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A Zacinto
"A Zacinto" (; "To Zakynthos") is a pre- Romantic sonnet written by Ugo Foscolo in 1803. Short analysis The sonnet is about the poet's feelings: when he wrote the poem he was in exile, so he knew that his remains would have been buried far away from his natal island, Zante, and nobody would have cried on his grave. The poet compares himself to Odysseus and finds a difference: the Greek hero, after the Trojan War and his long travel to home, returned to Ithaca and was buried there. The word , that is "reclined, lay" (second line), is an anticipation of the theme of death, which the last stanza focuses on. In the sonnet there are both neoclassical and romantic elements: references to the classical tradition (Aphrodite, Homer and Odysseus) are typical of neoclassicism and the focus on the poet, the theme of graves and remains and the homesickness are typical of romanticism. Prosody The sonnet is made up of two quatrains and two tercets of hendecasyllables. The rhyme scheme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Foscolo
Ugo Foscolo (; 6 February 177810 September 1827), born Niccolò Foscolo, was an Italian writer, revolutionary and a poet. He is especially remembered for his 1807 long poem '' Dei Sepolcri''. Early life Foscolo was born in Zakynthos in the Ionian Islands. His father Andrea Foscolo was an impoverished Venetian nobleman, and his mother Diamantina Spathis was Greek. In 1788, upon the death of his father, who worked as a physician in Spalato (present-day Split, Croatia), the family moved to Venice, and Foscolo completed the studies he began at the Dalmatian grammar school at the University of Padua. Amongst his Paduan teachers was the Abbé Melchiore Cesarotti, whose version of '' Ossian'' was very popular in Italy, and who influenced Foscolo's literary tastes; he knew both modern and Ancient Greek. His literary ambition revealed itself in the appearance in 1797 of his tragedy ''Tieste''—a production that enjoyed a certain degree of success. Politics and poetry Foscolo, who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanticism
Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism, clandestine literature, paganism, idealization of nature, suspicion of science and industrialization, and glorification of the past with a strong preference for the medieval rather than the classical. It was partly a reaction to the Industrial Revolution, the social and political norms of the Age of Enlightenment, and the scientific rationalization of nature. It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography, education, chess, social sciences, and the natural sciences. It had a significant and complex effect on politics, with romantic thinkers influencing conservatism, libe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1803 Poems
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series '' 12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album '' Burnout'' * "I'm Eighteen", by Alice Cooper common ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Litotes
In rhetoric, litotes (, or ), also known classically as ''antenantiosis'' or ''moderatour'', is a figures of speech, figure of speech and form of verbal irony in which understatement is used to emphasize a point by stating a negative to further affirm a positive, often incorporating double negatives for effect. Litotes is a form of understatement, more specifically Meiosis (figure of speech), meiosis, and is always deliberate with the intention of Stress (linguistics), emphasis. However, the interpretation of negation may depend on context, including cultural context. In speech, it may also depend on intonation and emphasis; for example, the phrase "not bad" can be intonated differently so as to mean either "mediocre" or "excellent". Along the same lines, litotes can be used as a euphemism to diminish the harshness of an observation; "He isn't the cleanest person I know" could be used as a means of indicating that someone is a messy person. The use of litotes is common in English ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anastrophe
Anastrophe (from the el, ἀναστροφή, ''anastrophē'', "a turning back or about") is a figure of speech in which the normal word order of the subject, the verb, and the object is changed. For example, subject–verb–object ("I like potatoes") might be changed to object–subject–verb ("potatoes I like"). Examples Because English has a settled natural word order, anastrophe emphasizes the displaced word or phrase. For example, the name of the City Beautiful urbanist movement emphasises "beautiful". Similarly, in "This is the forest primeval", from Henry Wadsworth Longfellow's ''Evangeline'', the emphasis is on "primeval". If the emphasis that comes from anastrophe is not an issue, the synonym ''inversion'' is perfectly suitable. Anastrophe is common in Ancient Greek and Latin poetry, such as in the first line of the ''Aeneid'': :''Arma virumque cano, Troiæ qui primus ab oris'' ::("I sing of arms and the man, who first from the shores of Troy") In the example, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synecdoche
Synecdoche ( ) is a type of metonymy: it is a figure of speech in which a term for a part of something is used to refer to the whole (''pars pro toto''), or vice versa (''totum pro parte''). The term comes from Greek . Examples in common English use are ''suits'' for ''businessmen'', ''wheels'' for ''car'', and ''boots'' for ''soldiers''. The use of government buildings to refer to their occupants is metonymy and sometimes also synecdoche. "The Pentagon" for the United States Department of Defense can be considered synecdoche, because the building can be considered part of the bureaucracy. In the same way, using " Number 10" to mean "the Office of the Prime Minister" (of the United Kingdom) is a synecdoche. Definition Synecdoche is a rhetorical trope and a kind of metonymy—a figure of speech using a term to denote one thing to refer to a related thing. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apostrophe
The apostrophe ( or ) is a punctuation mark, and sometimes a diacritical mark, in languages that use the Latin alphabet and some other alphabets. In English, the apostrophe is used for two basic purposes: * The marking of the omission of one or more letters, e.g. the contraction of "do not" to "don't". * The marking of possessive case of nouns (as in "the eagle's feathers", "in one month's time", "at your parents' ome). The word "apostrophe" comes ultimately from Greek (, ' he accent ofturning away or elision'), through Latin and French. For use in computer systems, Unicode has code points for three different forms of apostrophe. Usage in English Historical development The apostrophe was first used by Pietro Bembo in his edition of '' De Aetna'' (1496). It was introduced into English in the 16th century in imitation of French practice. French practice Introduced by Geoffroy Tory (1529), the apostrophe was used in place of a vowel letter to indicate elision (as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alliteration
Alliteration is the conspicuous repetition of initial consonant sounds of nearby words in a phrase, often used as a literary device. A familiar example is "Peter Piper picked a peck of pickled peppers". Alliteration is used poetically in various languages around the world, including Arabic, Irish, German, Mongolian, Hungarian, American Sign Language, Somali, Finnish, Icelandic. Historical use The word ''alliteration'' comes from the Latin word ''littera'', meaning "letter of the alphabet". It was first coined in a Latin dialogue by the Italian humanist Giovanni Pontano in the 15th century. Alliteration is used in the alliterative verse of Old English, Old Norse, Old High German, Old Saxon, and Old Irish. It was an important ingredient of the Sanskrit shlokas. Alliteration was used in Old English given names. This is evidenced by the unbroken series of 9th century kings of Wessex named Æthelwulf, Æthelbald, Æthelberht, and Æthelred. These were followed in the 10th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enjambment
In poetry, enjambment ( or ; from the French ''enjamber'') is incomplete syntax at the end of a line; the meaning 'runs over' or 'steps over' from one poetic line to the next, without punctuation. Lines without enjambment are end-stopped. The origin of the word is credited to the French word ''enjamber'', which means 'to straddle or encroach'. In reading, the delay of meaning creates a tension that is released when the word or phrase that completes the syntax is encountered (called the rejet); the tension arises from the "mixed message" produced both by the pause of the line-end, and the suggestion to continue provided by the incomplete meaning.Preminger 359 In spite of the apparent contradiction between rhyme, which heightens closure, and enjambment, which delays it, the technique is compatible with rhymed verse. Even in couplets, the closed or heroic couplet was a late development; older is the open couplet, where rhyme and enjambed lines co-exist. Enjambment has a long histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhyme Scheme
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick: Function in writing These rhyme patterns have various effects, and can be used to: * Control flow: If every line has the same rhyme (AAAA), the stanza will read as having a very quick flow, whereas a rhyme scheme like ABCABC can be felt to unfold more slowly. * Structure a poems message and thought patterns: For example, a simple couplet with a rhyme scheme of AABB lends itself to simpler direct ideas, because the resolution comes in the very next line. Essentially these couplets can be thought of as self-contained statements. This idea of rhyme schemes reflecting thought processes is often discussed particularly regarding sonnets. * Determine whether ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hendecasyllable
In poetry, a hendecasyllable (sometimes hendecasyllabic) is a line of eleven syllables. The term may refer to several different poetic meters, the older of which are quantitative and used chiefly in classical (Ancient Greek and Latin) poetry, and the newer of which are syllabic or accentual-syllabic and used in medieval and modern poetry. Classical In classical poetry, "hendecasyllable" or "hendecasyllabic" may refer to any of three distinct 11-syllable Aeolic meters, used first in Ancient Greece and later, with little modification, by Roman poets. Aeolic meters are characterized by an Aeolic base × × followed by a choriamb – u u –; where –=a long syllable, u=a short syllable, and ×=an anceps, that is, a syllable either long or short. The three Aeolic hendecasyllables (with base and choriamb in bold) are: Phalaecian ( la, hendecasyllabus phalaecius): × × – u u – u – u – – This is a line used only occasionally in Greek choral odes and scolia, but a favori ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tercet
A tercet is composed of three lines of poetry, forming a stanza or a complete poem. Examples of tercet forms English-language haiku is an example of an unrhymed tercet poem. A poetic triplet is a tercet in which all three lines follow the same rhyme, AAA; triplets are rather rare; they are more customarily used sparingly in verse of heroic couplets or other couplet verse, to add extraordinary emphasis. Other types of tercet include an enclosed tercet where the lines rhyme in an ABA pattern and terza rima where the ABA pattern of a verse is continued in the next verse by making the outer lines of the next stanza rhyme with the central line of the preceding stanza, BCB, as in the ''terza rima'' or ''terzina'' form of Dante Alighieri's Divine Comedy. There has been much investigation of the possible sources of the Dantesque ''terzina'', which Benedetto Croce characterised as "linked, enclosed, disciplined, vehement and yet calm". William Baer observes of the tercets of terza rima, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
