A Portrait (Voice Of The Beehive Album)
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A Portrait (Voice Of The Beehive Album)
''A Portrait'' is a compilation album from alternative rock band Voice of the Beehive. Released in Canada only, the album contained singles and tracks from the band's first two albums ''Let It Bee'' and '' Honey Lingers''. Track listing #"Monsters and Angels" (Bryn, Jones) – 3:38 #"I Think I Love You" (Tony Romeo) – 3:13 #"Look at Me" (Bryn, Jones) – 3:03 #"Adonis Blue" (Bryn, Jones) – 3:40 #"Little Gods" (Marvin Etzioni) – 2:37 #"Just Like You" (Brett, Bryn, Jones) – 3:22 #"Perfect Place" (Brooke, Bryn, Jones) – 3:33 #"I Walk the Earth" (Nack) – 3:40 #"Don't Call Me Baby "Don't Call Me Baby" is a song by Australian house music duo Madison Avenue (band), Madison Avenue, taken as the first single from their only studio album, ''The Polyester Embassy'' (2000). Written by Cheyne Coates, Andy Van Dorsselaer, Duane Mo ..." (Bryn, Jones) – 3:05 #"I Say Nothing" (Bryn, Jones) – 3:24 #"I Think I Love You" (Don Was ...
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Voice Of The Beehive
Voice of the Beehive are an Anglo-American alternative pop rock band formed in London in 1986. The group featured Californian lead vocalist sisters Tracey Bryn and Melissa Brooke Belland (daughters of The Four Preps singer Bruce Belland). They teamed with British musicians Mike Jones, Martin Brett, Mark Bedford and Daniel Woodgate, the latter two of whom were former members of Madness. Bedford left after making formative contributions to the band and did not feature again, while Woodgate stayed for most of the band's main period of activity. The band took their name from the Greek meaning of the name Melissa, meaning honey bee. Career The band had five Top 40 singles from two albums in the UK. Their biggest commercial success came with the singles "I Say Nothing", "Don't Call Me Baby", "Monsters and Angels" and "I Think I Love You", taken from albums ''Let It Bee'' and '' Honey Lingers''. '' Sex & Misery'', a third album, was released in 1996; by this point sisters Tracey ...
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Alternative Rock
Alternative rock, or alt-rock, is a category of rock music that emerged from the independent music underground of the 1970s and became widely popular in the 1990s. "Alternative" refers to the genre's distinction from Popular culture, mainstream or commercial rock or pop music. The term's original meaning was broader, referring to musicians influenced by the musical style or independent, DIY ethic, DIY ethos of late-1970s punk rock.di Perna, Alan. "Brave Noise—The History of Alternative Rock Guitar". ''Guitar World''. December 1995. Traditionally, alternative rock varied in terms of its sound, social context, and regional roots. Throughout the 1980s, magazines and zines, college radio airplay, and word of mouth had increased the prominence and highlighted the diversity of alternative rock's distinct styles (and music scenes), such as noise pop, indie rock, grunge, and shoegaze. In September 1988, Billboard (magazine), ''Billboard'' introduced "alternative" into their charting ...
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Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ...
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Marvin Etzioni
Marvin Elan Etzioni is an American singer, mandolinist, bassist, and record producer. Also known as the Mandolin Man, Etzioni is best known as a founder of, and bassist for, the band Lone Justice. He is a noted record producer and has released three solo albums. Biography Early years Etzioni grew up in Brooklyn, then moved to Los Angeles. His grandfather sparked an early interest in country music by compiling mix tapes, and gifting Etzioni a mandolin at age eight. In high school, Etzioni sang and played drums in the band Prudence Goodbody. In 1976, Etzioni led the band Model, who shared stages with the Plimsouls and the Motels. Model recorded with producers Chuck Plotkin and Richard Baskin, but nothing was officially released. Then in 1980 Etzioni began performed solo acoustic gigs in Los Angeles. Lone Justice In 1982, Etzioni met Ryan Hedgecock, who shared his love for country and roots music. Hedgecock was already performing with Maria McKee. Hedgecock and McKee asked Etzioni ...
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Hugh Jones (producer)
Hugh Jones is a British record producer with many important post-punk, new wave and alternative rock albums to his credit. Career In the early 1970s, Jones worked as an apprentice engineer in IBC Studios in Central London, while acting as lead singer in the band Mistral. He made his name in the early 1980s, with a jangly sound that was better received than those of many of his contemporaries. Though many of his early clients were big-name acts— Echo & the Bunnymen,Adams, Chris (2002) ''Turquoise Days: The Weird World of Echo and The Bunnymen'', Soft Skull Press, , p. 61 The Sound, Modern English,99 Best Love Songs of All Time
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Alan Tarney
Alan Tarney (born 19 November 1945) is an English record producer and musician. He was born in Northside, Workington, Cumberland, but spent his teenage years in Adelaide, Australia, where he met his songwriting and musical partner Trevor Spencer. He is best known for his association with Cliff Richard and producing "Take On Me" by a-ha. Career Musician Tarney was part of the influx of British migrants who settled in Adelaide during the height of the 1960s pop music boom. His first major group in Australia was James Taylor Move, a four-piece outfit regarded as one of Australia's first psychedelic rock bands; the original line-up in 1967 comprised Tarney on bass, his longtime collaborator Trevor Spencer on drums, Kevin Peek on lead guitar and Robert (R.J.) Taylor on vocals. Both the James Taylor Move and their rising-star contemporaries the Twilights were formed by various members of two earlier Adelaide bands, Johnny Broome and the Handels, and the Hurricanes. James Taylor Move ...
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Don Was
Don Edward Fagenson (born September 13, 1952), known professionally as Don Was, is an American musician, record producer and record executive. Primarily a bass player, Was co-founded the funk-rock band Was (Not Was). In later years he produced songs and albums for many popular recording artists including, since 1994, The Rolling Stones. In 2012, he became president of jazz music label Blue Note Records. Life and career Born in Detroit, Michigan, United States, Was graduated from Oak Park High School in the Detroit suburb of Oak Park, then attended the University of Michigan at Ann Arbor but dropped out after the first year. A journeyman musician, he grew up listening to the Detroit blues sound and the jazz music of John Coltrane and Miles Davis, amongst many others. As a teenager, Was took further influence from 1960s counterculture, most notably John Sinclair. In high school, Was became the lead singer and guitar player in a Detroit rock band called the Saturns. The first r ...
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Honey Lingers
''Honey Lingers'' is the second album by Anglo-American alternative rock band Voice of the Beehive. Released in 1991 on London Records, the album earned positive reviews from music critics and was a success on U.S. college radio stations. The album peaked at 17 in the UK upon its debut on 24 August 1991, and No. 68 in Australia in July 1992. The first single, "Monsters and Angels", became the band's first entry on the U.S. ''Billboard'' Hot 100, peaking at No. 74. It also was the band's second top-twenty single in the UK Singles Chart, peaking at No. 17. "Monsters and Angels" peaked at No. 72 on the Australian ARIA singles chart, and was their sole top-ten single on the U.S. Modern Rock Tracks chart, peaking at number eight. The title of the album is a play on the words of the sexual act of cunnilingus. The album includes a cover version of The Partridge Family's "I Think I Love You", which became their biggest hit in Australia, peaking at No. 12. The album was certified sil ...
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Sex & Misery
''Sex & Misery'' is the third studio album from UK-based alternative rock band Voice of the Beehive, which consisted at that point of founding members Melissa Brooke Belland and Tracey Bryn. Its production and release delayed due to personal and professional difficulties, the album was first distributed by East West Records in early 1996, almost five years after their previous studio effort, ''Honey Lingers''. With just two of four released singles barely breaking onto the charts, the album was considered a critical and commercial disappointment and proved to be Voice of the Beehive's final recording. None of the tracks from ''Sex & Misery'' appear on the group's ''Best Of'' compilation, issued the following year by their original label, London Records. Album history The working title ''Disastrous Relationships, Disillusionment, Depression & Death'' serves for a concise description of the turbulent circumstances under which Voice of the Beehive composed ''Sex & Misery''. In th ...
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Compilation Album
A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several Performing arts#Performers, performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If from several performers, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology. Content and scope Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may ...
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Alternative Rock
Alternative rock, or alt-rock, is a category of rock music that emerged from the independent music underground of the 1970s and became widely popular in the 1990s. "Alternative" refers to the genre's distinction from Popular culture, mainstream or commercial rock or pop music. The term's original meaning was broader, referring to musicians influenced by the musical style or independent, DIY ethic, DIY ethos of late-1970s punk rock.di Perna, Alan. "Brave Noise—The History of Alternative Rock Guitar". ''Guitar World''. December 1995. Traditionally, alternative rock varied in terms of its sound, social context, and regional roots. Throughout the 1980s, magazines and zines, college radio airplay, and word of mouth had increased the prominence and highlighted the diversity of alternative rock's distinct styles (and music scenes), such as noise pop, indie rock, grunge, and shoegaze. In September 1988, Billboard (magazine), ''Billboard'' introduced "alternative" into their charting ...
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Let It Bee
''Let It Bee'' is the debut album by alternative rock band Voice of the Beehive. Released in 1988 on London Records, the album earned positive reviews from music critics and was a success on U.S. college radio stations. In the UK, the album reached #13 on the albums chart in its debut week ending 2 July 1988. The album peaked at #53 in Australia on the ARIA albums chart, and #40 in New Zealand. The group had their first top 40 hit single in the UK with "Don't Call Me Baby" from the album, which reached #15. ''Let It Bee'' contained two bonus tracks on the U.S. edition (they were not listed on the CD cover, but were listed within the text on the disc). Track listing #"The Beat of Love" (Tracey Bryn, Brad Nack, temptation rap by Melissa Brooke) – 4:08 #"Sorrow Floats" (Bryn) – 4:23 #"Don't Call Me Baby" (Bryn, Mike Jones) – 3:11 #"Man in the Moon" (Bryn, Brooke) – 3:16 #"What You Have Is Enough" (Bryn) – 2:38 #"Oh Love" (Brooke, Jones) – 2:59 #"I Walk the Earth" (Nac ...
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