A Young Woman Seated At The Virginals
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A Young Woman Seated At The Virginals
''A Young Woman Seated at the Virginals'' is a painting today attributed to Johannes Vermeer, though this was for a long time widely questioned. A series of technical examinations from 1993 onwards confirm the attribution. It is thought to date from c.1670 and is now in part of the Leiden Collection in New York. It should not be confused with '' Young Woman Seated at a Virginal'' in the National Gallery, London, also by Vermeer. Provenance and attribution The painting's early provenance is unclear, though possibly it was owned in Vermeer's lifetime by Pieter van Ruijven and later inherited by Jacob Dissius. By 1904 it was one of two Vermeers owned by Alfred Beit, the other being ''Lady Writing a Letter with her Maid''. It remained in the Beit family until sold to Baron Rolin in 1960. The painting was not widely known until described in the catalogue of the Beit collection published in 1904. In the first decades following 1904 it was widely accepted as a Vermeer. Then in the m ...
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Johannes Vermeer
Johannes Vermeer ( , , #Pronunciation of name, see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch Baroque Period Painting, painter who specialized in domestic interior scenes of middle class, middle-class life. During his lifetime, he was a moderately successful provincial Genre works, genre painter, recognized in Delft and The Hague. Nonetheless, he produced relatively few paintings and evidently was not wealthy, leaving his wife and children in debt at his death. Vermeer worked slowly and with great care, and frequently used very expensive pigments. He is particularly renowned for his masterly treatment and use of light in his work. "Almost all his paintings", Hans Koningsberger wrote, "are apparently set in two smallish rooms in his house in Delft; they show the same furniture and decorations in various arrangements and they often portray the same people, mostly women." His modest celebrity gave way to obscurity after his death. He was bare ...
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The Lacemaker (Vermeer)
''The Lacemaker'' is a painting by the Dutch artist Johannes Vermeer (1632–1675), completed around 1669–1670 and held in the Louvre, Paris. The work shows a young woman wearing a yellow bodice, holding up a pair of bobbins in her left hand as she carefully places a pin in the pillow on which she is making her bobbin lace. At 24.5 cm x 21 cm (9.6 in x 8.3 in), the work is the smallest of Vermeer's paintings,Bonafoux, 66 but in many ways one of his most abstract and unusual.Huerta (2005), 38 The canvas used was cut from the same bolt as that used for '' A Young Woman Seated at the Virginals'', and both paintings seem to have had identical dimensions originally. The girl is set against a blank wall, probably because the artist sought to eliminate any external distractions from the central image. As with his '' The Astronomer'' (1668) and ''The Geographer'' (1669), it is likely that the artist undertook careful study before he executed the work; the art of lacemaking i ...
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Portraits Of Women
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ...
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Paintings In The Leiden Collection
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract ...
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1670s Paintings
Year 167 ( CLXVII) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Aurelius and Quadratus (or, less frequently, year 920 ''Ab urbe condita''). The denomination 167 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Lucius Aurelius Verus Augustus and Marcus Ummidius Quadratus Annianus become Roman Consuls. * The Marcomanni tribe wages war against the Romans at Aquileia. They destroy aqueducts and irrigation conduits. Marcus Aurelius repels the invaders, ending the Pax Romana (Roman Peace) that has kept the Roman Empire free of conflict since the days of Emperor Augustus. * The Vandals (Astingi and Lacringi) and the Sarmatian Iazyges invade Dacia. To counter them, Legio V ''Macedonica'', returning from the Parthian War, moves its ...
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Genre Paintings By Johannes Vermeer
Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, whether written or spoken, audio or visual, based on some set of stylistic criteria, yet genres can be aesthetic, rhetorical, communicative, or functional. Genres form by conventions that change over time as cultures invent new genres and discontinue the use of old ones. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. Genre began as an absolute classification system for ancient Greek literature, a ...
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List Of Paintings By Johannes Vermeer
The following is a list of paintings by the Dutch Golden Age painter Johannes Vermeer (1632–1675). After two or three early history paintings, he concentrated almost entirely on genre works, typically interiors with one or two figures. His popularity is due less to his subject matter than to the poetic manner in which he portrays his subjects and that he lived a very difficult life. Vermeer's paintings of the 1660s are generally more popular than his work from the 1670s: in the eyes of some, his later work is colder.Bonafoux, 124 Today, 34 paintings are firmly attributed to him, with question marks over a further three.Jonathan JansonEssential Vermeer: complete Vermeer catalogueaccessed 16 June 2010 This compares to the 74 pictures attributed to him by a Theophile Burger in 1866. Vermeer's reputation increased greatly during the latter half of the 20th century, a period during which the number of paintings ascribed to him shrank greatly.Bonafoux, 144 This is partly because he has ...
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Lady Standing At A Virginal
''Lady Standing at a Virginal'' is a genre painting created by the Dutch artist Johannes Vermeer in about 1670–1672, now in the National Gallery, London. Description The oil painting depicts a richly dressed woman playing a virginal in a home with a tiled floor, paintings on the wall and some of the locally manufactured Delftware blue and white tiles of a type that appear in other Vermeer works. The identities of the paintings on the wall are not certain, according to the National Gallery, but the landscape on the left may be by either Jan Wijnants or Allart van Everdingen. The second painting, showing Cupid holding a card, is attributed to Caesar van Everdingen, Allart's brother. This motif originated in a contemporary emblem and may either represent the idea of faithfulness to a single lover or perhaps, reflecting the presence of the virginal, the traditional association of music and love. The painting has been dated on stylistic grounds and on the evidence of the co ...
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Walter Liedtke
Walter Arthur Liedtke, Jr. (August 28, 1945 – February 3, 2015) was an American art historian, writer and Curator of Dutch and Flemish Paintings at the Metropolitan Museum of Art. He was known as one of the world's leading scholars of Dutch and Flemish paintings. He died in the 2015 Metro-North Valhalla train crash. Early life Liedtke was born in Plainfield, New Jersey, and grew up in Livingston, New Jersey. Liedtke studied Art History, receiving a Bachelor of Arts degree in 1967 from Rutgers University in New Brunswick, New Jersey, a Master of Arts degree in 1969 at Brown University in Providence, Rhode Island. He received a Doctorate at the Courtauld Institute of Art in London. Liedtke said that his interest in Dutch paintings began because he was focused on images as a child from hours and hours of watching a lot of TV. He described his aesthetic as that of having a focus on how he responded to visual patterns compared to a more typical perspective focused on story and nar ...
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Lead-tin-yellow
Lead-tin-yellow is a yellow pigment, of historical importance in oil painting, sometimes called the "Yellow of the Old Masters" because of the frequency with which it was used by those famous painters. Nomenclature The name lead-tin yellow is a modern label. During the thirteenth to eighteenth centuries when it was in widest use, it was known by a variety of names. In Italy, it was ''giallorino'' or ''giallolino''. In other countries of Europe, it was massicot, (Spanish), (German), ''general'' (English) or (Portuguese). All of these names were often applied to other yellow pigments as well as lead-tin yellow. Composition Lead-tin-yellow historically occurred in two varieties. The first and more common one, today known as "Type I", was a lead stannate, an oxide of lead and tin with the chemical formula Pb2SnO4. The second, "Type II", was a silicate with the formula .Hermann Kühn, 1967, "Blei-Zinn-Gelb und seine Verwendung in der Malerei", ''Farbe und Lack'' 73: 938-949 ...
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Ultramarine
Ultramarine is a deep blue color pigment which was originally made by grinding lapis lazuli into a powder. The name comes from the Latin ''ultramarinus'', literally 'beyond the sea', because the pigment was imported into Europe from mines in Afghanistan by Italian traders during the 14th and 15th centuries. Ultramarine was the finest and most expensive blue used by Renaissance painters. It was often used for the robes of the Virgin Mary and symbolized holiness and humility. It remained an extremely expensive pigment until a synthetic ultramarine was invented in 1826. Structure The pigment consists primarily of a zeolite-based mineral containing small amounts of polysulfides. It occurs in nature as a proximate component of lapis lazuli containing a blue cubic mineral called lazurite. In the Colour Index International, the pigment of ultramarine is identified as P. Blue 29 77007. The major component of lazurite is a complex sulfur-containing sodium-silicate (Na8–10Al6Si6O24 ...
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Vanishing Point
A vanishing point is a point on the image plane of a perspective drawing where the two-dimensional perspective projections of mutually parallel lines in three-dimensional space appear to converge. When the set of parallel lines is perpendicular to a picture plane, the construction is known as one-point perspective, and their vanishing point corresponds to the oculus, or "eye point", from which the image should be viewed for correct perspective geometry.Kirsti Andersen (2007) ''Geometry of an Art'', p. xxx, Springer, Traditional linear drawings use objects with one to three sets of parallels, defining one to three vanishing points. Italian humanist polymath and architect Leon Battista Alberti first introduced the concept in his treatise on perspective in art, '' De pictura'', written in 1435. Vector notation The vanishing point may also be referred to as the "direction point", as lines having the same directional vector, say ''D'', will have the same vanishing point. Mathem ...
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