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A Pistol Shot (1942 Film)
''A Pistol Shot'' (Italian: ''Un colpo di pistola'') is a 1942 Italian historical drama film directed by Renato Castellani and starring Assia Noris, Fosco Giachetti, and Antonio Centa.Gundle p.170 The film was shot at the Palatino Studios in Rome with sets designed by the art director Gino Brosio. It belongs to the movies of the calligrafismo style. Synopsis In Nineteenth century Russia, two men fight a duel over a woman. Partial cast * Assia Noris as Mascia *Fosco Giachetti as Andrea *Antonio Centa as Sergio *Rubi Dalma as zia di Mascia *Anna Capodaglio as la governante *Renato Cialente as Gerardo De Valmont *Mimì Dugini as Antonietta *Romolo Costa as Il Generale *Saro Urzì Rosario "Saro" Urzì (24 February 1913 – 1 November 1979) was an Italian actor. He is best known for his roles in the films '' In the Name of the Law'' (1949), ''The Railroad Man'' (1956), '' Seduced and Abandoned'' (1964), which earned him a ... as Uno Dei Servitori Alla Scampagnata References ...
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Renato Castellani
Renato Castellani (4 September 1913 in Varigotti, Liguria – 28 December 1985 in Rome) was an Italian film director and screenwriter. Early life Son of a representative of Kodak, he was born in Varigotti, a hamlet at the time of Final Pia, which became Finale Ligure (Savona) in 1927, where his mother had returned from Argentina to give birth to his son. He spent his childhood in Argentina, in the city of Rosario. After 12 years, he returned to Liguria and resumed his studies in Genoa. He moved to Milan, where he graduated from the Polytechnic University in architecture. In Milan he met Livio Castiglioni and together they aired for GUF (Fascist University Group) ''L'ora radiofonica'' and ''La fontana malata'' by Aldo Palazzeschi, experimenting with new techniques for sound editing on radio. Career He began collaborating in 1936 as a military consultant for '' The Great Appeal'', a film by Mario Camerini. He worked as a film critic and worked - as a screenwriter or assistan ...
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Palatino Studios
The Safa Palatino Studios are a complex of film and television studios in the Italian capital Rome. It is owned by Mediaset, who use it for the production of television programmes. Historically, the site was used as a film studio from the 1930s to the 1970s. Although smaller than the better-known Cinecittà, a significant number of films were made there including ''Bicycle Thieves'' (1948).Gordon p.112 In 1983 the studios were bought by Silvio Berlusconi Silvio Berlusconi ( ; ; born 29 September 1936) is an Italian media tycoon and politician who served as Prime Minister of Italy in four governments from 1994 to 1995, 2001 to 2006 and 2008 to 2011. He was a member of the Chamber of Deputies .... Bibliography * Gordon, Robert. ''Bicycle Thieves''. British Film Institute, 2008. * Kezich, Tullio. ''Federico Fellini: His Life and Work''. I.B.Tauris, 2007. References Bibliography * Gordon, Robert. ''Bicycle Thieves''. British Film Institute, 2008. * Kezich, Tullio. ''Federi ...
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Italian Historical Drama Films
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in ...
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1942 Films
Year 194 ( CXCIV) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Septimius and Septimius (or, less frequently, year 947 ''Ab urbe condita''). The denomination 194 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Septimius Severus and Decimus Clodius Septimius Albinus Caesar become Roman Consuls. * Battle of Issus The Battle of Issus (also Issos) occurred in southern Anatolia, on November 5, 333 BC between the Hellenic League led by Alexander the Great and the Achaemenid Empire, led by Darius III. It was the second great battle of Alexander's conquest of ...: Septimius Severus marches with his army (12 Roman legion, legions) to Cilicia, and defeats Pescennius Niger, Roman governor of Syria. Pescennius retreats to An ...
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Saro Urzì
Rosario "Saro" Urzì (24 February 1913 – 1 November 1979) was an Italian actor. He is best known for his roles in the films '' In the Name of the Law'' (1949), ''The Railroad Man'' (1956), '' Seduced and Abandoned'' (1964), which earned him a Cannes Film Festival Award for Best Actor, and ''The Godfather'' (1972). Biography Born in Sicily, he moved to Rome to seek his fortune. He met Pietro Germi in 1949 and appears in Germi's '' In nome della legge'', a film for which he won Nastro d'Argento as Best Supporting Actor. He became Germi's favourite actor, working together with him in ''Path of Hope'' (1950), ''The Railroad Man'' (1956), '' The Facts of Murder'' (1959), ''Alfredo, Alfredo'' (1972) and most notably '' Seduced and Abandoned'' in 1964. That film earned him Best Actor awards at the Cannes Film Festival and the Nastro d'Argento the following year. He acted in ''Don Camillo'' sequels, John Huston's '' Beat the Devil'', Luigi Comencini's ''Bread, Love and Jealousy' ...
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Romolo Costa
Romolo Costa (26 February 1897 - 1 January 1965) was an Italian actor and voice actor. Biography Costa appeared in more than seventy films and television series between 1934 and 1964 and he was a character actor who generally appeared in supporting roles. Occasionally he played a more prominent role as in '' Il destino in tasca''.Goble p.88 He also worked extensively as a voice actor, dubbing foreign films for release in Italy. He served as a substitute for Emilio Cigoli as the Italian voice of Gary Cooper. Selected filmography * ''Pergolesi'' (1932) * ''Steel'' (1933) * ''Together in the Dark'' (1933) * ''Loyalty of Love'' (1934) * '' Like the Leaves'' (1935) * ''Aldebaran'' (1935) * ''The Joker King'' (1935) * ''Bayonet'' (1936) * '' The Ambassador'' (1936) * ''I've Lost My Husband!'' (1937) * ''Il signor Max'' (1937) * '' Doctor Antonio'' (1937) * '' Il destino in tasca'' (1938) * ''They've Kidnapped a Man'' (1938) * ''The Two Mothers'' (1938) * '' Departure'' (1938) * ''The K ...
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Mimì Dugini
Mimi or MIMI may refer to: People * Mimi (given name), a list of people and fictional characters * Constantin Mimi (1868–1935), Bessarabian politician and winemaker * Mimi (footballer, born 1996), Bissau Guinean footballer * Mohanad Ali (born 2000), Iraqi footballer commonly known as Mimi * Mariah Carey (born 1969), with the personal nickname "Mimi" used in some of her albums * Mimí (born 1962), Mexican singer Places * Mimi, Nepal, a village and municipality * Mimi, New Zealand, a locality in Taranaki, New Zealand * Mimi River (other) * Mimi Islet, part of the Bourke Isles between Australia and New Guinea * Mimi Temple, a temple in China * 1127 Mimi, an asteroid Arts and entertainment * "Mimi" (song), a popular song by Rodgers and Hart * ''Mimi'' (1935 film), a 1935 British film * ''Mimi'' (2021 Hindi film), a 2021 Indian comedy-drama film * ''Mimi'' (2021 Nigerian film), a 2021 Nigerian film * ''Un dramma borghese'' or ''Mimi'', a 1979 Italian film * ''Mimi'' ...
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Renato Cialente
Renato Cialente (2 February 1897 – 25 November 1943) was an Italian stage and film actor. He appeared in 40 films between 1920 and 1943. His younger sister Fausta Cialente (1898-1994) was a novelist, journalist and political activist. Life and career Born in Treviglio, Lombardy, Cialente began acting at his boarding school and made his professional debut with the stage company of Ermete Zacconi. After having known the Russian actress Tatyana Pavlova he was among the first Italian actors to adopt the Stanislavski's system, and in the 1920s he started being considered a highly regarded actor by renowned dramatists such as Luigi Pirandello and Pier Maria Rosso di San Secondo. In 1934 he formed a stage company with Elsa Merlini and gradually focused in the comedy genre. Also active in cinema, Cialente tragically died in 1943 in Nazi occupied Rome, when upon leaving the theatre where he had performed Maxim Gorky's ''The Lower Depths'' he was accidentally struck by a Germ ...
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Anna Capodaglio
Anna Capodaglio (pseudonym of Anna Adele Alberta Gramatica; 19 September 1879 – 29 June 1961) was an Italian actress. She appeared in more than twenty films from 1936 to 1945. Her sisters Emma Gramatica and Irma Gramatica were both actresses. The actress Wanda Capodaglio Wanda Capodaglio (1 January 1889 – 30 August 1980) was an Italian film actress. She appeared in 30 films between 1914 and 1970. Her brother Ruggero was married to actress Anna Capodaglio (the stage name of Anna Adele Alberta Gramatica) who ... was her sister-in-law (the sister of her husband Ruggero Capodaglio). Selected filmography References External links * 1879 births 1961 deaths Italian film actresses {{Italy-film-actor-stub ...
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Duel
A duel is an arranged engagement in combat between two people, with matched weapons, in accordance with agreed-upon Code duello, rules. During the 17th and 18th centuries (and earlier), duels were mostly single combats fought with swords (the rapier and later the small sword), but beginning in the late 18th century in England, duels were more commonly fought using pistols. Fencing and shooting continued to co-exist throughout the 19th century. The duel was based on a Code of conduct, code of honor. Duels were fought not so much to kill the opponent as to gain "satisfaction", that is, to restore one's honor by demonstrating a willingness to risk one's life for it, and as such the tradition of dueling was originally reserved for the male members of nobility; however, in the modern era, it extended to those of the upper classes generally. On occasion, duels with swords or pistols were fought between women. Legislation against dueling goes back to the medieval period. The Fourth Co ...
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Russian Empire
The Russian Empire was an empire and the final period of the Russian monarchy from 1721 to 1917, ruling across large parts of Eurasia. It succeeded the Tsardom of Russia following the Treaty of Nystad, which ended the Great Northern War. The rise of the Russian Empire coincided with the decline of neighbouring rival powers: the Swedish Empire, the Polish–Lithuanian Commonwealth, Qajar Iran, the Ottoman Empire, and Qing China. It also held colonies in North America between 1799 and 1867. Covering an area of approximately , it remains the third-largest empire in history, surpassed only by the British Empire and the Mongol Empire; it ruled over a population of 125.6 million people per the 1897 Russian census, which was the only census carried out during the entire imperial period. Owing to its geographic extent across three continents at its peak, it featured great ethnic, linguistic, religious, and economic diversity. From the 10th–17th centuries, the land ...
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Calligrafismo
Calligrafismo (, "caligraphism") is an Italian style of filmmaking relating to some films made in Italy in the first half of the 1940s and endowed with an expressive complexity that isolates them from the general context. Calligrafismo is in a sharp contrast to Telefoni Bianchi-American style comedies and is rather Imitation (art), artistic, highly Formalism (art), formalistic, Expressionism, expressive in complexity and deals mainly with contemporary literary material, above all the pieces of Italian Realism (arts), realism from authors like Corrado Alvaro, Ennio Flaiano, Emilio Cecchi, Francesco Pasinetti, Vitaliano Brancati, Mario Bonfantini and Umberto Barbaro. Main characteristics The dominant feature in this heterogeneous corpus of films is the desire to compete with cinema on a European level by affirming the expressive autonomy of cinema with respect to the other arts and, at the same time, the possibility of comparing it on an equal footing with them through a style ...
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