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A Toda Cuba Le Gusta
''A Toda Cuba le Gusta'' is the first studio album by the Afro-Cuban All Stars, produced by Cuban bandleader and musician Juan de Marcos González and Nick Gold, and released on April 9, 1997 on World Circuit Records. This album was the first in a series of three consecutive recordings that took place in early 1996, the subsequent albums being ''Buena Vista Social Club'' and '' Introducing...Rubén González''. Recording In March 1996,Sleeve notes from ''A Toda Cuba le Gusta – Afro-Cuban All Stars'', World Circuit Records WCD 047, 1997. Nick Gold and Juan de Marcos González (previously the tres player of Sierra Maestra) produced ''A Toda Cuba le Gusta'', the first album by the Afro-Cuban All Stars, recorded at the EGREM Studios in Havana and featuring Rubén González (piano), Orlando "Cachaíto" López (bass), along with a big band of veteran Cuban musicians and singers, most of whom had careers that went back to the 1950s Havana scene: Ibrahim Ferrer, Pío Leyva, Manuel ...
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Afro-Cuban All Stars
Afro-Cuban All Stars is a Cuban band led by Juan de Marcos González (formerly Tres (instrument), tres player for Sierra Maestra (band), Sierra Maestra). Their music is a mix of all the styles of music of Cuba, Cuban music, including bolero, chachachá, salsa music, salsa, son montuno, timba, guajira (music), guajira, danzón, Cuban Rumba, rumba and abakua. They are known internationally for their 1997 album ''A Toda Cuba le Gusta'', which was recorded at the Buena Vista Social Club sessions. Members have included Rubén González (pianist), Rubén González, Orlando "Cachaíto" López, Ibrahim Ferrer, Raúl Planas, Pío Leyva, Manuel "Puntillita" Licea, Félix Baloy, Yanko Pisaco and more recently Caridad Hierrezuelo and Pedro Calvo. History In early 1996 Nick Gold, head of World Circuit (record label), World Circuit Records, invited Ry Cooder to participate in an experiment combining Cuban and African musicians. A group of Cuban musicians had already been assembled, includin ...
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Tres (instrument)
The tres (Spanish for ''three'') is a three- course chordophone of Cuban origin. The most widespread variety of the instrument is the original Cuban tres with six strings. Its sound has become a defining characteristic of the Cuban son and it is commonly played in a variety of Afro-Cuban genres. In the 1930s, the instrument was adapted into the Puerto Rican tres, which has nine strings and a body similar to that of the cuatro. The tres developed in the second half of the 19th century in the eastern region of Guantánamo, where it was used to play changüí, a precursor of son cubano. Its exact origins are not known, but it is assumed to have developed from the 19th century Spanish guitar, which it resembles in shape, as well as the laúd and bandola, two instruments used in punto cubano since at least the 18th century. Tres playing revolves around the ''guajeo'', an '' ostinato'' pattern found in many Afro-Cuban music styles. Tres players are commonly known as ''treseros'' (in C ...
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Grammy Award For Best Tropical Latin Album
The Grammy Award for Best Tropical Latin Album is an award presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to recording artists for releasing albums in the tropical latin music genres. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position". According to the 54th Grammy Awards description guide the award is intended "for albums containing at least 51% playing time of new vocal or instrumental tropical Latin recordings". This category includes all forms of traditional tropical music, salsa and merengue. This award has been handed out since 1984 and has had several name changes: *From 1984 to 1991, and then again from 1995 to 1999 the award was known as Best Tropical Latin P ...
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Top World Music Albums
The ''Billboard'' charts tabulate the relative weekly popularity of songs and albums in the United States and elsewhere. The results are published in ''Billboard'' magazine. ''Billboard'' biz, the online extension of the ''Billboard'' charts, provides additional weekly charts, as well as year-end charts. The two most important charts are the ''Billboard'' Hot 100 for songs and ''Billboard'' 200 for albums, and other charts may be dedicated to a specific genre such as R&B, country, or rock, or they may cover all genres. The charts can be ranked according to sales, streams, or airplay, and for main song charts such as the Hot 100 song chart, all three data are used to compile the charts. For the ''Billboard'' 200 album chart, streams and track sales are included in addition to album sales. The weekly sales and streams charts are monitored on a Friday-to-Thursday cycle since July 2015; previously it was on a Monday-to-Sunday cycle. Radio airplay song charts, however, follow th ...
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FRoots
''fRoots'' (pronounced "eff-Roots", originally ''Folk Roots'') was a specialist music magazine published in the UK between 1979 and 2019. It specialised in folk and world music, and featured regular compilation downloadable albums, with occasional specials. In 2006, the circulation of the magazine was 12,000 worldwide. (the year is matched from th"fRoots Advertising Information"that provides the same "readership of 40,000" data for their "2006 readership survey" as the main "around 12,000 worldwide (giving a readership of around 40,000)" claim). The magazine was also involved in live music production, as well as the BBC Radio 3 Awards for World Music and the Europe in Union concert series. Overview In 1979, ''Southern Rag'' was founded by folk musician Ian A. Anderson with Caroline Hurrell and Lawrence Heath. It was renamed as ''Folk Roots'' in 1985, and in 1998 it became ''fRoots''. The headquarters was initially in Farnham, Surrey and later moved to Bristol. Anderson re ...
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Folk Roots
''fRoots'' (pronounced "eff-Roots", originally ''Folk Roots'') was a specialist music magazine published in the UK between 1979 and 2019. It specialised in folk and world music, and featured regular compilation downloadable albums, with occasional specials. In 2006, the circulation of the magazine was 12,000 worldwide. (the year is matched from th"fRoots Advertising Information"that provides the same "readership of 40,000" data for their "2006 readership survey" as the main "around 12,000 worldwide (giving a readership of around 40,000)" claim). The magazine was also involved in live music production, as well as the BBC Radio 3 Awards for World Music and the Europe in Union concert series. Overview In 1979, ''Southern Rag'' was founded by folk musician Ian A. Anderson with Caroline Hurrell and Lawrence Heath. It was renamed as ''Folk Roots'' in 1985, and in 1998 it became ''fRoots''. The headquarters was initially in Farnham, Surrey and later moved to Bristol. Anderson re ...
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Ry Cooder
Ryland Peter "Ry" Cooder (born March 15, 1947) is an American musician, songwriter, film score composer, record producer, and writer. He is a multi-instrumentalist but is best known for his slide guitar work, his interest in traditional music, and his collaborations with traditional musicians from many countries. Cooder's solo work draws upon many genres. He has played with John Lee Hooker, Captain Beefheart, Taj Mahal, Gordon Lightfoot, Ali Farka Touré, Eric Clapton, The Rolling Stones, Van Morrison, Neil Young, Randy Newman, Linda Ronstadt, Vishwa Mohan Bhatt, David Lindley, The Chieftains, The Doobie Brothers, and Carla Olson and The Textones (on record and film). He formed the band Little Village, and produced the album ''Buena Vista Social Club'' (1997), which became a worldwide hit; Wim Wenders directed the documentary film of the same name (1999), which was nominated for an Academy Award in 2000. Cooder was ranked at No. 8 on ''Rolling Stone'' magazine's 2003 list ...
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Félix Baloy
Félix Baloy (born November, 12, in 1944 in Mayari, Holguín, Cuba) is a Cuban singer, sonero, and percussionist. He has a Havana urban accent. He has been a vocalist with many groups, including Chappotin y Sus Estrellas, Revé, and Adalberto Alvarez y su Son, and most recently, the Afro-Cuban All Stars. He was one of the original members of the Afro-Cuban All Stars. He also sang on the compilation album ''Café Cubano'', produced through Putumayo World Music. He has at least three solo albums, ''Baila Mi Son'' (2000), ''Un Poquito de Fé'' (2005), and ''Un Solo Amor'' (2008). One reviewer described him as famous in Cuba but virtually unknown elsewhere, although he had hits in the 1970s. Another reviewer described him as one of the most important soneros of the 1970s and 1980s. His music has a message of standing up and speaking out for freedom and one's rights, a message which has been hailed as a response to colonialism Colonialism is a practice or policy of cont ...
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Raúl Planas
Enrique Raúl Planas Fernández (September 18, 1920 – February 28, 2001) was a popular Cuban singer and songwriter. He performed and recorded with many bands and musicians, including Carlos Barbería y su Orquesta Kubavana, Sonora Matancera, Celia Cruz, Conjunto Rumbavana, Conjunto Chappottín, Charanga Rubalcaba, Rubén González, and the Afro-Cuban All Stars. Early life Raúl Planas was born in Camajuaní, Villa Clara province, Cuba on September 18, 1920. At thirteen, he joined a number of ''son'' groups in his native town, such as Benito De Amas, Cervantes en Remedios and others, and developed into a prominent singer in both ''son'' and ''bolero'' styles. Career During the 1940s, Planas moved to Havana, where he joined the Juanito Roger ensemble, the Ernesto Duarte orchestra, and Carlos Barbería´s Kubavana jazz-band as a singer. He toured extensively with Sonora Matancera and Celia Cruz, in both America and Europe, and made several recordings for the Puchito, P ...
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Puntillita
Puntillita (Manuel Licea Lamouth; January 4, 1921 in Yareyal, Holguín – December 4, 2000 in Havana) was a Cuban popular singer. Puntillita was active in the 1940s and 1950s, and later gained notice when he joined other elderly Cuban musicians to form the Afro-Cuban All Stars and the associated group of singers who recorded the ''Buena Vista Social Club'' with American guitarist Ry Cooder. Career Puntillita was a member of the ''Hermanos Licea'' in the 1940s in Camagüey. He began singing with the ''Orquesta Escorcia'', and played percussion in the ''Orquesta Tentación''. In 1945 he went to Havana to sing in trumpeter Julio Cueva's band. He got his nickname from ''Son de la puntillita'', which he sang with this band. He went on to achieve huge popularity in the 1950s as a soloist on ''Radio Cadena Habana''. In Mexico City he performed at ''El Patio'', singing with Celia Cruz and Beny Moré. With the conjunto ''Gloria Matancera'' he played at the ''Cabaret Antillano''. In t ...
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Pío Leyva
Pío Leiva (May 5, 1917 – March 22, 2006) was a Cuban singer and the author of the guaracha ''El Mentiroso'' ("The Liar"). Leyva was part of the Buena Vista Social Club, and composed some of Cuba’s best known standards. Biography Leyva was born as Wilfredo Leiva Pascual in Morón, Cuba in 1917. He won a bongo contest at the age of six and made his singing debut in 1932. He recorded over 25 albums since he signed his first contract with RCA Victor in 1950. Leyva sang with other Cuban artists such as Benny Moré, Bebo Valdés and Noro Morales and was a member of Estrellas de Areito and "Compay Segundo y Sus Muchachos." Fellow musician Barbarito Torres said of Leyva: "Pio has always been a famous singer in Cuba. I've always admired him, not just for his talent, but because of his great personality. He's the inspiration." Leyva took part in the 2004 film '' Música Cubana'', which was marketed as a sequel to ''Buena Vista Social Club Buena Vista Social Club is an ensemble o ...
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Ibrahim Ferrer
Ibrahim Ferrer (February 20, 1927 – August 6, 2005) was a Cuban singer who played with Los Bocucos for nearly forty years. He also performed with Conjunto Sorpresa, Chepín y su Orquesta Oriental and Mario Patterson. After his retirement in 1991, he was brought back in the studio to record with the Afro-Cuban All Stars and Buena Vista Social Club in March 1996. He then toured internationally with these revival groups and recorded several solo albums for World Circuit before his death in 2005. Early life Ferrer was born at a dance club in San Luis, near the city of Santiago de Cuba. His mother died when he was 12, leaving him orphaned and forcing him to sing on the streets ( busk) to earn money. The following year, Ferrer joined his first ever musical group—a duet with his cousin—called Jovenes del Son ( es, Youths of Rhythm). They performed at private functions and the two youths managed to scrape together enough money to live. Career Over the next few years, F ...
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