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Aaron Williams (musician)
The Merseybeats (also related vocal duo The Merseys) are an English beat band that emerged from the Liverpool Merseybeat scene in the early 1960s, performing at the Cavern Club along with the Beatles, Gerry and the Pacemakers, and other similar artists. The current line-up is: Tony Crane MBE (founding member) lead vocals and lead guitar, Billy Kinsley (founding member) lead vocals and rhythm guitar, Bob Packham (joined 1974) backing vocals and bass guitar (born Robert Packham, 17 July 1944, Anfield, Liverpool) (ex The Galvinsers), and Lou Rosenthal (joined 2000) drums. History The Merseybeats Originally called the Mavericks, the band was formed by Tony Crane and Billy Kinsley in late 1960. They became the Pacifics in September 1961. They were renamed the Mersey Beats in February 1962 by Bob Wooler, MC at the Cavern Club. In April 1962, they became the Merseybeats. By now Crane and Kinsley had joined up with guitarist Aaron Williams and drummer John Banks. They signed a recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liverpool
Liverpool is a city and metropolitan borough in Merseyside, England. With a population of in 2019, it is the 10th largest English district by population and its metropolitan area is the fifth largest in the United Kingdom, with a population of 2.24 million. On the eastern side of the Mersey Estuary, Liverpool historically lay within the ancient hundred of West Derby in the county of Lancashire. It became a borough in 1207, a city in 1880, and a county borough independent of the newly-created Lancashire County Council in 1889. Its growth as a major port was paralleled by the expansion of the city throughout the Industrial Revolution. Along with general cargo, freight, and raw materials such as coal and cotton, merchants were involved in the slave trade. In the 19th century, Liverpool was a major port of departure for English and Irish emigrants to North America. It was also home to both the Cunard and White Star Lines, and was the port of registry of the ocean li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum
The drum is a member of the percussion group of musical instruments. In the Hornbostel-Sachs classification system, it is a membranophone. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a percussion mallet, to produce sound. There is usually a resonant head on the underside of the drum. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years. Drums may be played individually, with the player using a single drum, and some drums such as the djembe are almost always played in this way. Others are normally played in a set of two or more, all played by the one player, such as bongo drums and timpani. A number of different drums together with cymbals form the basic modern drum kit. Uses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fortune Teller (song)
"Fortune Teller" is a song written by Allen Toussaint under the pseudonym Naomi Neville and first recorded by Benny Spellman. It was issued in 1962 as B-side of the single " Lipstick Traces (on a Cigarette)" on Minit Records (Cat 644). It tells the story of a young man who is pleased to learn from a fortune teller that he will find love "When the next one arrives". Next day he returns, angry that nothing has happened, but falls in love with the fortune teller. They get married and are as "happy as we could be", and he gets his "fortune told for free". Cover versions Many artists have covered the song, including the Rolling Stones, the Hollies and the Who. It was included on the October 2007 album ''Raising Sand'', by Robert Plant and Alison Krauss. The song was also a hit in Australia, recorded by the Throb; released in February 1966 and charted in the top 5 in Adelaide, Brisbane, Melbourne and Sydney. Note: Archived n-linecopy has limited functionality. The song is includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wishin' And Hopin'
"Wishin' and Hopin" is a song, written by Hal David and Burt Bacharach, which was a US Top 10 hit for Dusty Springfield in 1964. History The song was first recorded by Dionne Warwick in the fall of 1962, and was the B-side of Warwick's single "This Empty Place" (also recorded in the fall of 1962) in the spring of 1963; the track was also featured on Warwick's debut album ''Presenting Dionne Warwick''. Warwick's rendition became a charting single in France, reaching No. 79 in 1963. It was included again on Warwick's third album ''Make Way For Dionne Warwick''. Dusty Springfield recording Dusty Springfield, who had heard the Warwick album track, recorded "Wishin' and Hopin in January 1964 at Olympic Studios. Personnel for the session included Bobby Graham on drums, Big Jim Sullivan on guitar, and the Breakaways vocal group. Ivor Raymonde arranged and conducted on the session for which Johnny Franz was the producer. The track was included on Springfield's solo album debuts i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Big Three (English Band)
The Big Three were a Beat music, Merseybeat musical ensemble, group from Liverpool. They are best known for their 1963 recording of "Some Other Guy" and their close connection to the Beatles. Career The Big Three evolved from a group called Cass and the Cassanovas, formed in May 1959 by Brian Casser as a trio comprising Casser (rhythm guitar, lead vocals), Adrian Barber (lead guitar, vocals), and Brian J. Hudson (drums) (born Brian James Hudson, 21 April 1938, Cleveland, England, Cleveland, North Yorkshire). The original line-up played at St George's Hall, Liverpool, on Friday, 15 May 1959. Johnny Hutchinson (born 18 July 1940) replaced Hudson in July 1959. In need of a bassist, bass guitarist, Hutchinson brought in John Gustafson (musician), Johnny Gustafson in December. At that time, Gustafson did not have a proper bass guitar, so Barber converted an acoustic guitar, acoustic for him. Gustafson's first gig was at The Tower Ballroom, New Brighton, Merseyside, New Brighton, on 31 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Gustafson (musician)
John Frederick "Johnny" Gustafson (8 August 1942 – 12 September 2014) was an English bass guitar player and singer, who had a lengthy recording and live performance career. During his career, he was a member of the bands The Big Three (English band), The Big Three, Ian Gillan Band, Roxy Music and his own group, Quatermass (band), Quatermass, among others. Career Born in Liverpool to a father of Swedish descent and mother of Irish descent, he is known for his work with 1960s bands The Big Three (English band), The Big Three and The Merseybeats, and for singing on the original recording of ''Jesus Christ Superstar (album), Jesus Christ Superstar'' as Simon Zealotes. He made an appearance on Roger Glover's ''The Butterfly Ball and the Grasshopper's Feast (album), The Butterfly Ball and the Grasshopper's Feast'' album track, "Watch Out for the Bat", as a vocalist. He is probably best known for playing bass guitar for several re-incarnations of the Ian Gillan Band and for his earli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Creation (band)
The Creation was an English rock band, formed in 1966. Their best-known songs are "Making Time", which was one of the first rock songs to feature a Bowed guitar, guitar played with a bow, and "Painter Man", which made the Top 40 in the UK Singles Chart in late 1966, and reached No. 8 in the German chart in April 1967. It was covered by Boney M in 1979, and reached the No. 10 position in the UK chart. "Making Time" was used in the movie ''Rushmore (film), Rushmore,'' and as the theme song from season 2 onwards of ''The Great Pottery Throw Down''. Creation biographer Sean Egan defined their style as "a unique hybrid of pop, rock, psychedelia and the avant garde." Career Pre-history: The Mark Four (1963–1966) Most of the members of what would eventually become Creation were initially members of The Mark Four, a British beat group based in Cheshunt, Hertfordshire.Larkin C 'Virgin Encyclopedia of Sixties Music' (Muze UK Ltd, 1997) p132 By late 1963 The Mark Four was a quintet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gold Disc
Music recording certification is a system of certifying that a music recording has shipped, sold, or streamed a certain number of units. The threshold quantity varies by type (such as album, single, music video) and by nation or territory (see List of music recording certifications). Almost all countries follow variations of the RIAA certification categories, which are named after precious materials (gold, platinum and diamond). The threshold required for these awards depends upon the population of the territory where the recording is released. Typically, they are awarded only to international releases and are awarded individually for each country where the album is sold. Different sales levels, some perhaps 10 times greater than others, may exist for different music media (for example: videos versus albums, singles, or music download). History The original gold and silver record awards were presented to artists by their own record companies to publicize their sales achiev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Banks (drummer)
The Merseybeats (also related vocal duo The Merseys) are an English beat band that emerged from the Liverpool Merseybeat scene in the early 1960s, performing at the Cavern Club along with the Beatles, Gerry and the Pacemakers, and other similar artists. The current line-up is: Tony Crane MBE (founding member) lead vocals and lead guitar, Billy Kinsley (founding member) lead vocals and rhythm guitar, Bob Packham (joined 1974) backing vocals and bass guitar (born Robert Packham, 17 July 1944, Anfield, Liverpool) (ex The Galvinsers), and Lou Rosenthal (joined 2000) drums. History The Merseybeats Originally called the Mavericks, the band was formed by Tony Crane and Billy Kinsley in late 1960. They became the Pacifics in September 1961. They were renamed the Mersey Beats in February 1962 by Bob Wooler, MC at the Cavern Club. In April 1962, they became the Merseybeats. By now Crane and Kinsley had joined up with guitarist Aaron Williams and drummer John Banks. They signed a recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aaron Williams (musician)
The Merseybeats (also related vocal duo The Merseys) are an English beat band that emerged from the Liverpool Merseybeat scene in the early 1960s, performing at the Cavern Club along with the Beatles, Gerry and the Pacemakers, and other similar artists. The current line-up is: Tony Crane MBE (founding member) lead vocals and lead guitar, Billy Kinsley (founding member) lead vocals and rhythm guitar, Bob Packham (joined 1974) backing vocals and bass guitar (born Robert Packham, 17 July 1944, Anfield, Liverpool) (ex The Galvinsers), and Lou Rosenthal (joined 2000) drums. History The Merseybeats Originally called the Mavericks, the band was formed by Tony Crane and Billy Kinsley in late 1960. They became the Pacifics in September 1961. They were renamed the Mersey Beats in February 1962 by Bob Wooler, MC at the Cavern Club. In April 1962, they became the Merseybeats. By now Crane and Kinsley had joined up with guitarist Aaron Williams and drummer John Banks. They signed a recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavern Club
The Cavern Club is a nightclub on Mathew Street, Liverpool, England. The Cavern Club opened in 1957 as a jazz club, later becoming a centre of the rock and roll scene in Liverpool in the late 50s and early 1960s. The club became closely associated with Merseybeat and regularly played host to the Beatles in their early years.. The Cavern Club closed and opened on a new site in 1973 and was filled in during construction work on the Merseyrail underground rail loop. It reopened in 1984. History of the Cavern Club Early history Alan Sytner, having been inspired by the jazz district in Paris where there were a number of clubs in cellars, returned to Liverpool and strove to open a club similar to the Le Caveau de la Huchette jazz club. He eventually found a fruit warehouse where people were leasing the cellar, which had been used as an air raid shelter in World War II. Tropical fruit used to be stored there and during warm months the scent from the ripening fruit was absorbed int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
