|
A Night At The Village Vanguard
''A Night at the Village Vanguard'' is a live album by tenor saxophonist Sonny Rollins released on Blue Note Records in 1958. It was recorded at the Village Vanguard in New York City in November 1957 from three sets, two in the evening and one in the afternoon with different sidemen. For the afternoon set, Rollins played with Donald Bailey on bass and Pete LaRoca on drums; in the evening they were replaced respectively by Wilbur Ware and Elvin Jones. Recording The recording was made by Rudy Van Gelder, and was the first live recording made at the Village Vanguard. Reception The AllMusic review by Scott Yanow states: "This CD is often magical. Sonny Rollins, one of jazz's great tenors, is heard at his peak... Not only did Rollins have a very distinctive sound, but his use of time, his sly wit, and his boppish but unpredictable style were completely his own by 1957." Music critic Robert Christgau highly praised the album, writing: "Rollins is charged with venturing far out from th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonny Rollins
Walter Theodore "Sonny" Rollins (born September 7, 1930) is an American jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians. In a seven-decade career, he has recorded over sixty albums as a leader. A number of his compositions, including " St. Thomas", " Oleo", " Doxy", "Pent-Up House", and "Airegin", have become jazz standards. Rollins has been called "the greatest living improviser" and the "Saxophone Colossus". Early life Rollins was born in New York City to parents from the United States Virgin Islands. The youngest of three siblings, he grew up in central Harlem and on Sugar Hill, receiving his first alto saxophone at the age of seven or eight. He attended Edward W. Stitt Junior High School and graduated from Benjamin Franklin High School in East Harlem. Rollins started as a pianist, changed to alto saxophone, and finally switched to tenor in 1946. During his high school years, he played in a band with other fu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Gui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ira Gershwin
Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as " I Got Rhythm", " Embraceable You", " The Man I Love" and " Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera ''Porgy and Bess''. The success the Gershwin brothers had with their collaborative works has often overshadowed the creative role that Ira played. His mastery of songwriting continued after George's early death in 1937. Ira wrote additional hit songs with composers Jerome Kern, Kurt Weill, Harry Warren and Harold Arlen. His critically acclaimed 1959 book ''Lyrics on Several Occasions'', an amalgam of autobiography and annotated anthology, is an important source for studyin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Can't Get Started
"I Can't Get Started", also known as "I Can't Get Started with You" or "I Can't Get Started (with You)", is a popular song. It was written in 1936 by Vernon Duke (music) and Ira Gershwin (lyrics) and introduced that year in the film '' Ziegfeld Follies of 1936'', where it was performed by Bob Hope and Eve Arden. Hal Kemp and his Orchestra recorded it and it had a bit of popularity, rising briefly to 14th place on the recording charts. Bunny Berigan's 1937 version was inducted into the Grammy Hall of Fame. Recordings Ira Gershwin noted in 1959 that "The sheet-music sale of the song never amounted to much... but an early recording by Bunny Berigan—considered by jazz devotees a sort of classic in its field—may have been a challenge (or incentive) for the great number of recordings that have followed. Not a year has gone by, in the past fifteen or so, that up to a dozen or more new recordings haven't been issued." Bunny Berigan Bunny Berigan, a trumpeter with Benny Goodman and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Night In Tunisia
"A Night in Tunisia" is a musical composition written by Dizzy Gillespie around 1940–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard. It is also known as "Interlude", and with lyrics by Raymond Leveen was recorded by Sarah Vaughan in 1944. Composition Gillespie called the tune "Interlude" and said "some genius decided to call it 'Night in Tunisia'". He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. "A Night in Tunisia" was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame. On the album ''A Night at Birdland Vol. 1'', Art Blakey introduced his 1954 cover version with this statement: "At this time we'd like to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sigmund Romberg
Sigmund Romberg (July 29, 1887 – November 9, 1951) was a Hungarian-born American composer. He is best known for his musicals and operettas, particularly '' The Student Prince'' (1924), '' The Desert Song'' (1926) and '' The New Moon'' (1928). Early in his career, Romberg was employed by the Shubert brothers to write music for their musicals and revues, including several vehicles for Al Jolson. For the Shuberts, he also adapted several European operettas for American audiences, including the successful '' Maytime'' (1917) and '' Blossom Time'' (1921). His three hit operettas of the mid-1920s, named above, are in the style of Viennese operetta, but his other works from that time mostly employ the style of American musicals of their eras. He also composed film scores. Biography Romberg was born in Hungary as Siegmund Rosenberg to a Jewish [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Hammerstein II
Oscar Greeley Clendenning Hammerstein II (; July 12, 1895 – August 23, 1960) was an American lyricist, librettist, theatrical producer, and (usually uncredited) director in the musical theater for almost 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs. He is best known for his collaborations with composer Richard Rodgers, as the duo Rodgers and Hammerstein, whose musicals include '' Oklahoma!'', '' Carousel'', ''South Pacific'', '' The King and I'', and '' The Sound of Music''. Described by Stephen Sondheim as an "experimental playwright", Hammerstein helped bring the American musical to new maturity by popularizing musicals that focused on stories and character rather than the lighthearted entertainment that the musical had been known for beforehand. He also collaborated with Jerome Kern (with whom he wrote '' Show Boat''), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burton Lane
Burton Lane ( Levy; February 2, 1912 – January 5, 1997) was an American composer and lyricist primarily known for his theatre and film scores. His most popular and successful works include ''Finian's Rainbow'' in 1947 and '' On a Clear Day You Can See Forever'' in 1965. Biography He was born Burton Levy, in New York City; his father was Lazarus Levy. At some later time he became known as Burton Lane. One source erroneously gives his birth name as "Morris Hyman Kushner". Burton Lane studied classical piano as a child. At age 14 the theatrical producers the Shuberts commissioned him to write songs for a revue, ''Greenwich Village Follies''. At the age of 18, he contributed the music for at least two songs for the revue, '' Three's A Crowd'': "Forget All Your Books" and "Out in the Open Air." He was known for his Broadway musicals, ''Finian's Rainbow'' (1947) and '' On a Clear Day You Can See Forever'' (1965). He also wrote the music for the less remembered Broadway shows, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Devil Moon
"Old Devil Moon" is a popular song composed by Burton Lane, with lyrics by Yip Harburg for the 1947 musical ''Finian's Rainbow''. It was introduced by Ella Logan and Donald Richards in the Broadway show. The song takes its title from a phrase in "Fun to Be Fooled", a song that Harburg wrote with Harold Arlen and Ira Gershwin for the 1934 musical '' Life Begins at 8:40''. In the 1968 film version, the song was performed by Don Francks and Petula Clark. Notable recordings *Margaret Whiting - her single release reached the No. 11 spot in the ''Billboard'' charts in 1947. * Gene Krupa and His Orchestra (vocal by Carolyn Grey) - this also reached the ''Billboard'' charts briefly in 1947 in the No. 21 position. *Miles Davis – ''Blue Haze'' (1954) *Sarah Vaughan - a single release (1954). *Mickey Baker (1955) * Jack Pleis, His Piano, Orchestra and Chorus – ''Broadway Goes Hollywood'' (1955) *Bob Dorough - ''Devil May Care'' (1956) *Frank Sinatra - '' Songs for Swingin' Lovers' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rolling Stone Jazz Record Guide
''The Rolling Stone Album Guide'', previously known as ''The Rolling Stone Record Guide'', is a book that contains professional music reviews written and edited by staff members from ''Rolling Stone'' magazine. Its first edition was published in 1979 and its last in 2004. The guide can be seen at Rate Your Music, while a list of albums given a five star rating by the guide can be seen at Rocklist.net. First edition (1979) ''The Rolling Stone Record Guide'' was the first edition of what would later become ''The Rolling Stone Album Guide''. It was edited by Dave Marsh (who wrote a large majority of the reviews) and John Swenson, and included contributions from 34 other music critics. It is divided into sections by musical genre and then lists artists alphabetically within their respective genres. Albums are also listed alphabetically by artist although some of the artists have their careers divided into chronological periods. Dave Marsh, in his Introduction, cites as precedents Leo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
