ottoman Empire agrees to Russia's annexation of the Crimea. * January 14 – The Congress of the United States ratifies the Treaty of Paris with Great Britain to end the American Revolution, with the signature of President of Congress Thomas Mifflin.''Harper's Encyclopaedia of United States History from 458 A. D. to 1909'', ed. by Benson John Lossing and, Woodrow Wilson (Harper & Brothers, 1910) p167 * January 15 – Henry Cavendish's paper to the Royal Society of London, ''Experiments on Air'', reveals the composition of water. * February 24 – The Captivity of Mangalorean Catholics at Seringapatam begins. * February 28 – John Wesley ordains ministers for the Methodist Church in the United States. * March 1 – The Confederation Congress accepts Virginia's cession of all rights to the Northwest Territory and to Kentucky. * March 22 – The Emerald Buddha is installed ...
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Galleria Dell'Accademia
The Galleria dell'Accademia di Firenze, or "Gallery of the Academy of Florence", is an art museum in Florence, Italy. It is best known as the home of Michelangelo's sculpture ''David (Michelangelo), David''. It also has other sculptures by Michelangelo and a large collection of paintings by Florentine artists, mostly from the period 1300–1600 (the Trecento to the Mannerism, Late Renaissance). It is smaller and more specialized than the Uffizi, the main art museum in Florence. It adjoins the Accademia di Belle Arti di Firenze, Accademia di Belle Arti or academy of fine arts of Florence, but despite the name has no other connection with it. In 2016, it had 1.46 million visitors, making it the second-most-visited art museum in Italy, after the Uffizi (2.02 million). History The Galleria dell'Accademia was founded in 1784 by Leopold II, Holy Roman Emperor, Pietro Leopoldo, List of rulers of Tuscany, Grand Duke of Tuscany. In 2001 the "Museo degli strumenti musicali" c ...
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House Of Lorraine
The House of Lorraine (german: link=no, Haus Lothringen) originated as a cadet branch of the House of Metz. It inherited the Duchy of Lorraine in 1473 after the death without a male heir of Nicholas I, Duke of Lorraine. By the marriage of Francis of Lorraine to Maria Theresa of Austria in 1736, and with the success in the ensuing War of the Austrian Succession (1740–1748), the House of Lorraine was joined to the House of Habsburg and became known as the House of Habsburg‑Lorraine (german: link=no, Haus Habsburg-Lothringen). Francis, his sons Joseph II and Leopold II, and his grandson Francis II were the last four Holy Roman emperors from 1745 until the dissolution of the empire in 1806. The House of Habsburg-Lorraine inherited the Habsburg Empire, ruling the Austrian Empire and then Austria-Hungary until the dissolution of the monarchy in 1918. Although its senior agnates are the dukes of Hohenberg, the house is currently headed by Karl von Habsburg (born 1961), grand ...
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Icon
An icon () is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, and Catholic churches. They are not simply artworks; "an icon is a sacred image used in religious devotion". The most common subjects include Christ, Mary, saints and angels. Although especially associated with portrait-style images concentrating on one or two main figures, the term also covers most religious images in a variety of artistic media produced by Eastern Christianity, including narrative scenes, usually from the Bible or the lives of saints. Icons are most commonly painted on wood panels with egg tempera, but they may also be cast in metal, carved in stone, embroidered on cloth, done in mosaic or fresco work, printed on paper or metal, etc. Comparable images from Western Christianity can be classified as "icons", although "iconic" may also be used to describe a static style of devotional image. In the Greek language, the term for icon paintin ...
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Russia
Russia (, , ), or the Russian Federation, is a List of transcontinental countries, transcontinental country spanning Eastern Europe and North Asia, Northern Asia. It is the List of countries and dependencies by area, largest country in the world, with its internationally recognised territory covering , and encompassing one-eighth of Earth's inhabitable landmass. Russia extends across Time in Russia, eleven time zones and shares Borders of Russia, land boundaries with fourteen countries, more than List of countries and territories by land borders, any other country but China. It is the List of countries and dependencies by population, world's ninth-most populous country and List of European countries by population, Europe's most populous country, with a population of 146 million people. The country's capital and List of cities and towns in Russia by population, largest city is Moscow, the List of European cities by population within city limits, largest city entirely within E ...
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Rape Of The Sabine Women (Giambologna)
The Rape of the Sabine Women ( ), also known as the Abduction of the Sabine Women or the Kidnapping of the Sabine Women, was an incident in Roman mythology in which the men of Rome committed a mass abduction of young women from the other cities in the region. It has been a frequent subject of painters and sculptors, particularly during the Renaissance and post-Renaissance eras. The word "rape" (cognate with ''rapto'' in Portuguese and other Romance languages, meaning "kidnap") is the conventional translation of the Latin word used in the ancient accounts of the incident. Modern scholars tend to interpret the word as "abduction" or "kidnapping" as opposed to a sexual assault. In languages such as Spanish, the event is also remembered as a mass abduction. Story According to Roman historian Livy, the abduction of Sabine women occurred in the early history of Rome shortly after its founding in the mid-8th century BC and was perpetrated by Romulus and his predominantly male fol ...
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Modello
A modello (plural modelli), from Italian, is a preparatory study or model, usually at a smaller scale, for a work of art or architecture, especially one produced for the approval of the commissioning patron. The term gained currency in art circles in Tuscany in the fourteenth century. Modern definitions in reference works vary somewhat. Alternative and overlapping terms are "oil sketch" (''schizzo'') and "cartoon" for paintings, tapestry, or stained glass, maquette, plastico or bozzetto for sculpture or architecture, or architectural model. Background Though in Gothic figural arts bishops and abbots are often represented carrying small simulacra of buildings they had constructed – "models" in the familiar modern sense – ''modello'' is only used of pieces which pre-date the finished work, and were at least in part produced by the main artist involved. The less frequently found term ricordo (Italian for "record" or "memory") means a similar piece produced as a small copy ''a ...
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Giambologna
Giambologna (1529 – 13 August 1608), also known as Jean de Boulogne (French), Jehan Boulongne (Flemish) and Giovanni da Bologna (Italian), was the last significant Italian Renaissance sculptor, with a large workshop producing large and small works in bronze and marble in a late Mannerist style. Biography Giambologna was born in Douai, Flanders ( then and now in France), in 1529. After youthful studies in Antwerp with the architect-sculptor Jacques du Broeucq, he moved to Italy in 1550 and studied in Rome, making a detailed study of the sculpture of classical antiquity. He was also much influenced by Michelangelo, but developed his own Mannerist style, with perhaps less emphasis on emotion and more emphasis on refined surfaces, cool elegance, and beauty. Pope Pius IV gave Giambologna his first major commission, the colossal bronze Neptune and subsidiary figures for the Fountain of Neptune (the base designed by Tommaso Laureti, 1566) in Bologna. Giambologna spent his most ...
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Andrea Del Sarto
Andrea del Sarto (, , ; 16 July 1486 – 29 September 1530) was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. He was known as an outstanding fresco decorator, painter of altar-pieces, portraitist, draughtsman, and colorist. Although highly regarded during his lifetime as an artist ("without errors"), his renown was eclipsed after his death by that of his contemporaries Leonardo da Vinci, Michelangelo, and Raphael. Early life and training Andrea del Sarto was born Andrea d'Agnolo di Francesco di Luca in Florence on 16 July 1486. Since his father, Agnolo, was a tailor (Italian: '' sarto''), he became known as "del Sarto" (meaning "tailor's son"). Since 1677 some have attributed the surname Vannucchi with little documentation. By 1494 Andrea was apprenticed to a goldsmith, and then to a woodcarver and painter named Gian Barile, with whom he remained until 1498. According to his late biographer Vasari, he then apprent ...
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Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), known as Sandro Botticelli (, ), was an Italian Renaissance painting, Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelite Brotherhood, Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period. In addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the ''Madonna and Child'', many in the round tondo (art), tondo shape) and also some portraits. His best-known works are ''The Birth of Venus'' and ''Primavera (painting), Primavera'', both in the Uffizi in Florence, which holds many of Botticelli’s w ...
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