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A New Way To Pay Old Debts
''A New Way to Pay Old Debts'' (c. 1625, printed 1633) is an English Renaissance theatre, English Renaissance drama, the most popular play by Philip Massinger. Its central character, Sir Giles Over-reach, became one of the more popular villains on English and American stages through the 19th century. Performance Massinger probably wrote the play in 1625, though its debut on stage was delayed a year as the theatres were closed due to bubonic plague. In its own era it was staged by Queen Henrietta's Men at the Cockpit Theatre in Drury Lane. It was continuously in the repertory there and at the Red Bull Theatre, under the managements of Christopher Beeston, William Beeston, and Sir William Davenant, down to the closing of the theatres at the start of the English Civil War in 1642. Though Massinger's play shows obvious debts to Thomas Middleton's ''A Trick to Catch the Old One'' (c. 1605), it transcends mere imitation to achieve a powerful dramatic effectiveness – verified by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmund Kean
Edmund Kean (4 November 178715 May 1833) was a celebrated British Shakespearean stage actor born in England, who performed, among other places, in London, Belfast, New York, Quebec, and Paris. He was known for his short stature, tumultuous personal life, and controversial divorce. Biography Early life Kean was born in Westminster, London. His father was probably Edmund Kean, an architect's clerk, and his mother was an actress, Anne Carey, daughter of the 18th-century composer and playwright Henry Carey. Kean made his first appearance on the stage, aged four, as Cupid in Jean-Georges Noverre's ballet of ''Cymon''. As a child his vivacity, cleverness and ready affection made him a universal favorite, but his harsh circumstances and lack of discipline, both helped develop self-reliance and fostered wayward tendencies. About 1794 a few benevolent persons paid for him to go to school, where he did well; but finding the restraint intolerable, he shipped as a cabin boy at Po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Shakespeare Company
The Royal Shakespeare Company (RSC) is a major British theatre company, based in Stratford-upon-Avon, Warwickshire, England. The company employs over 1,000 staff and produces around 20 productions a year. The RSC plays regularly in London, Stratford-upon-Avon, and on tour across the UK and internationally. The company's home is in Stratford-upon-Avon, where it has redeveloped its Royal Shakespeare and Swan theatres as part of a £112.8-million "Transformation" project. The theatres re-opened in November 2010, having closed in 2007. The new buildings attracted 18,000 visitors within the first week and received a positive media response both upon opening, and following the first full Shakespeare performances. Performances in Stratford-upon-Avon continued throughout the Transformation project at the temporary Courtyard Theatre. As well as the plays of Shakespeare and his contemporaries, the RSC produces new work from living artists and develops creative links with theatre-make ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamburlaine
''Tamburlaine the Great'' is a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor Timur (Tamerlane/Timur the Lame, d. 1405). Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's ''The Spanish Tragedy'', it may be considered the first popular success of London's public stage. Marlowe, generally considered the best of that group of writers known as the University Wits, influenced playwrights well into the Jacobean period, and echoes of the bombast and ambition of ''Tamburlaine''s language can be found in English plays all the way to the Puritan closing of the theatres in 1642. While ''Tamburlaine'' is considered inferior to the great tragedies of the late-Elizabethan and early-Jacobean ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christopher Marlowe
Christopher Marlowe, also known as Kit Marlowe (; baptised 26 February 156430 May 1593), was an English playwright, poet and translator of the Elizabethan era. Marlowe is among the most famous of the Elizabethan playwrights. Based upon the "many imitations" of his play ''Tamburlaine,'' modern scholars consider him to have been the foremost dramatist in London in the years just before his mysterious early death. Some scholars also believe that he greatly influenced William Shakespeare, who was baptised in the same year as Marlowe and later succeeded him as the pre-eminent Elizabethan playwright. Marlowe was the first to achieve critical reputation for his use of blank verse, which became the standard for the era. His plays are distinguished by their overreaching protagonists. Themes found within Marlowe's literary works have been noted as humanistic with realistic emotions, which some scholars find difficult to reconcile with Marlowe's "anti-intellectualism" and his caterin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morality Play
The morality play is a genre of medieval and early Tudor drama. The term is used by scholars of literary and dramatic history to refer to a genre of play texts from the fourteenth through sixteenth centuries that feature personified concepts (most often virtues and vices, but sometimes practices or habits) alongside angels and demons, who are engaged in a struggle to persuade a protagonist who represents a generic human character toward either good or evil. The common story arc of these plays follows "the temptation, fall and redemption of the protagonist."King, Pamela M. "Morality Plays." In ''The Cambridge Companion to Medieval English Theatre'', edited by Richard Beadle and Alan J. Fletcher. 2nd ed. Cambridge University Press, Cambridge, 2008: 235-262, at 235. English morality plays Hildegard von Bingen's ''Ordo Virtutum'' (English: "Order of the Virtues"), composed c. 1151 in Germany, is the earliest known morality play by more than a century, and the only medieval musica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (arts)
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The Realist painters rejected Romanticism, which had come to dominate Fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comedy Of Manners
In English literature, the term comedy of manners (also anti-sentimental comedy) describes a genre of realistic, satirical comedy of the Restoration period (1660–1710) that questions and comments upon the manners and social conventions of a greatly sophisticated, artificial society. The satire of fashion, manners, and outlook on life of the social classes, is realised with stock characters, such as the braggart soldier of Ancient Greek comedy, and the fop and the rake of English Restoration comedy.George Henry Nettleton, Arthu''British dramatists from Dryden to Sheridan''p.149 The clever plot of a comedy of manners (usually a scandal) is secondary to the social commentary thematically presented through the witty dialogue of the characters, e.g. ''The Importance of Being Earnest'' (1895), by Oscar Wilde, which satirises the sexual hypocrisies of Victorian morality. The comedy-of-manners genre originated in the New Comedy period (325–260 BC) of Classical Greece (510–323 BC ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodrama
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill stereotypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented. In scholarly and historical musical contexts, ''melodramas'' are Victorian dramas in which orchestral music or song was used to accompany the action. The term is now also applied to stage performances without incidental music, novels, films, tel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord Chamberlain
The Lord Chamberlain of the Household is the most senior officer of the Royal Household of the United Kingdom, supervising the departments which support and provide advice to the Sovereign of the United Kingdom while also acting as the main channel of communication between the Sovereign and the House of Lords. The office organises all ceremonial activity such as garden parties, state visits, royal weddings, and the State Opening of Parliament. They also handle the Royal Mews and Royal Travel, as well as the ceremony around the awarding of honours. For over 230 years, the Lord Chamberlain had the power to decide which plays would be granted a licence for performance. From 1737 to 1968, this meant that the Lord Chamberlain had the capacity to censor theatre at his pleasure. The Lord Chamberlain is always sworn of the Privy Council, is usually a peer and before 1782 the post was of Cabinet rank. The position was a political one until 1924. The office dates from the Middle Ages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Herbert, 4th Earl Of Pembroke
Philip Herbert, 4th Earl of Pembroke and 1st Earl of Montgomery, (10 October 158423 January 1650) was an English courtier, nobleman, and politician active during the reigns of James I and Charles I. Philip and his older brother William were the 'incomparable pair of brethren' to whom the First Folio of Shakespeare's collected works was dedicated in 1623. Early life, 1584–1603 Born at Wilton House, he was the son of Henry Herbert, 2nd Earl of Pembroke, and his third wife, Mary Sidney, sister of Sir Philip Sidney the poet, after whom he was named. In 1593, at age 9, Philip was sent to study at New College, Oxford, but left after a few months. Favourite of James I, 1603–1625 In 1600 the 16-year-old Philip made his first appearance at court. On the accession of James I in 1603 he soon caught the king's eye. According to Edward Hyde, 1st Earl of Clarendon, and John Aubrey, Philip's major interests at the time were hunting and hawking and it was in these fields that he first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avener
A stable master or head groom is the manager in charge of a stable. At large horse establishments there may be several grooms under the management of the stable master. In a professional establishment the head groom usually has complete responsibility for the horses including devising training schedules, choosing feeds for optimum nutrition and ensuring the horses are shod, wormed, inoculated and provided with timely veterinary care. Historically, one kind of stable master was an avener (), or avenor, the chief officer of the stables of a king, and the officer in charge of obtaining positions for horses belonging to the king. The Latin version of the word was ''avenarius'', from the Latin ''avena'', meaning "oats" or "straw". The avenar was under the watch of the Master of the Horse, and in his duties administered the oaths of office to all other stable officials. He was also in charge of stable expense accounts and payroll. An avenary, related to an avener, was the largest departm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Dormer, 1st Earl Of Carnarvon
Sir Robert Dormer of Wing, 2nd Baronet, 1st Earl of Carnarvon, 1st Viscount Ascott, 2nd Baron Dormer of Wing r Wenge'' (c. 1610 – 20 September 1643) was an English peer. He was the son of Sir William Dormer, and thus a grandson of Robert Dormer, 1st Baron Dormer. His mother was Alice Molyneux, daughter of Sir Richard Molyneux, 1st Baronet, and Frances Gerard. Dormer received the title Baron Dormer at the age of six and on 2 August 1628, at age 18, he was raised to Viscount Ascott and was created Earl of Carnarvon. Early life At age six, Dormer was left a ward to the King. His father had left him a rich peer at an early age. The King then sold Dormer's wardship to Philip Herbert, then Earl of Montgomery, for £4000. Dormer had been brought up as a Catholic and would become a high-living Catholic courtier, in danger, infuriating to hard-line Parliamentarians. He was educated at Eton College and the University of Oxford. He was, according to the seventeenth-century biographer D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
