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A Presentation Of Progressive Jazz
''A Presentation of Progressive Jazz'' is a 1948 jazz album by pianist and bandleader Stan Kenton. Background The album features performances recorded in 1947 and originally released on the Capitol label as four 78rpm discs, reissued as a 10-inch LP in 1953 as ''A Concert in Progressive Jazz'', and then as a 12-inch LP in 1955 with additional tracks.Vosbein, PStan Kenton Discographyaccessed April 13, 2016 accessed April 13, 2016 Track listing All compositions by Pete Rugolo and Stan Kenton except where noted. # "Cuban Carnival" (Pete Rugolo) – 2:44 # "Monotony" – 3:04 # "Lonely Woman" (, |
Stan Kenton
Stanley Newcomb Kenton (December 15, 1911 – August 25, 1979) was an American popular music and jazz artist. As a pianist, composer, arranger and band leader, he led an innovative and influential jazz orchestra for almost four decades. Though Kenton had several pop hits from the early 1940s into the 1960s, his music was always forward-looking. Kenton was also a pioneer in the field of jazz education, creating the Stan Kenton Jazz Camp in 1959 at Indiana University.Sparke, Michael. ''Stan Kenton: This is an Orchestra.'' UNT Press (2010). . Early life Stan Kenton was born on December 15, 1911, in Wichita, Kansas; he had two sisters (Beulah and Erma Mae) born three and eight years after him. His parents, Floyd and Stella Kenton, moved the family to Colorado, and in 1924, to the Greater Los Angeles Area, settling in suburban Bell, California. Kenton attended Bell High School; his high-school yearbook picture has the prophetic notation "Old Man Jazz". Kenton started learning pian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maynard Ferguson
Walter Maynard Ferguson CM (May 4, 1928 – August 23, 2006) was a Canadian jazz trumpeter and bandleader. He came to prominence in Stan Kenton's orchestra before forming his own big band in 1957. He was noted for his bands, which often served as stepping stones for up-and-coming talent, his versatility on several instruments, and his ability to play in a high register. Biography Early life and education Ferguson was born in Verdun (now part of Montreal), Quebec, Canada. Encouraged by his mother and father (both musicians), he started playing piano and violin at the age of four. At nine years old, he heard a cornet for the first time in his local church and asked his parents to buy one for him. When he was thirteen, he soloed with the Canadian Broadcasting Corporation Orchestra. He was heard frequently on the CBC, notably featured on a "Serenade for Trumpet in Jazz" written for him by Morris Davis. He won a scholarship to the Conservatoire de musique du Québec à Montréal whe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bud Shank
Clifford Everett "Bud" Shank Jr. (May 27, 1926 – April 2, 2009) was an American alto saxophonist and flautist. He rose to prominence in the early 1950s playing lead alto and flute in Stan Kenton's Innovations in Modern Music Orchestra and throughout the decade worked in various small jazz combos. He spent the 1960s as a first-call studio musician in Hollywood. In the 1970s and 1980s, he performed regularly with the L. A. Four. Shank ultimately abandoned the flute to focus exclusively on playing jazz on the alto saxophone. He also recorded on tenor and baritone sax. His most famous recording is probably the version of "Harlem Nocturne" used as the theme song in ''Mickey Spillane's Mike Hammer''. He is also well known for the alto flute solo on the song "California Dreamin'" recorded by The Mamas & the Papas in 1965. Biography Bud Shank was born in Dayton, Ohio, United States. He began with clarinet in Vandalia, Ohio, but had switched to saxophone before attending the Universi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Pepper
Arthur Edward Pepper Jr. (September 1, 1925 – June 15, 1982) was an American alto saxophonist and very occasional tenor saxophonist and clarinetist. Active in West Coast jazz, Pepper came to prominence in Stan Kenton's big band. He was known for his emotionally charged performances and several stylistic shifts throughout his career, and was described by critic Scott Yanow as having "attained his goal of becoming the world's great altoist" at the time of his death. Early life Art Pepper was born in Gardena, California, United States.Dupuis, Robert. "Art Pepper." ''Contemporary Musicians: Profiles of the People in Music.'' Vol. 18. Detroit, MI: Gale Research, 1997. 164-67. Print. His mother was a 14-year-old runaway; his father, a merchant seaman. Both were violent alcoholics, and when Pepper was still quite young, he was sent to live with his paternal grandmother. He expressed early musical interest and talent, and he was given lessons. He began playing clarinet at nine, switc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boots Mussulli
Henry "Boots" Mussulli (November 18, 1915 in Milford, Massachusetts – September 23, 1967 in Norfolk, Massachusetts) was an Italian-American jazz saxophonist, based chiefly out of Boston. According to the Social Security files, he was born in 1915, not in 1917 as previously stated. Mussulli's first instrument was clarinet, which he first played at age 12. He played with Mal Hallett in Massachusetts around 1940, and joined Teddy Powell's group in 1943-44. He played with Stan Kenton from 1944 to 1947 and returned to play with Kenton again on tour in 1952 and 1954. He also played with Vido Musso, Gene Krupa (1948), Charlie Ventura (1949), Serge Chaloff, Toshiko Akiyoshi (1955), and Herb Pomeroy. In 1949, Mussulli opened a jazz club in his hometown, called "The Crystal Room". From the mid-1950s, he concentrated more on music education, leading a local youth orchestra, the Milford Youth Band, at the Newport Jazz Festival in 1967. He died of cancer shortly thereafter. Discogr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Trombone
The bass trombone (german: Bassposaune, it, trombone basso) is the bass instrument in the trombone family of brass instruments. Modern instruments are pitched in the same B♭ as the tenor trombone but with a larger bore, bell and mouthpiece to facilitate low register playing, and usually two valves to fill in the missing range immediately above the pedal tones. History The earliest bass trombones were the bass sackbuts, usually pitched in G, F, or E♭ below the B♭ tenor. They had a smaller bore and less flared bell than modern instruments, and a longer slide with an attached handle to allow slide positions otherwise beyond the reach of a fully outstretched arm. The earliest known surviving specimen is an instrument in G built in Germany in 1593. This instrument matches descriptions and illustrations by Praetorius from his 1614–20 ''Syntagma Musicum''. These bass sackbuts were sometimes called , , and (Old German, , referring to intervals below B♭), though sometimes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kai Winding
Kai Chresten Winding ( ; May 18, 1922 – May 6, 1983) was a Danish-born American trombonist and jazz composer. He is known for his collaborations with fellow trombonist J. J. Johnson. His version of "More", the theme from the movie ''Mondo Cane'', reached in 1963 number 8 in the Billboard Hot 100 and remained his only entry here. Biography Winding was born in Aarhus, Denmark. His father, Ove Winding was a naturalized U.S. citizen, thus Kai, his mother and sisters, though born abroad were already U.S. citizens. In September 1934, his mother, Jenny Winding, moved Kai and his two sisters, Ann and Alice. Kai graduated in 1940 from Stuyvesant High School in New York City and that same year began his career as a professional trombonist with Shorty Allen's band. Subsequently, he played with Sonny Dunham and Alvino Rey, until he entered the United States Coast Guard during World War II. After the war, Winding was a member of Benny Goodman's orchestra, then Stan Kenton's. He partic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Betts
Harry Betts (September 15 1922 – July 13 2012) was an American jazz trombonist. Background Born in New York and raised in Fresno, California, he was active as a jazz trombonist and played with Stan Kenton's orchestra in the 1950s. He can be heard on the album '' Get Happy!'' (Verve, 1959) by Ella Fitzgerald. Music He wrote and orchestrated soundtracks for several films, including ''A Swingin' Summer'' (1965), ''The Big Mouth'' (1967), ''A Time for Dying'' (1969), ''The Fantastic Plastic Machine'' (1969), ''Goodnight, My Love'' (1972), ''Black Mama White Mama'' (1972), ''Little Cigars'' (1973) and ''Nice Dreams'' (1981). Music from his score to ''Black Mama White Mama'' was used in the 2003 soundtrack for '' Kill Bill, Volume 1''. Aside from his work in scoring, he was known for his 1962 album, ''The Jazz Soul of Doctor Kildare''. He did numerous arrangements for singer Jack Jones. Discography * ''The Jazz Soul of Dr. Kildare'' ( Ava, 1962) As sideman With Elmer Bernstein ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Bert
Edward Joseph Bertolatus (May 16, 1922 – September 27, 2012), also known as Eddie Bert, was an American jazz trombonist. Music career He was born in Yonkers, New York, United States. Bert received a degree and a teaching license from the Manhattan School of Music (1957). He taught at Essex College, University of Bridgeport, and Western Connecticut State University. Bert performed and recorded with many bands and orchestras. He spent the most time with Benny Goodman's Orchestra (1958–86), Charles Mingus (1955–74), The Thad Jones/Mel Lewis Orchestra (1968–72), New York Jazz Repertory Company (1973–78), The American Jazz Orchestra (1986–92), Loren Schoenberg Orchestra (1986–2001), and Walt Levinsky's Great American Swing Orchestra (1987–95). Bert is featured on hundreds of recordings and recorded extensively as a leader on various labels including Savoy, Blue Note, Trans-World, Jazztone, and Discovery Records. Bert continued to play sold-out shows until his death ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milt Bernhart
Milt Bernhart (May 25, 1926 – January 22, 2004) was a West Coast jazz trombonist who worked with Stan Kenton, Frank Sinatra, and others. He supplied the solo in the middle of Sinatra's 1956 recording of ''I've Got You Under My Skin'' conducted by Nelson Riddle. Biography Bernhart (occasionally spelled Bernhardt) began on tuba, but switched to trombone in high school. At 16 he worked in Boyd Raeburn's band and later had some "gigs" with Teddy Powell. After time in the United States Army he worked, off and on, with Stan Kenton for the next ten years. He is perhaps most associated with Kenton, but in 1955 he had his first album as a leader. In 1986 he was elected President of the Big Band Academy of America. Although known as "mild-mannered" or humorous, his brief period with Benny Goodman was one area that brought out his ire. He indicated working with Goodman was "the bottom", except for basic training in the Army, of his first 23 years of life. He called Goodman a "bore" an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Wetzel
Ray Wetzel (September 22, 1924 – August 17, 1951) was an American jazz trumpeter. Critic Scott Yanow described him as "greatly admired by his fellow trumpeters". Career Wetzel played lead trumpet for Woody Herman from 1943 to 1945 and for Stan Kenton from 1945 to 1948. He recorded in 1947 with the Metronome All-Stars, Vido Musso, and Neal Hefti, and married bass player Bonnie Addleman in 1949. While with the Charlie Barnet Orchestra in 1949, he played trumpet alongside Maynard Ferguson, Doc Severinsen, and Rolf Ericson. He played with his wife in Tommy Dorsey's ensemble in 1950 and with Kenton again in 1951. While touring with Dorsey in 1951, he was killed in a car crash at the age of 27. He never recorded as a leader. He is credited with composing the Stan Kenton tune 'Intermission Riff'. Discography With Stan Kenton * ''Artistry in Rhythm'' (Capitol, 1946) * '' Encores'' (Capitol, 1947) * ''A Presentation of Progressive Jazz'' (Capitol, 1947) * ''Stan Kenton's Milest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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