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A Welsh Sunset
''A Welsh Sunset'' is a one-act comic opera composed by Philip Michael Faraday, with a libretto by Frederick Fenn. It was produced at the Savoy Theatre from 15 July 1908 and played with revivals of ''H.M.S. Pinafore'' and ''The Pirates of Penzance'' until 17 October 1908, and from 2 December 1908 until 24 February 1909, a total of 85 performances. A copy of the vocal score (published in 1908 by Metzler), but no printed libretto, is found in the British Library. The score contains all the dialogue. A lawyer, Faraday composed songs and musical theatre pieces and managed English operetta companies in the years immediately prior to World War I. Two years earlier, he had composed the successful comic opera ''Amasis'' (1906) Fenn later adapted into English, with much success, ''The Girl in the Taxi'' (1912; produced by Faraday). A review of ''A Welsh Sunset'' in ''The Times'' found the piece overly sentimental, especially the ending, but liked Jenny's opening song and the overt ...
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Philip Michael Faraday
Philip Michael Faraday (1 January 1875 – 6 February 1944) was an English lawyer, surveyor, composer, organist and theatrical producer. He composed one of the last Savoy operas, staged several long-running shows in the West End theatre, West End of London, and wrote a book about local taxation that was for many years the standard work on the subject. After sustaining financial losses on shows that he produced in the 1910s, Faraday declared bankruptcy in 1914. In later years he rebuilt his fortune through his legal and valuation work and resumed theatrical production. Early life Faraday was born in Holloway, London, Holloway, London, in 1875, one of five children born to Maria ''née'' Bragg (1837–1930) and Charles A. Faraday (1835–1913), a wholesale jeweller. It was a middle-class home with a cook and a nurse living with the family. Career Early success Faraday first came to public notice in his capacity as a lawyer and valuation expert. In 1896, at the age of 21, he ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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English Comic Operas
English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national identity, an identity and common culture ** English language in England, a variant of the English language spoken in England * English languages (other) * English studies, the study of English language and literature * ''English'', an Amish term for non-Amish, regardless of ethnicity Individuals * English (surname), a list of notable people with the surname ''English'' * People with the given name ** English McConnell (1882–1928), Irish footballer ** English Fisher (1928–2011), American boxing coach ** English Gardner (b. 1992), American track and field sprinter Places United States * English, Indiana, a town * English, Kentucky, an unincorporated community * English, Brazoria County, Texas, an unincorporated community * Engli ...
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English-language Operas
English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots, and then closest related to the Low Saxon and Frisian languages, English is genealogically West Germanic. However, its vocabulary is also distinctively influenced by dialects of France (about 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic (Ingvaeonic) dialects brought to Great Britain by Anglo-Saxon settlers in the 5th century and further mutated by Norse-speaking Viking settlers starting in the 8th and 9th ...
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Sydney Granville
Sydney Granville (born Walter Dewhurst; 1880 – 27 December 1959) was an English singer and actor, best known for his performances in the Savoy Operas with the D'Oyly Carte Opera Company. After early theatrical work in musical comedy, straight plays and grand opera, he joined the D'Oyly Carte company, at first in the chorus, then in lyric baritone roles and finally in the comic bass-baritone parts of the Gilbert and Sullivan operas. With brief breaks when he performed for other managements, Granville was with D'Oyly Carte from 1907 to 1942. Life and career Granville was born Walter Dewhurst in Bolton, Lancashire. His early stage appearances were on tour in a musical comedy entitled ''Dorcas'', a romantic drama, ''The God of War'', and in grand opera with the Moody-Manners Opera Company.''The Times'', obituary, 29 December 1959, p. 10 Early career – lyric baritone Granville joined the D'Oyly Carte Opera Company chorus in 1907, soon understudying the role of Lord Mountararat ...
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Leo Sheffield
Leo Sheffield (15 November 1873 – 3 September 1951), born Arthur Leo Wilson, was an English singer and actor best known for his performances in baritone roles of the Savoy Operas with the D'Oyly Carte Opera Company. He made his first stage appearances under the direction of W. S. Gilbert in 1906, remaining with the D'Oyly Carte company for three years. After touring in musical theatre for the next five years with other managements, he rejoined D'Oyly Carte from 1915 to 1928 in the principal baritone roles, appearing in London seasons and on tour in Britain and, in one of his last seasons, Canada. He recorded many of these roles. After leaving D'Oyly Carte, Sheffield worked in a wide variety of theatre, including musical comedy, straight plays, pantomime, and in radio and films. He continued to tour during the Second World War while in his seventies. Life and career Early years Sheffield was born Arthur Leo Wilson
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Bertha Lewis
Bertha Amy Lewis (12 May 1887 – 8 May 1931) was an English opera singer and actress primarily known for her work as principal contralto in the Gilbert and Sullivan comic operas with the D'Oyly Carte Opera Company. Life and career Early life and career Lewis was born in Forest Gate, London. She attended St. Angela's High School, Upton"Editorial notes", ''The Savoyard'', Vol. X, No. 1, May 1971, p. 6 and then studied voice at the Royal Academy of Music, gaining an A.R.A.M. qualification. She had made professional appearances on the concert stage but had not acted before she joined D'Oyly Carte at the age of 19 in 1906 as Kate in ''The Pirates of Penzance''. She soon was touring with the company as Kate, Lady Saphir in ''Patience'', Leila in '' Iolanthe'', Ada in ''Princess Ida'', Vittoria in ''The Gondoliers'', and First Bridesmaid in ''Trial by Jury''. In 1908, at the Savoy Theatre, she played the part of Gwenny Davis in Fenn and Faraday's '' A Welsh Sunset'', a curtain rais ...
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Ethel Morrison
Ethel Morrison (c. 1880 – 11 May 1951), nicknamed "Morry" or "Molly" and described as a "large lady with a large voice", was a contralto singer from New Zealand who began her career in Gilbert and Sullivan operas and Edwardian musical comedies in England. She later acted mostly in Australia and was noted for her performances in domineering roles. History Morrison was born in Wellington, New Zealand. She had hopes for a career on the concert stage, and studied singing at the Royal Academy of Music. With D'Oyly Carte Morrison joined the D'Oyly Carte Opera Company in 1906, initially in the chorus, and her first named role on stage was Inez in ''The Gondoliers''. As Louie René's understudy, she had the opportunity, on occasion, to play Lady Jane in ''Patience'', the Queen of the Fairies in ''Iolanthe'', and Dame Carruthers in ''The Yeomen of the Guard''. At the end of the London season she toured with D'Oyly Carte, playing Inez and understudying the leading contralto roles. In Decemb ...
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Strafford Moss
Frederick Strafford Moss (1 November 1868 – 1941) was a British tenor and actor. He appeared in the Savoy operas of Gilbert and Sullivan from 1897 to 1913, mainly in touring companies of the D'Oyly Carte Opera Company, following which he had a career in musical theatre on the West End of London, West End stage until 1931. Early years: joining D'Oyly Carte Moss was the son of Ruhamah Moss and civil servant William Burrowes Moss. He made his first appearance with one of the D'Oyly Carte Opera Company touring companies from August to December 1897, most likely in the chorus, before taking on the small roles of Leonard Meryll in ''The Yeomen of the Guard'' and Francesco in ''The Gondoliers''. At the Savoy Theatre Moss sang with the chorus in ''The Beauty Stone'' from May to July 1898 and appeared in the leading tenor role of the Defendant in ''Trial by Jury'' in December 1898. On 17 November 1898 he married Edith Helen Woodington (1862–1899) at St. Paul's Church in Lambeth, L ...
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Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, mak ...
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Curtain Raiser (drama)
A curtain raiser is a short performance, stage act, show, actor or performer that opens a show for the main attraction. The term is derived from the act of raising the stage curtain. The first person on stage has "raised the curtain". The fashion in the late Victorian era and Edwardian era was to present long evenings in the theatre, and so full-length pieces were often presented together with, usually shorter, companion pieces. Each full-length work was normally accompanied by one or two short companion pieces. If the piece began the performance, it was called a curtain raiser. One that followed the full-length piece was called an afterpiece. W. J. MacQueen-Pope commented, concerning the curtain raisers: :This was a one-act play, seen only by the early comers. It would play to empty boxes, half-empty upper circle, to a gradually filling stalls and dress circle, but to an attentive, grateful and appreciative pit and gallery. Often these plays were little gems. They deserve ...
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