A Steam Train Passes
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A Steam Train Passes
''A Steam Train Passes'' is a 1974 Australian short film set in the 1940s, featuring the construction and operation of locomotive 3801. Plot The opening sequence is a 1943 black-and-white Cinesound newsreel ''Monarch of the Rails'' showing the locomotive being built. The film then changes to colour and shows the locomotive at the Enfield Locomotive Depot, then the home of the New South Wales Rail Transport Museum. The fireman lights the fire and the driver inspects the locomotive. When ready the locomotive is turned on the turntable. The main part of the film shows the train travelling through the New South Wales countryside through disparate locations including the Sydney suburbs, Hawkesbury River Railway Bridge, Ten Tunnels Deviation, Polona signal box Blayney station and the Picton-Mittagong loop line. These scenes are interspersed with vignettes of life the 1940s including a travelling salesman, a country wedding in a church at Georges Plains, and two soldiers heading ...
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Anthony Buckley
Anthony Buckley AO (born 27 July 1937) is an Australian film editor and producer. Career On leaving school, Buckley went to work for Cinesound Productions as a projectionist and assistant editor. He worked in Canada and Britain before returning to Australia in 1965. He went to work at Ajax Films and moved into producing.David Stratton, ''The Last New Wave: The Australian Film Revival'', Angus & Robertson, 1980 p11 He edited Michael Powell's ''Age of Consent''. In 1974 he produced the train film ''A Steam Train Passes''. 24 years later he produced another two train films, ''Savannahlander'' and ''Gulflander''. He produced the mini-series ''The Harp in the South'' and its sequel ''Poor Man's Orange''. Awards *1977 Order of Australia Partial filmography As editor *'' The Stowaway'' (1958) (assistant) * ''Age of Consent'' (1969) *''Adam's Woman'' (1970) *''Wake in Fright'' (1971) * ''Don Quixote'' (1973) As producer *'' Forgotten Cinema'' (1967) – documentary *''Snow, San ...
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Vignette (literature)
A vignette (, also ) is a French loanword expressing a short and descriptive piece of writing that captures a brief period in time. Vignettes are more focused on vivid imagery and meaning rather than plot. Vignettes can be stand-alone, but they are more commonly part of a larger narrative, such as vignettes found in novels or collections of short stories. Examples of vignettes include Ernest Hemingway’s ''In Our Time'', Margaret Atwood’s ''The Female Body'', Sandra Cisneros’ ''The House on Mango Street'', and Alice Walker’s ''The Flowers.'' Vignettes have been particularly influential in the development of the contemporary notions of a scene as shown in postmodern theater, film and television, where less emphasis is placed on adhering to the conventions of traditional structure and story development. Etymology The word ''vignette'' means "little vine" in French, and was derived from Old French ''vigne'', meaning “vineyard”. In English, the word was first docume ...
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Sirens (1994 Film)
''Sirens'' is a 1994 film, based on the real life artist Norman Lindsay, written and directed by John Duigan and set in Australia during the interwar period. ''Sirens'', ''Four Weddings and a Funeral'' and '' Bitter Moon—''all released in the US within weeks of one another—were the films that brought Hugh Grant to the attention of American audiences. Plot Tony, an Anglican priest newly arrived in Australia from the United Kingdom, is asked to visit the notorious artist Norman Lindsay, out of the church's concern about a blasphemous painting of the crucifix that the artist plans to exhibit. Estella, the priest's wife, accompanies him on the visit to the artist's bucolic compound in the Blue Mountains, New South Wales. There, they meet Lindsay's wife, Rose, two models, Pru and Sheela, and the maid, Giddy, all of whom pose for Lindsay. Devlin, the half-blind "odd-job" man, also poses for Lindsay. Initially, Tony and Estella are both disturbed by the frank conversations abo ...
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The Winds Of Jarrah
''The Winds of Jarrah'' is a 1983 Australian film adapted from a Mills & Boon novel. It was never released to cinemas.David Stratton, ''The Avocado Plantation: Boom and Bust in the Australian Film Industry'', Pan MacMillan, 1990 p117 The film was financed in part by the Australian Film Commission and the Film Corporation of Western Australia. Screenwriter Bob Ellis Robert James Ellis (10 May 1942 – 3 April 2016) was an Australian writer, journalist, filmmaker, and political commentator. He was a student at the University of Sydney at the same time as other notable Australians including Clive James, Germa ... later called it a "shocking film.. which, would you believe, started out as a very good script and only about one sentence of it survived."Interview with Bob Ellis, 13 August 1996
Retrieved 14 October ...
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Sarah (film)
''Sarah'' (also known as ''Sarah (The Seventh Match)'' and ''Sarah and the Squirrel'') is a 1982 Australian animated drama film. It was written by Elizabeth Kata and directed by Yoram Gross.''Sarah''
at Yoram Gross Films Unlike Yoram Gross's other works, ''Sarah'' deals with more mature subjects.


Plot

The story is about a little girl during the beginning of the . When the German soldiers invade, she and her family are forced to hide in the woods. When her grandmother gets sick, her father goes into town for medicine and disappears. Sarah goes out to pick berries and when she returns, the rest of her family is gone. Sarah is forced to survive alone in the woods with only the animals ...
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Stock Footage
Stock footage, and similarly, archive footage, library pictures, and file footage is film or video footage that can be used again in other films. Stock footage is beneficial to filmmakers as it saves shooting new material. A single piece of stock footage is called a "stock shot" or a "library shot". Stock footage may have appeared in previous productions but may also be outtakes or footage shot for previous productions and not used. Examples of stock footage that might be utilized are moving images of cities and landmarks, wildlife in their natural environments, and historical footage. Suppliers of stock footage may be either rights managed or royalty-free. Many websites offer direct downloads of clips in various formats. History Stock footage companies began to emerge in the mid-1980s, offering clips mastered on Betacam SP, VHS, and film formats. Many of the smaller libraries that specialized in niche topics such as extreme sports, technological or cultural collections were boug ...
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Australian Cinematographers Society
The Australian Cinematographers Society (ACS) is a not-for-profit organisation founded in 1958 for the purpose of providing a forum for Australian cinematographers to further develop their skills through mutual co-operation. Location Its National Headquarters and clubhouse is located in North Sydney. Mission The ACS states the following aims: *To keep members informed about the latest technology with new equipment demonstrations and ideas through meetings and seminars. *To further the advancement of Cinematography in all fields and give due recognition to the outstanding work performed by Australian Cinematographers. *To provide a forum for Cinematographers to meet with other members of the industry to discuss and exchange ideas, promote friendship and better understanding of each other's industry role. People Its first National President was Syd Wood ACS. The National President is Erika Addis, the first female to hold the office. The ACS presents annual awards for achie ...
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Melbourne International Film Festival
The Melbourne International Film Festival (MIFF) is an annual film festival held over three weeks in Melbourne, Australia. It was founded in 1952 and is one of the oldest film festivals in the world following the founding of the Venice Film Festival in 1932, Cannes Film Festival in 1939 and Berlin Film Festival in 1951. Originally launched at Olinda outside Melbourne in 1952 as the Olinda Film Festival, in 1953, the event was renamed the Melbourne Film Festival. It held this title over many decades before transforming in the Melbourne International Film Festival. MIFF is one of Melbourne's four major film festivals, in addition to the Melbourne International Animation Festival (MIAF), Melbourne Queer Film Festival (MQFF) and Melbourne Underground Film Festival (MUFF). Erwin Rado (1914 - 1988) was the Melbourne Film Festival's iconic director appointed in 1956. The Australian Dictionary of Biography notes Mr Rado was the Festival's first paid director and also shaped its character ...
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San Francisco International Film Festival
The San Francisco International Film Festival (abbreviated as SFIFF), organized by the San Francisco Film Society, is held each spring for two weeks, presenting around 200 films from over 50 countries. The festival highlights current trends in international film and video production with an emphasis on work that has not yet secured U.S. distribution. In 2009, it served around 82,000 patrons, with screenings held in San Francisco and Berkeley."San Francisco Film Festival Bucks Economic Trends to Set New Records for Revenue and Attendance." sffs.org. 7 May 2009. San Francisco Film Society. 29 June 2009 In March 2014, Noah Cowan, former executive director of the Toronto International Film Festival, became executive director of the SFFS and SFIFF, replacing Ted Hope. Prior to Hope, the festival was briefly headed by Bingham Ray, who served as SFFS executive director until his death after only ten weeks on the job in January 2012. Graham Leggat became the executive director of the Sa ...
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Chicago International Film Festival
The Chicago International Film Festival is an annual film festival held every fall. Founded in 1964 by Michael Kutza, it is the longest-running competitive film festival in North America. Its logo is a stark, black and white close up of the composite eyes of early film actresses Theda Bara, Pola Negri and Mae Murray, set as repeated frames in a strip of film. In 2010, the 46th Chicago International Film Festival presented 150 films from more than 50 countries. The Festival's program is composed of many different sections, including the International Competition, New Directors Competition, Docufest, Black Perspectives, Cinema of the Americas, and Reel Women. Its main venue is the AMC River East 21 Theatre in the Streeterville neighborhood of Chicago. International Connections Program The International Connections Program was created in 2003 in order to raise awareness of the international film culture and diversity of Chicago, and to make the festival more appealing to audienc ...
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Australian Film Institute Awards
The Australian Academy of Cinema and Television Arts Awards, known as the AACTA Awards, are presented annually by the Australian Academy of Cinema and Television Arts (AACTA). The awards recognise excellence in the film and television industry, both locally and internationally, including the producers, directors, actors, writers, and cinematographers. It is the most prestigious awards ceremony for the Australian film and television industry. They are generally considered to be the Australian counterpart of the Academy Awards for the U.S. and the BAFTA Awards for the U.K. The awards, previously called Australian Film Institute Awards or AFI Awards, began in 1958, and involved 30 nominations across six categories. They expanded in 1986 to cover television as well as film. The AACTA Awards were instituted in 2011. The AACTA International Awards, inaugurated on 27 January 2012, are presented every January in Los Angeles. History 1958–2010: AFI Awards The awards were presented ann ...
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Australian Film, Television And Radio School
The Australian Film Television and Radio School (AFTRS) formerly Australian Film and Television School, is Australia's national screen arts and broadcast school. The school is a Commonwealth Government statutory authority. History Established in 1972 as the Australian Film and Television School, as part of the Commonwealth Government's strategy to promote the development of Australia's cultural activity, AFTRS was opened to students in 1973, with the first intake of 12 students including directors Gillian Armstrong, Phillip Noyce and Chris Noonan. In 1973 Jerzy Toeplitz was appointed Foundation Director of the School and after six years in the role was awarded the Order of Australia and the AFI's Longford Lyell Award. In 1975 Gough Whitlam helped to create funding agencies to support the film school. Campus For many years AFTRS was located in purpose-built premises at North Ryde, Sydney. In 2008 the school relocated to a purpose-built facility adjacent to Fox Studios, ...
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