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A Sea Of Faces (story)
''A Sea of Faces'' is an album by avant-garde jazz saxophonist Archie Shepp recorded in Milan, Italy, on August 4 and 5, 1975, and released on the Italian Black Saint label. It features performances by Shepp with Charles Greenlee, Dave Burrell, Cameron Brown, Beaver Harris, Rafi Taha and Bunny Foy. accessed July 29, 2009. Track listing # "Hipnosis" () – 26:10 # "Song for Mozambique/Poem: A Sea of Faces" (Semenya McCord/Archie Shepp) – 8:12 # "I Know 'Bout the Life" ( Aishah Rahman, Archie Shepp) – 5:20 # "L ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archie Shepp
Archie Shepp (born May 24, 1937) is an American jazz saxophonist, educator and playwright who since the 1960s has played a central part in the development of avant-garde jazz. Biography Early life Shepp was born in Fort Lauderdale, Florida, but raised in Philadelphia, Pennsylvania. He studied piano, clarinet and alto saxophone before narrowing his focus to tenor saxophone. He occasionally plays soprano saxophone as well. He studied drama at Goddard College from 1955 to 1959. He played in a Latin jazz band for a short time before joining the band of avant-garde pianist Cecil Taylor. Shepp's first recording under his own name, '' Archie Shepp - Bill Dixon Quartet'', was released on Savoy Records in 1962 and featured a composition by Ornette Coleman. Along with alto saxophonist John Tchicai and trumpeter Don Cherry, he formed the New York Contemporary Five. John Coltrane's admiration for Shepp led to recordings for Impulse! Records, the first of which was ''Four for Trane'' in 1964 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beaver Harris
William Godvin "Beaver" Harris (April 20, 1936 – December 22, 1991) was an American jazz drummer who worked extensively with Archie Shepp. Early life Harris was born in Pittsburgh, Pennsylvania. Coming from an athletic family, he played baseball as a teenager for the Kansas City Monarchs (then part of the Negro American League) and was scouted by the Brooklyn Dodgers and New York Giants.Pareles, Jon. "Beaver Harris, 55, A Leading Drummer in Jazz Ensembles" '''', January 7, 1992. Career After serving in the |
Black Saint/Soul Note Albums
Black is a color which results from the absence or complete absorption of visible light. It is an achromatic color, without hue, like white and grey. It is often used symbolically or figuratively to represent darkness. Black and white have often been used to describe opposites such as good and evil, the Dark Ages versus Age of Enlightenment, and night versus day. Since the Middle Ages, black has been the symbolic color of solemnity and authority, and for this reason it is still commonly worn by judges and magistrates. Black was one of the first colors used by artists in Neolithic cave paintings. It was used in ancient Egypt and Greece as the color of the underworld. In the Roman Empire, it became the color of mourning, and over the centuries it was frequently associated with death, evil, witches, and magic. In the 14th century, it was worn by royalty, clergy, judges, and government officials in much of Europe. It became the color worn by English romantic poets, businessmen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maracas
A maraca (), sometimes called shaker or chac-chac, is a rattle which appears in many genres of Caribbean and Latin music. It is shaken by a handle and usually played as part of a pair. Maracas (from Guaraní ), also known as tamaracas, were rattles of divination, an oracle of the Brazilian Tupinamba people, found also with other Indigenous ethnic groups, such as the Guarani, Orinoco and in Florida. Rattles made from ''Lagenaria'' gourds are being shaken by the natural grip, while the round ''Crescentia'' calabash fruits are fitted to a handle. Human hair is sometimes fastened on the top, and a slit is cut in it to represent a mouth, through which their shamans (''payes'') made it utter its responses. A few pebbles are inserted to make it rattle and it is crowned with the red feathers of the (scarlet ibis). Every man had his maraca. It was used at their dances and to heal the sick. Andean curandero A ''curandero'' (, healer; f. , also spelled , , f. ) is a traditional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tambourine
The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, though some variants may not have a head. Tambourines are often used with regular percussion sets. They can be mounted, for example on a stand as part of a drum kit (and played with drum sticks), or they can be held in the hand and played by tapping or hitting the instrument. Tambourines come in many shapes with the most common being circular. It is found in many forms of music: Turkish folk music, Greek folk music, Italian folk music, French folk music, classical music, Persian music, samba, gospel music, pop music, country music, and rock music. History The origin of the tambourine is unknown, but it appears in historical writings as early as 1700 BC and was used by ancient musicians in West Africa, the Middle East, Greece and India. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano Saxophone
The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument invented in the 1840s. The soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone and tubax. Soprano saxophones are the smallest and thus highest-pitched saxophone in common use. The instrument A transposing instrument pitched in the key of B, modern soprano saxophones with a high F key have a range from concert A3 to E6 (written low B to high F) and are therefore pitched one octave above the tenor saxophone. There is also a soprano saxophone pitched in C, which is uncommon; most examples were produced in America in the 1920s. The soprano has all the keys of other saxophone models (with the exception of the low A on some baritones and altos). Soprano saxophones were originally keyed from low B to high E, but a low B mechanism was patented in 1887 and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cal Massey
Calvin "Cal" Massey (January 11, 1928 – October 25, 1972) was an American jazz trumpeter and composer. Early life Born in Philadelphia, Pennsylvania, United States, Massey studied trumpet under Freddie Webster, and following this played in the big bands of Jay McShann, Jimmy Heath, and Billie Holiday. After that he mainly worked as a composer. Growing up, Massey had two cousins in the Philadelphia area who were, like him, interested in jazz and the arts. Massey's cousin Bill Massey, also a jazz trumpet player, composed music for and played on several Prestige recording sessions for alto saxophonist Sonny Stitt in the early 1950s. His cousin Calvin L. Massey (1926–2019), brother of Bill Massey, was also known professionally as Cal Massey and worked as a jazz pianist in the 1960s before becoming a visual artist. Calvin L. Massey worked as monument designer (with sculptures at Valley Forge and Ellis Island) and illustrator at Marvel Comics, and later was an independent painte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aishah Rahman
Aishah Rahman (November 4, 1936 – December 29, 2014) was an American playwright, author, professor and essayist. She was known for her participation and contribution to the Black Arts Movement, as well as her plays documenting various aspects of black life. Early years and education Aishah Hughes was born November 4, 1936, in New York City. Rahman grew up as a foster child in Harlem. Church was a big part of her life, and she spent her free time as a child hopping between churches. She wrote her first play in sixth grade about germs for National Health week. She attended George Washington High School, and graduated in 1954. She enjoyed dancing, and was particularly interested in jazz music. Rahman has attributed her interest in theater to her difficult life growing up in foster care, as she often was "a conduct problem," but found solace in the realm of theater, where her extroversion was celebrated. She attended Howard University and Goddard College, and in 1992 she became a p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grachan Moncur III
Grachan Moncur III (June 3, 1937 – June 3, 2022) was an American jazz trombonist. He was the son of jazz bassist Grachan Moncur II and the nephew of jazz saxophonist Al Cooper. Biography Born in New York City, United States, (his paternal grandfather was from the Bahamas)Sean Singer & Grachan Moncur III"The Soul of Trombone — Grachan Moncur III" ''Cerise Press'', Vol. 4, Issue 10, Summer 2012. and raised in Newark, New Jersey, Grachan Moncur III began playing the cello at the age of nine, and switched to the trombone when he was 11. In high school, he attended the Laurinburg Institute in North Carolina, the private school where Dizzy Gillespie had studied. While still at school, he began sitting in with touring jazz musicians on their way through town, including Art Blakey and Jackie McLean, with whom he formed a lasting friendship. After high school, Moncur toured with Ray Charles (1959–62), Art Farmer and Benny Golson's Jazztet (1962), and Sonny Rollins. He took part in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bunny Foy
Shirley Bunnie Foy, also known as Bunny Foy (October 13, 1936 – November 24, 2016), was an American jazz singer, songwriter, and percussionist. Biography Shirley Bunnie Foy was born in Harlem, New York. She was raised in a family of musicians and during her childhood she discovered gospel music, spirituals, and blues. At the age of 17, she started her career touring the Atlantic coast and Canada with a rhythm and blues group called The Dell-Tones. The ensemble was formed by Della Griffin, Gloria Lynne, Sonny Til, and Slide Hampton. Foy settled in Paris in 1959, and after an engagement at La Calvados, a jazz club near the Champs-Élysées, she toured with pianist Pierre Franzino (her future husband), in France, Belgium, Germany, Switzerland, and North Africa. In 1960 she participated in the first Jazz Festival of Antibes/Juan-les-Pins. In 1965 she performed in New York with Archie Shepp. During the following years, she collaborated with trumpeter Charlie Shavers, bassist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cameron Brown (musician)
Cameron Langdon Brown (born December 21, 1945) is an American jazz double bassist known for his association with the Don Pullen/ George Adams Quartet. Biography Cameron started studying music at age 10, first on piano, later on clarinet. But, drawn to the bass, he found himself playing a tin bass in a student dance band. As an exchange student in Europe, he worked with George Russell's Sextet and Big Band for one year and played with Don Cherry, Aldo Romano, Booker Ervin, and Donald Byrd. In 1966 he returned to graduate at Columbia College, Columbia University (1969, B.A. in Sociology). In 1974, Brown met Sheila Jordan, gigged with free jazz pioneers Roswell Rudd and Beaver Harris, joined Archie Shepp's quintet in 1975, and recorded with Harris' and The 360 Degree Music Experience around that time. The famous ''Don Pullen/ George Adams Quartet'', with him and drummer Dannie Richmond, developed into an intense and rewarding partnership which lasted during the 1980s. In addition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
