Academia Imperial De Belas Artes
The Imperial Academy of Fine Arts ('' pt, Academia Imperial de Belas Artes'') was an institution of higher learning in the arts in Rio de Janeiro, Brazil, established by King João VI. Despite facing many initial difficulties, the Academy was established and took its place at the forefront of Brazilian arts education in the second half of the nineteenth century. The Academy became the center of the diffusion of new aesthetic trends and the teaching of modern artistic techniques. It eventually became one of the principal arts institutions under the patronage of Emperor Dom Pedro II. With the Proclamation of the Republic, it became known as the National School of Fine Arts. It became extinct as an independent institution in 1931, when it was absorbed by the Federal University of Rio de Janeiro (UFRJ) and became known as the UFRJ School of Fine Arts, which still operates today. Origins The foundation of art schools in Brazil came from, according to Rafael Denis, Francophile ini ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Marc Ferrez (photographer)
Marc Ferrez (December 7, 1843 – January 12, 1923) was a Brazilian photographer born in Rio de Janeiro. Marc Ferrez was the son of the French sculptor and engraver Zepherin Ferrez who moved to Rio de Janeiro in 1816. Marc Ferrez was born in Rio de Janeiro, Brazil. He studied in Paris then came back to Rio as an apprentice to photographer Franz Keller of Germany. In 1865, Ferrez opened his own photography studio where he primarily focused of landscapes and Brazilian nature. His work became so popular that Emperor Dom Pedro II gave him funds to support his art, allowing Ferrez to explore every angle that the camera had to offer. Just eight years after its opening, in 1873, his studio burned down. He returned to France to purchase a new camera, opting for one that had the capability of taking panoramic photos. This was a view of photography that was still in its infancy. When he finally returned to Rio de Janeiro, he focused on rural landscapes and slaves working on the plantatio ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nicolas-Antoine Taunay
Nicolas-Antoine Taunay (10 February 1755 – 20 March 1830) was a French painter known best for his landscapes with scenes from ancient and modern history, mythology, and religion. Early years Nicolas Antoine Taunay was born in Paris, France, in 1755. His father was an enamel painter. Taunay entered the ''École des Beaux-Arts'' in Paris at the age of fifteen and became a pupil of Nicolas-Bernard Lepicié. He later studied in the studios of Nicolas-Guy Brenet and Francesco Giuseppe Casanova. He specialized in painting landscapes. Taunay first exhibited his work at the ''Jeunesse'' and ''Salon de la Correspondance''. In 1784 he was admitted as an assistant at the Royal Academy of Painting and Sculpture. He was now able to exhibit at official shows. Taunay obtained a three-year scholarship to study at the French Academy in Rome in the Palazzo Mancini. While in Italy he met the artist Jacques-Louis David. After returning to France in 1787 Taunay exhibited in the Paris Salon. He ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Catumbi
Catumbi is a neighborhood in Rio de Janeiro, Brazil and includes the Morro da Mineira Morro da Mineira("Miner's Hill") is a favela located in the Catumbi neighborhood, near downtown Rio de Janeiro, the Sambadrome, and the Praça da Apoteose. Morro da Mineira is situated on a hill and composed of simple houses inhabited by working ... favela. References Neighbourhoods in Rio de Janeiro (city) {{RiodeJaneiro-geo-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Neoclassicism
Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome largely thanks to the writings of Johann Joachim Winckelmann, at the time of the rediscovery of Pompeii and Herculaneum, but its popularity spread all over Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th and up to the 21st century. European Neoclassicism in the visual arts began c. 1760 in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, ornamentati ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Catholic Church
The Catholic Church, also known as the Roman Catholic Church, is the largest Christian church, with 1.3 billion baptized Catholics worldwide . It is among the world's oldest and largest international institutions, and has played a prominent role in the history and development of Western civilization.O'Collins, p. v (preface). The church consists of 24 ''sui iuris'' churches, including the Latin Church and 23 Eastern Catholic Churches, which comprise almost 3,500 dioceses and eparchies located around the world. The pope, who is the bishop of Rome, is the chief pastor of the church. The bishopric of Rome, known as the Holy See, is the central governing authority of the church. The administrative body of the Holy See, the Roman Curia, has its principal offices in Vatican City, a small enclave of the Italian city of Rome, of which the pope is head of state. The core beliefs of Catholicism are found in the Nicene Creed. The Catholic Church teaches that it is the on ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Academism
Academic art, or academicism or academism, is a style of painting and sculpture produced under the influence of European academies of art. Specifically, academic art is the art and artists influenced by the standards of the French Académie des Beaux-Arts, which was practiced under the movements of Neoclassicism and Romanticism, and the art that followed these two movements in the attempt to synthesize both of their styles, and which is best reflected by the paintings of William-Adolphe Bouguereau, Thomas Couture, and Hans Makart. In this context it is often called "academism," "academicism," " art pompier" (pejoratively), and "eclecticism," and sometimes linked with "historicism" and "syncretism." Academic art is closely related to Beaux-Arts architecture, which developed in the same place and holds to a similar classicizing ideal. The academies in history The first academy of art was founded in Florence in Italy by Cosimo I de' Medici, on 13 January 1563, under the influe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Académie Royale De Peinture Et De Sculpture
The Académie Royale de Peinture et de Sculpture (; en, "Royal Academy of Painting and Sculpture") was founded in 1648 in Paris, France. It was the premier art institution of France during the latter part of the Ancien Régime until it was abolished in 1793 during the French Revolution. It included most of the important painters and sculptors, maintained almost total control of teaching and exhibitions, and afforded its members preference in royal commissions. Founding In the 1640s, France's artistic life was still based on the medieval system of guilds like the Académie de Saint-Luc which had a tight grip on the professional lives of artists and artisans alike. Some artists had managed to get exemptions but these were based on favoritism rather than merit. A few "superior men" who were "real artists", suffered and felt humiliated under this system. In view of increasing pressure by the Parisian guilds for painters and sculptors to submit to their control, the young but alre ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Escola Real De Ciências, Artes E Ofícios
Escola de Belas Artes (School of Fine Arts) is one of the centers of the Federal University of Rio de Janeiro and dates back to colonial times. A royal letter of Nov 20 1800 by John VI of Portugal established the ''Aula Prática de Desenho e Figura'' in Rio de Janeiro. It was the first institution in Brazil systematically dedicated to teaching the arts. During colonial times, the arts were mainly of religious or utilitarian nature and were learnt in a system of apprenticeship. The Decree of Aug 12, 1816 created the ''Escola Real de Ciências, Artes e Ofícios'' (Royal School of Sciences, Arts and Crafts), which established an official education in the fine arts. Then it was renamed as the ''Academia Imperial de Belas Artes'' (Imperial Academy of Fine Arts), instituting a system of artistic education that would greatly influence the development of Brazilian art. On Nov 8 1890, the old Imperial Academy was transformed into the ''Escola Nacional de Belas Artes'' (National School of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Missão Artística Francesa
The French Artistic Mission in Brazil ( pt, Missão Artística Francesa) was a group of French artists and architects that came to Rio de Janeiro, then the capital city of the United Kingdom of Portugal, Brazil and the Algarves, in March 1816, under the auspices of the royal court of Portugal, which had been transferred to Brazil since 1808 due to Portugal's invasion by Napoleon Bonaparte. The Mission, led by Joachim Lebreton, had the mission of establishing the Escola Real de Ciências, Artes e Ofícios (Royal School of Sciences, Arts and Crafts), which later became the Escola Nacional de Belas Artes (National School of Fine Arts). The Mission was formed by the following artists: * Jean-Baptiste Debret, painter * Nicolas Antoine Taunay, painter * Auguste Marie Taunay, sculptor * Marc Ferrez, sculptor * Zéphirin Ferrez, sculptor * Charles-Simon Pradier * Grandjean de Montigny, architect In the 20th century, the French Artistic Mission had continued in São Paulo to the fo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Prix De Rome
The Prix de Rome () or Grand Prix de Rome was a French scholarship for arts students, initially for painters and sculptors, that was established in 1663 during the reign of Louis XIV of France. Winners were awarded a bursary that allowed them to stay in Rome for three to five years at the expense of the state. The prize was extended to architecture in 1720, music in 1803 and engraving in 1804. The prestigious award was abolished in 1968 by André Malraux, then Minister of Culture, following the May 68 riots that called for cultural change. History The Prix de Rome was initially created for painters and sculptors in 1663 in France, during the reign of Louis XIV. It was an annual bursary for promising artists having proved their talents by completing a very difficult elimination contest. To succeed, a student had to create a sketch on an assigned topic while isolated in a closed booth with no reference material to draw on. The prize, organised by the Académie Royale de Peinture ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |