Academic Symphony Orchestra Of The Lviv Philharmonic
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Academic Symphony Orchestra Of The Lviv Philharmonic
The Academic Symphony Orchestra of the Lviv National Philharmonic is one of the oldest symphony orchestras in Ukraine. History In 1796, violinist and conductor Józef Elsner initiated the creation of the first Music Academy in Lviv. It brought together professional musicians and educated amateurs and became the first concert organization in the city. In 1799, Karol Lipinski became the first violinist, concertmaster of the Lviv Theater, and from 1811 - its conductor. Lipinsky initiated the creation of the symphony orchestra. Franz Xaver Wolfgang Mozart, son of Wolfgang Amadeus Mozart, founded the Society of St. Cecilia in 1826, in which there were a choir and an institute of singing. The activity of the society became an impetus for the formation of new professional cells of organized musical and artistic life. Symphony concerts with the participation of professional musicians and amateurs were also organized by the "Society of friends of music," which operated since 1834. Wi ...
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Lviv
Lviv ( uk, Львів) is the largest city in western Ukraine, and the seventh-largest in Ukraine, with a population of . It serves as the administrative centre of Lviv Oblast and Lviv Raion, and is one of the main cultural centres of Ukraine. It was named in honour of Leo, the eldest son of Daniel, King of Ruthenia. Lviv emerged as the centre of the historical regions of Red Ruthenia and Galicia in the 14th century, superseding Halych, Chełm, Belz and Przemyśl. It was the capital of the Kingdom of Galicia–Volhynia from 1272 to 1349, when it was conquered by King Casimir III the Great of Poland. From 1434, it was the regional capital of the Ruthenian Voivodeship in the Kingdom of Poland. In 1772, after the First Partition of Poland, the city became the capital of the Habsburg Kingdom of Galicia and Lodomeria. In 1918, for a short time, it was the capital of the West Ukrainian People's Republic. Between the wars, the city was the centre of the Lwów Voivodeship in th ...
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Gustav Mahler
Gustav Mahler (; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect, which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century. Born in Bohemia (then part of the Austrian Empire) to Jewish parents of humble origins, the German-speaking Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising ...
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Tristan And Isolde
Tristan and Iseult, also known as Tristan and Isolde and other names, is a medieval chivalric romance told in numerous variations since the 12th century. Based on a Celtic legend and possibly other sources, the tale is a tragedy about the illicit love between the Cornish knight Tristan and the Irish princess Iseult. It depicts Tristan's mission to escort Iseult from Ireland to marry his uncle, King Mark of Cornwall. On the journey, Tristan and Iseult ingest a love potion, instigating a forbidden love affair between them. The story has had a lasting impact on Western culture. Its different versions exist in many European texts in various languages from the Middle Ages. The earliest instances take two primary forms: the courtly and common branches. The former begins with the 12th-century poems of Thomas of Britain and Béroul, while the latter reflects a now-lost original version. A subsequent version emerged in the 13th century in the wake of the greatly expanded Prose ''Trist ...
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Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ...
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Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ...
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Tannhäuser (opera)
''Tannhäuser'' (; full title , "Tannhäuser and the Minnesängers' Contest at Wartburg") is an 1845 opera in three acts, with music and text by Richard Wagner ( WWV 70 in the catalogue of the composer's works). It is based on two German legends: Tannhäuser, the mythologized medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. The story centres on the struggle between sacred and profane love, as well as redemption through love, a theme running through most of Wagner's work. The opera remains a staple of major opera house repertoire in the 21st century. Composition history Sources The libretto of ''Tannhäuser'' combines mythological elements characteristic of German ''Romantische Oper'' (Romantic opera) and the medieval setting typical of many French Grand Operas. Wagner brings these two together by constructing a plot involving the 14th-century Minnesingers and the myth of Venus and her subterranean realm of Venusberg. Both the historical and the ...
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Hector Berlioz
In Greek mythology, Hector (; grc, Ἕκτωρ, Hektōr, label=none, ) is a character in Homer's Iliad. He was a Trojan prince and the greatest warrior for Troy during the Trojan War. Hector led the Trojans and their allies in the defense of Troy, killing countless Greek warriors. He was ultimately killed in single combat by Achilles, who later dragged his dead body around the city of Troy behind his chariot. Etymology In Greek, is a derivative of the verb ἔχειν ''ékhein'', archaic form * grc, ἕχειν, hékhein, label=none ('to have' or 'to hold'), from Proto-Indo-European *'' seɡ́ʰ-'' ('to hold'). , or as found in Aeolic poetry, is also an epithet of Zeus in his capacity as 'he who holds verything together. Hector's name could thus be taken to mean 'holding fast'. Description Hector was described by the chronicler Malalas in his account of the ''Chronography'' as "dark-skinned, tall, very stoutly built, strong, good nose, wooly-haired, good beard, sq ...
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Overtures By Hector Berlioz
French composer Hector Berlioz wrote a number of "overtures", many of which have become popular concert works. They include true overtures, intended to introduce operas, but also independent concert overtures that are in effect the first orchestral tone poems. ''Les francs-juges'' ''Les francs-juges'', Op. 3. Composed 1826. The overture to Berlioz's first attempt at opera, which was never staged. The overture was first performed in the concert hall of the Paris Conservatoire as part of an all Berlioz concert on 26 May 1828. In his study on the composer, Jacques Barzun describes the work as "a genuine tour de force for a young dramatic musician working without knowledge of Beethoven." The instrumentation is two flutes doubling piccolo, two oboes, two clarinets in C, two bassoons, contrabassoon, four horns (in E and D), three trumpets (two in E and one in E), three trombones, two ophicleides, percussion (timpani, bass drum and cymbals) and strings. ''Waverley'' ''Waverley: ...
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Death And Transfiguration
''Death and Transfiguration'' (german: Tod und Verklärung, link=no), Op. 24, is a tone poem for orchestra by Richard Strauss. Strauss began composition in the late summer of 1888 and completed the work on 18 November 1889. The work is dedicated to the composer's friend Friedrich Rosch. The music depicts the death of an artist. At Strauss's request, this was described in a poem by his friend Alexander Ritter as an interpretation of Death and Transfiguration, after it was composed. As the man lies dying, thoughts of his life pass through his head: his childhood innocence, the struggles of his manhood, the attainment of his worldly goals; and at the end, he receives the longed-for transfiguration "from the infinite reaches of heaven". Performance history Strauss conducted the premiere on 21 June 1890 at the Eisenach Festival (on the same programme as the premiere of his '' Burleske in D minor'' for piano and orchestra). He also conducted this work for his first appearance in the ...
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Don Juan (Strauss)
''Don Juan'', Opus number, Op. 20, is a tone poem in E major for large orchestra written by the German composer Richard Strauss in 1888. The work is based on ''Don Juans Ende'', a play derived from an unfinished 1844 retelling of the tale by poet Nikolaus Lenau after the Don Juan legend which originated in Renaissance-era Spain. Strauss reprinted three excerpts from the play in his score. In Lenau's rendering, Don Juan's promiscuity springs from his determination to find the ideal woman. Despairing of ever finding her, he ultimately surrenders to melancholy and wills his own death. It is singled out by Carl Dahlhaus as a "musical symbol of fin-de-siècle Modernism (music), modernism", particularly for the "breakaway mood" of its opening bars. The premiere of ''Don Juan'' took place on 11 November 1889 in Weimar, where Strauss, then twenty-five, served as Court Kapellmeister; he conducted the orchestra of the Weimar Opera. The work, composed when Strauss was only twenty-four years ...
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Mieczysław Karłowicz
Mieczysław Karłowicz (, 11 December 18768 February 1909) was a Polish composer and conductor. Life Mieczysław Karłowicz was born in Vishneva, in the Vilna Governorate of the Russian Empire (now in Belarus) into a noble family belonging to Clan Ostoja. His father Jan was a Polish linguist, lexicographer, and musician. As a child, Karłowicz studied violin, for which he later composed his only concerto. Karłowicz studied in Warsaw with Zygmunt Noskowski, Stanisław Barcewicz, Piotr Maszyński, and Gustaw Roguski. He later studied in Berlin with Heinrich Urban, to whom he dedicated his ''Serenade for Strings'', which he composed and performed while Urban's student. From 1906 to 1907 he studied conducting with Arthur Nikisch. Career Karłowicz's music is of a late Romantic character. He was a great admirer of Pyotr Ilyich Tchaikovsky whose Symphony No. 6 he praised. Tchaikovsky's influence can be heard in Karłowicz's earlier works, most notably the E minor symphony and ...
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Ruggiero Leoncavallo
Ruggero (or Ruggiero) Leoncavallo ( , , ; 23 April 18579 August 1919) was an Italian opera composer and librettist. Although he produced numerous operas and other songs throughout his career it is his opera '' Pagliacci'' (1892) that remained his lasting contribution, despite attempts to escape the shadow of his greatest success. Today he remains largely known for ''Pagliacci'', one of the most popular and frequently performed works in the opera repertory. His other compositions include the song " Mattinata", popularized by Enrico Caruso, and the symphonic poem ''La Nuit de mai''. Biography The son of Vincenzo Leoncavallo, a police magistrate and judge, Leoncavallo was born in Naples on 23 April 1857. As a child, Leoncavallo moved with his father to the town of Montalto Uffugo in Calabria, where he lived during his adolescence. He later returned to Naples and was educated at the city's San Pietro a Majella Conservatory and later the University of Bologna studying literatu ...
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