|
A Noite Do Castelo
''A noite do castelo'' ("The Night of the Castle") is an opera seria in three acts by the Brazilian Romantic era composer, Antônio Carlos Gomes. The libretto in Portuguese by Antônio José Fernandes dos Reis was based on António Feliciano de Castilho's 1830 poem of the same name. The work premiered at the Theatro Lyrico Fluminense in Rio de Janeiro on September 4, 1861. Performance history ''A noite do castelo'' was Gomes' first opera and composed during his student years in Rio de Janeiro. He was encouraged to have the opera performed by José Amat, the first administrator of the Imperial Academy of Music and Opera Lyrica Nacional. In 1860, Gomes wrote a letter from Rio de Janeiro to his father, inviting him to the opening night which would take place the following year: "Meu bom pai. Escrevo esta só para não demorar uma boa notícia. Afinal tenho um libreto. Foi extraído do poema de Castilho - A Noite do Castelo. Hoje mesmo começo a trabalhar na composição da ópera, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Seria
''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once ''opera seria'' was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to ''opera seria'' was ''opera buffa,'' the 'comic' opera that took its cue from the improvisatory commedia dell'arte. Italian ''opera seria'' (invariably to Italian libretti) was produced not only in Italy but almost throughout Europe, and beyond (see Opera in Latin America, Opera in Cuba e. g.). Among the main centres in Europe were the court operas based in Warsaw (since 1628), Munich (founded in 1653), London (established in 1662), Vienna (firmly established 1709; first operatic representation: ''Il pomo d'oro'', 1668), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Order Of The Rose
The Imperial Order of the Rose ( pt, Imperial Ordem da Rosa) was a Brazilian order of chivalry, instituted by Emperor Pedro I of Brazil on 17 October 1829 to commemorate his marriage to Amélie of Leuchtenberg. On 22 March 1890, the order was cancelled as national order by the interim government of First Brazilian Republic. Since the deposition in 1889 of the last Brazilian monarch, Emperor Pedro II, the order continues as a house order being awarded by the Heads of the House of Orleans-Braganza, pretenders to the defunct throne of Brazil. The current Brazilian Imperial Family is split into two branches Petrópolis and Vassouras, and as a consequence the Grand Mastership of the Order is disputed between those two branches. History It was designed by Jean-Baptiste Debret, who, as discussed by historians, would have been inspired by the motifs of roses that adorned Amélie's dress when landing in Rio de Janeiro, or when marrying, or in a portrait of the same envoy from Europe to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Carlos Gomes
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portuguese-language Operas
Portuguese ( or, in full, ) is a western Romance language of the Indo-European language family, originating in the Iberian Peninsula of Europe. It is an official language of Portugal, Brazil, Cape Verde, Angola, Mozambique, Guinea-Bissau and São Tomé and Príncipe, while having co-official language status in East Timor, Equatorial Guinea, and Macau. A Portuguese-speaking person or nation is referred to as "Lusophone" (). As the result of expansion during colonial times, a cultural presence of Portuguese speakers is also found around the world. Portuguese is part of the Ibero-Romance group that evolved from several dialects of Vulgar Latin in the medieval Kingdom of Galicia and the County of Portugal, and has kept some Celtic phonology in its lexicon. With approximately 250 million native speakers and 24 million L2 (second language) speakers, Portuguese has approximately 274 million total speakers. It is usually listed as the sixth-most spoken language, the third-most spoke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lady-in-waiting
A lady-in-waiting or court lady is a female personal assistant at a court, attending on a royal woman or a high-ranking noblewoman. Historically, in Europe, a lady-in-waiting was often a noblewoman but of lower rank than the woman to whom she attended. Although she may either have received a retainer or may not have received compensation for the service she rendered, a lady-in-waiting was considered more of a secretary, courtier, or companion to her mistress than a servant. In other parts of the world, the lady-in-waiting, often referred to as ''palace woman'', was in practice a servant or a slave rather than a high-ranking woman, but still had about the same tasks, functioning as companion and secretary to her mistress. In courts where polygamy was practised, a court lady was formally available to the monarch for sexual services, and she could become his wife, consort, courtesan, or concubine. ''Lady-in-waiting'' or ''court lady'' is often a generic term for women whose r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (vocal Range)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Count
Count (feminine: countess) is a historical title of nobility in certain European countries, varying in relative status, generally of middling rank in the hierarchy of nobility. Pine, L. G. ''Titles: How the King Became His Majesty''. New York: Barnes & Noble, 1992. p. 73. . The etymologically related English term "county" denoted the territories associated with the countship. Definition The word ''count'' came into English from the French ''comte'', itself from Latin ''comes''—in its accusative ''comitem''—meaning “companion”, and later “companion of the emperor, delegate of the emperor”. The adjective form of the word is "comital". The British and Irish equivalent is an earl (whose wife is a "countess", for lack of an English term). In the late Roman Empire, the Latin title ''comes'' denoted the high rank of various courtiers and provincial officials, either military or administrative: before Anthemius became emperor in the West in 467, he was a military ''comes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Campinas
Campinas (, ''Plains'' or ''Meadows'') is a Brazilian municipality in São Paulo State, part of the country's Southeast Region. According to the 2020 estimate, the city's population is 1,213,792, making it the fourteenth most populous Brazilian city and the third most populous municipality in São Paulo state. The city's metropolitan area, Metropolitan Region of Campinas, contains twenty municipalities with a total population of 3,656,363 people. Etymology Campinas means ''grass fields'' in Portuguese and refers to its characteristic landscape, which originally comprised large stretches of dense subtropical forests (mato grosso or thick woods in Portuguese), mainly along the many rivers, interspersed with gently rolling hills covered by low-lying vegetation. Campinas' official crest and flag has a picture of the mythical bird, the phoenix, because it was practically reborn after a devastating epidemic of yellow fever in the 1800s, which killed more than 25% of the city's inhabi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedro II Of Brazil
Don (honorific), Dom PedroII (2 December 1825 – 5 December 1891), nicknamed "the Magnanimity, Magnanimous" ( pt, O Magnânimo), was the List of monarchs of Brazil, second and last monarch of the Empire of Brazil, reigning for over 58 years. He was born in Rio de Janeiro, the seventh child of Emperor Dom Pedro I of Brazil and Empress Dona Maria Leopoldina and thus a member of the Brazilian branch of the House of Braganza. His father's Abdication of Pedro I of Brazil, abrupt abdication and departure to Europe in 1831 left the five-year-old as emperor and led to a grim and lonely childhood and adolescence, obliged to spend his time studying in preparation for rule. His experiences with court intrigues and political disputes during this period greatly affected his later character; he grew into a man with a strong sense of duty and devotion toward his country and his people, yet increasingly resentful of his role as monarch. Pedro II inherited an empire on the verge of disint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.svg "Click for more on -> Order Of The Rose")
