|
A Tragedy Of Fashion
''A Tragedy of Fashion, or the Scarlet Scissors'' is a ballet which was first choreographed and performed on 15 June 1926 by Frederick Ashton, who starred with Marie Rambert. The BBC described this debut as "a pivotal moment in the history of ballet," as it launched the careers of both Ashton and Ballet Rambert. The music was by Eugene Goossens, arranged by Ernest Irving. The ballet was inspired by the tragic suicide of the 17th-century French chef, François Vatel. In 1671, Vatel was responsible for a grand banquet in honour of King Louis XIV and became so upset that the fish delivery was late that he killed himself with a sword. In the ballet, the tale is of a couturier who despairs when his work is not liked and then kills himself with a pair of scissors. The style of the ballet was influenced by the sophisticated productions of Sergei Diaghilev in the 1920s such as ''Les biches''. It was Ashton's first choreographed work and it was for a 1926 revue staged by Nigel Playfair an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Diaghilev
Sergei Pavlovich Diaghilev ( ; rus, Серге́й Па́влович Дя́гилев, , sʲɪˈrɡʲej ˈpavləvʲɪdʑ ˈdʲæɡʲɪlʲɪf; 19 August 1929), usually referred to outside Russia as Serge Diaghilev, was a Russian art critic, patron, ballet impresario and founder of the Ballets Russes, from which many famous dancers and choreographers would arise. The active years of Diaghilev’s career can be divided into two periods: the one in St Petersburg (1898–1906) and the other in emigration (1906–1929). Biography Sergei Diaghilev was born in Selishchi to a noble officer . His mother died from childbed fever soon after his birth. In 1873, Pavel met and married Elena Panaeva, who loved Sergei and raised him as her own child. The in Perm was a local cultural centre, and the Diaghilevs housed a musical evening every second Thursday, Modest Mussorgsky being one of the most frequent guests. Sergei Diaghilev composed his first romance at the age of 15. When he enter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets By Frederick Ashton
The following is a list, by decade, of ballets created by the English choreographer Frederick Ashton. 1920s * ''A Tragedy of Fashion'' (music by Eugene Goossens, arranged by Ernest Irving) (1926) * ''Various dances'' for a Purcell Opera Society production of ''The Fairy-Queen'': (music by Henry Purcell) (1927) * ''Pas de deux'' (music by Fritz Kreisler) (1927) * ''Suite de danses'' (music by Wolfgang Amadeus Mozart) (1927) * ''Argentine Dance'' (music by Artello) (1927) * ''Nymphs and Shepherds'' (music by Wolfgang Amadeus Mozart) (1928) * ''Leda'' (music by Christoph Willibald Gluck) (1928) * ''Various dances'' for ''Jew Süss'' (incidental music arranged by Constant Lambert) (1929) 1930s * ''Capriol Suite'' (music by Peter Warlock) (1930) * ''Pomona'' (music by Constant Lambert) (1930) * ''Regatta'' (music by Gavin Gordon) (1931) * ' (music by Léo Delibes) (1931) * ' (music by William Walton) (1931) * ''The Lady of Shalott'' (music by Jean Sibelius) (1931) * ' (music by Lord ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main news ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ian Spink
Ian Spink (born 8 October 1947) is an Australian-British choreographer. Born in Melbourne, he trained at the Australian Ballet School. After graduating in 1968, he danced and choreographed for The Australian Ballet, Australian Dance Theatre and the Dance Company of New South Wales. In 1974, he was offered a grant to tour with Merce Cunningham's dance troupes when they toured Australia. He then moved to London in 1977, and has remained in the UK since then. In 1982, Spink co-founded Second Stride along with Siobhan Davies and Richard Alston. In 1990 he directed the premiere production of Judith Weir's opera ''The Vanishing Bridegroom'' for Scottish Opera, subsequently broadcast by BBC TV.Weir, J. Memoirs of an Accidental Film Artist. In: ''A Night in at the Opera'', Tambling, J.John Libbey & Company Ltd, London, 1994, p59. Spink most recently choreographed Petruska for Scottish Ballet at the Edinburgh International Festival The Edinburgh International Festival is an annual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sophie Fedorovitch
Sophie Fedorovitch ( be, Сафія Федаровіч; 3 December 1893 – 25 January 1953) was a Russian-born theatrical designer who worked with ballet choreographer Sir Frederick Ashton from his first choreographed ballet in 1926 until her accidental death in 1953. Fedorovitch designed for several British choreographers including Ninette de Valois and Antony Tudor, as well as for opera and theatre. From 1951 until her death in 1953, she was a member of the artistic advisory panel of Sadler's Wells Ballet, a role she had unofficially undertaken for many years. In her 2012 article in ''Research in Dance Education'', Elizabeth McLean's view was that Fedorovitch had a "formative influence" on British ballet design of the 1930s and 1940s, and that she should be considered the equal of her contemporary, Christian Bérard. Early life Fedorovitch was born and raised in Minsk, Russian Empire (now Belarus) and studied painting in Kraków, Moscow, and St Petersburg. She migrated from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Observer
''The Observer'' is a British newspaper published on Sundays. It is a sister paper to ''The Guardian'' and ''The Guardian Weekly'', whose parent company Guardian Media Group Limited acquired it in 1993. First published in 1791, it is the world's oldest Sunday newspaper. History Origins The first issue, published on 4 December 1791 by W.S. Bourne, was the world's first Sunday newspaper. Believing that the paper would be a means of wealth, Bourne instead soon found himself facing debts of nearly £1,600. Though early editions purported editorial independence, Bourne attempted to cut his losses and sell the title to the government. When this failed, Bourne's brother (a wealthy businessman) made an offer to the government, which also refused to buy the paper but agreed to subsidise it in return for influence over its editorial content. As a result, the paper soon took a strong line against radicals such as Thomas Paine, Francis Burdett and Joseph Priestley. 19th century In 180 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashley Dukes
Ashley Dukes (29 May 1885 – 4 May 1959) was an English playwright/dramatist, critic, theatre manager. Biography Personal life Ashley Dukes was born one of five children in 1885. He was the son of the Congregationalist clergyman, Rev. Edwin Joshua Dukes (1847-1930), of Kingsland, London, and his wife, the former Edith Mary Pope (1863-1898), of Sandford, Devon. He met Marie Rambert, a ballet dancer, at a dinner party in 1917. In Rambert's autobiography she says "after four days of personal meetings, and seven months of correspondence we were married on 3 March 1918." Career He initially taught science at university and became a drama critic in 1909. He wrote for several publications until 1925. Dukes wrote ''The World to Play With'' concerning the theatre and the play was published by Oxford University Press in 1928. In 1933, he founded the Mercury Theatre in London and wrote plays that appeared in the West End of London and on Broadway in New York. The Ashley Dukes Company w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nigel Playfair
Sir Nigel Ross Playfair (1 July 1874 – 19 August 1934) was an English actor and director, known particularly as actor-manager of the Lyric Theatre, Hammersmith, in the 1920s. After acting as an amateur while practising as a lawyer, he turned professional in 1902 when he was 28. After a time in F. R. Benson's company he made steady professional progress as an actor, but the major change in his career came in 1918, when he became managing director of the Lyric, a run-down theatre on the fringe of central London. He transformed the theatre's fortunes, with a mix of popular musical shows and classic comedies, some in radically innovative productions, which divided opinion at the time but which have subsequently been seen as introducing a modern style of staging. Life Family background Playfair was born in the parish of St George Hanover Square, Westminster, on 1 July 1874, the younger son of the five children of the obstetric physician William Smoult Playfair (1835–1903) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revue
A revue is a type of multi-act popular theatrical entertainment that combines music, dance, and sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the revue art form brings together music, dance and sketches to create a compelling show. In contrast to these, however, revue does not have an overarching storyline. Rather, a general theme serves as the motto for a loosely-related series of acts that alternate between solo performances and dance ensembles. Owing to high ticket prices, ribald publicity campaigns and the occasional use of prurient material, the revue was typically patronized by audience members who earned more and felt even less restricted by middle-class ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Biches ''Les biches'' () ("The Hinds" or "The Does", or "The Darlings") is a one-act ballet to music by Francis Poulenc, choreographed by Bronislava Nijinska and premiered by the Ballets Russes on 6 January 1924 at the Salle Garnier in Monte Carlo. Nijinska danced the central role of the Hostess. The ballet has no story, and depicts the random interactions of a group of mainly young people in a house party on a summer afternoon. The ballet was seen in Paris and London within a year of its premiere, and has been frequently revived there; it was not produced in New York until 1950. Nijinska directed revivals of the ballet for several companies in the four decades after its creation. ''Les biches'', with recreations of Marie Laurencin's original c |
_ritratto_da_Valentin_Aleksandrovich_Serov.jpg "Click for more on -> Sergei Diaghilev")
