Abject Offerings
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Abject Offerings
Abjection is a concept in critical theory referring to becoming cast off and separated from norms and rules, especially on the scale of society and morality. The term has been explored in post-structuralism as that which inherently disturbs conventional identity and cultural concepts. Julia Kristeva explored an influential and formative overview of the concept in her 1980 work '' Powers of Horror: An Essay on Abjection'', where she describes subjective horror (abjection) as the feeling when an individual experiences or is confronted by the sheer experience of what Kristeva calls one's typically repressed "corporeal reality", or an intrusion of the Real in the Symbolic Order. Kristeva's concept of abjection is used commonly to analyze popular cultural narratives of horror, and discriminatory behavior manifesting in misogyny, homophobia and genocide. The concept of abjection builds on the traditional psychoanalytic theories of Sigmund Freud and Jacques Lacan, whose studies often ...
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Critical Theory
A critical theory is any approach to social philosophy that focuses on society and culture to reveal, critique and challenge power structures. With roots in sociology and literary criticism, it argues that social problems stem more from social structures and cultural assumptions than from individuals. It argues that ideology is the principal obstacle to human liberation. Critical theory finds applications in various fields of study, including psychoanalysis, sociology, history, communication theory, philosophy and feminist theory. Specifically, Critical Theory (capitalized) is a school of thought practiced by the Frankfurt School theoreticians Herbert Marcuse, Theodor Adorno, Walter Benjamin, Erich Fromm, and Max Horkheimer. Horkheimer described a theory as critical insofar as it seeks "to liberate human beings from the circumstances that enslave them." Although a product of modernism, and although many of the progenitors of Critical Theory were skeptical of postmoderni ...
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Taboo
A taboo or tabu is a social group's ban, prohibition, or avoidance of something (usually an utterance or behavior) based on the group's sense that it is excessively repulsive, sacred, or allowed only for certain persons.''Encyclopædia Britannica Online''.Taboo. Encyclopædia Britannica Inc., 2012. Retrieved 21 Mar. 2012 Such prohibitions are present in virtually all societies. Taboos may be prohibited explicitly, for example within a legal system or religion, or implicitly, for example by social norms or conventions followed by a particular culture or organization. Taboos are often meant to protect the individual, but there are other reasons for their development. An ecological or medical background is apparent in many, including some that are seen as religious or spiritual in origin. Taboos can help use a resource more efficiently, but when applied to only a subsection of the community they can also serve to suppress said subsection of the community. A taboo acknowledged by a ...
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Barbara Creed
Barbara Creed (born 30 September 1943) is a professor of cinema studies in the School of Culture and Communication at the University of Melbourne. She is the author of six books on gender, feminist film theory, and the horror genre. Creed is a graduate of Monash and La Trobe universities where she completed doctoral research using the framework of psychoanalysis and feminist theory to examine horror films. She is known for her cultural criticism. Early life Barbara Creed is a well-known Australian commentator on film and media. She is a graduate of Monash and La Trobe University, completing her doctrinal thesis and research on the cinema of horror. Creed pursued the use of feminist theory and psychoanalysis in her examination of horror films. She currently works within the School of Culture and Communication at the University of Melbourne where she is a professor of Cinema Studies. Her current research includes human rights and animal ethics on screen. Overall, Creed's w ...
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Science Fiction
Science fiction (sometimes shortened to Sci-Fi or SF) is a genre of speculative fiction which typically deals with imaginative and futuristic concepts such as advanced science and technology, space exploration, time travel, parallel universes, extraterrestrial life, sentient artificial intelligence, cybernetics, certain forms of immortality (like mind uploading), and the singularity. Science fiction predicted several existing inventions, such as the atomic bomb, robots, and borazon, whose names entirely match their fictional predecessors. In addition, science fiction might serve as an outlet to facilitate future scientific and technological innovations. Science fiction can trace its roots to ancient mythology. It is also related to fantasy, horror, and superhero fiction and contains many subgenres. Its exact definition has long been disputed among authors, critics, scholars, and readers. Science fiction, in literature, film, television, and other media, has beco ...
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Horror Fiction
Horror is a genre of fiction which is intended to frighten, scare, or disgust. Horror is often divided into the sub-genres of psychological horror and supernatural horror, which is in the realm of speculative fiction. Literary historian J. A. Cuddon, in 1984, defined the horror story as "a piece of fiction in prose of variable length... which shocks, or even frightens the reader, or perhaps induces a feeling of repulsion or loathing". Horror intends to create an eerie and frightening atmosphere for the reader. Often the central menace of a work of horror fiction can be interpreted as a metaphor for larger fears of a society. Prevalent elements of the genre include ghosts, demons, vampires, werewolves, ghouls, the Devil, witches, monsters, extraterrestrials, dystopian and post-apocalyptic worlds, serial killers, cannibalism, cults, dark magic, satanism, the macabre, gore and torture. History Before 1000 The horror genre has ancient origins, with roots in folklore ...
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Alien (film)
''Alien'' is a 1979 science fiction horror film directed by Ridley Scott and written by Dan O'Bannon. Based on a story by O'Bannon and Ronald Shusett, it follows the crew of the commercial space tug ''Nostromo'', who, after coming across a mysterious derelict spaceship on an undiscovered moon, find themselves up against an aggressive and deadly extraterrestrial set loose on the ''Nostromo''. The film stars Tom Skerritt, Sigourney Weaver, Veronica Cartwright, Harry Dean Stanton, John Hurt, Ian Holm, and Yaphet Kotto. It was produced by Gordon Carroll, David Giler, and Walter Hill through their company Brandywine Productions, and was distributed by 20th Century Fox. Giler and Hill revised and made additions to the script; Shusett was the executive producer. The Alien and its accompanying artifacts were designed by the Swiss artist H. R. Giger, while concept artists Ron Cobb and Chris Foss designed the more human settings. ''Alien'' premiered on May 25, 1979, as the opening n ...
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Existentialist
Existentialism ( ) is a form of philosophical inquiry that explores the problem of human existence and centers on human thinking, feeling, and acting. Existentialist thinkers frequently explore issues related to the meaning, purpose, and value of human existence, and the role of personal agency in transforming one's life. In the view of an existentialist, the individual's starting point is phenomenological, grounded in the immediate direct experience of life. Key concepts include "existential angst", a sense of dread, disorientation, confusion, or anxiety in the face of an apparently meaningless or absurd world, and also authenticity, courage, and human-heartedness. Existentialism is associated with several 19th- and 20th-century European philosophers who shared an emphasis on the human subject, despite often profound differences in thought. Among the earliest figures associated with existentialism are philosophers Søren Kierkegaard and Friedrich Nietzsche and novelist Fy ...
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Jean Genet
Jean Genet (; – ) was a French novelist, playwright, poet, essayist, and political activist. In his early life he was a vagabond and petty criminal, but he later became a writer and playwright. His major works include the novels ''The Thief's Journal'' and ''Our Lady of the Flowers'' and the plays ''The Balcony'', ''The Maids'' and ''The Screens''. Biography Early life Genet's mother was a prostitute who raised him for the first seven months of his life before placing him for adoption. Thereafter Genet was raised in the provincial town of Alligny-en-Morvan, in the Nièvre department of central France. His foster family was headed by a carpenter and, according to Edmund White's biography, was loving and attentive. While he received excellent grades in school, his childhood involved a series of attempts at running away and incidents of petty theft. After the death of his foster mother, Genet was placed with an elderly couple but remained with them less than two years. Accord ...
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The Thief's Journal
''The Thief's Journal'' (''Journal du voleur'', published in 1949) is a novel by Jean Genet. It is a part-fact, part-fiction autobiography that charts the author's progress through Europe in a depoliticized 1930s, wearing nothing but rags and enduring hunger, contempt, fatigue and vice. The main character encounters bars, dives, flophouses, robbery, prison and expulsion in Spain, Italy, Austria, Czechoslovakia, Poland, Nazi Germany and Belgium. The novel is structured around a series of homosexual love affairs and male prostitution between the author/anti-hero and various criminals, con artists, pimps, and a detective. A common theme is the inversion of ideals: betrayal is the ultimate form of devotion, petty delinquency is brazen heroism, and confinement is freedom. Under the inspiration of ''Being and Nothingness'', the novel is dedicated to Jean-Paul Sartre and "Castor" ("beaver"), i.e. Simone de Beauvoir. Sartre wrote his essay "Saint Genet", influenced by this work, in 19 ...
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Cognitive Dissonance
In the field of psychology, cognitive dissonance is the perception of contradictory information, and the mental toll of it. Relevant items of information include a person's actions, feelings, ideas, beliefs, values, and things in the environment. Cognitive dissonance is typically experienced as psychological stress when persons participate in an action that goes against one or more of those things. According to this theory, when two actions or ideas are not psychologically consistent with each other, people do all in their power to change them until they become consistent. The discomfort is triggered by the person's belief clashing with new information perceived, wherein the individual tries to find a way to resolve the contradiction to reduce their discomfort.Festinger, L. (1957). ''A Theory of Cognitive Dissonance''. California: Stanford University Press. In '' When Prophecy Fails: A Social and Psychological Study of a Modern Group That Predicted the Destruction of the World'' ( ...
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The Uncanny (Freud)
The uncanny is the psychological experience of something as not simply mysterious, but creepy, often in a strangely familiar way. It may describe incidents where a familiar thing or event is encountered in an unsettling, eerie, or taboo context.D. Bate, ''Photography and Surrealism'' (2004) pp. 39–40. Ernst Jentsch set out the concept of the uncanny later elaborated on by Sigmund Freud in his 1919 essay ''Das Unheimliche'', which explores the eeriness of dolls and waxworks. For Freud, the uncanny locates the strangeness in the ordinary. Expanding on the idea, psychoanalytic theorist Jacques Lacan wrote that the uncanny places us "in the field where we do not know how to distinguish bad and good, pleasure from displeasure", resulting in an irreducible anxiety that gestures to the Real. The concept has since been taken up by a variety of thinkers and theorists such as roboticist Masahiro Mori's uncanny valley and Julia Kristeva's concept of abjection. History German idealism Ph ...
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Ritual
A ritual is a sequence of activities involving gestures, words, actions, or objects, performed according to a set sequence. Rituals may be prescribed by the traditions of a community, including a religious community. Rituals are characterized, but not defined, by formalism, traditionalism, invariance, rule-governance, sacral symbolism, and performance. Rituals are a feature of all known human societies. They include not only the worship rites and sacraments of organized religions and cults, but also rites of passage, atonement and ritual purification, purification rites, oaths of allegiance, dedication ceremonies, coronations and presidential inaugurations, marriages, funerals and more. Even common actions like handshake, hand-shaking and saying "hello" may be termed as ''rituals''. The field of ritual studies has seen a number of conflicting definitions of the term. One given by Kyriakidis is that a ritual is an outsider's or "Emic and etic, etic" category for a set activity (o ...
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