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A Month In The Country (play)
''A Month in the Country'' (russian: Месяц в деревне, translit=Mesiats v derevne, links=no) is a play in five acts by Ivan Turgenev, his only well-known work for the theatre. Originally titled ''The Student'', it was written in France between 1848 and 1850 and first published in 1855 as ''Two Women''. The play was not staged until 1872, when it was given as ''A Month in the Country'' at a benefit performance for the Moscow actress Ekaterina Vasilyeva (1829–1877), who was keen to play the leading role of Natalya Petrovna.Proscenium Publications programme note for the Yvonne Arnaud Theatre, Guildford revival (1994) Background Originally entitled ''The Student'', the play was banned by the Saint Petersburg censor without being performed. Turgenev changed the title to ''Two Women''. In 1854 it was passed for publication, provided alterations were made — demands made more on moral than political grounds. To play down the controversy, Turgenev finally settled on the na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konstantin Stanislavski
Konstantin Sergeyevich Stanislavski ( Alekseyev; russian: Константин Сергеевич Станиславский, p=kənstɐnʲˈtʲin sʲɪrˈgʲejɪvʲɪtɕ stənʲɪˈslafskʲɪj; 7 August 1938) was a seminal Russian Soviet Federative Socialist Republic, Soviet Russian theatre practitioner. He was widely recognized as an outstanding character actor and the many List of productions directed by Konstantin Stanislavski, productions that he directed garnered him a reputation as one of the leading theatre directors of his generation. His principal fame and influence, however, rests on Stanislavski's system, his "system" of actor training, preparation, and rehearsal technique. Stanislavski (his stage name) performed and directed as an Amateur theatre, amateur until the age of 33, when he co-founded the world-famous Moscow Art Theatre (MAT) company with Vladimir Nemirovich-Danchenko, following a legendary 18-hour discussion. Its influential tours of Europe (1906) and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Samarova
Maria Alexandrovna Samarova (russian: Мария Александровна Самарова, Grekova in marriage; 2 April 1852 – 31 May 1919) was a Moscow-born Russian and Soviet stage actress and reader in drama (later a costume salon owner), associated with the Moscow Art Theatre. An Ivan Samarin's drama class graduate, Samarova started acting at the Shakespearean and Art and Literature Societies. In 1898 she became a founder member of the original Stanislavski troupe and had in the MAT 21 parts, most of which she was the first performer of. Among her most acclaimed works were Volokhova (''Tsar Fyodor Ioannovich'' by Alexey K. Tolstoy), Aunt Julia (''Hedda Gabler'' by Henrik Ibsen), Marina (''Uncle Vanya'' by Anton Chekhov), Frau Vockerat (''Lonely People'', after ''Einsame Menschen'' by Gerhart Hauptmann), Bobylikha (''The Snow Maiden'' by Alexander Ostrovsky), Zankovskaya (''In Dreams'' by Vladimir Nemirovich-Danchenko), Anfisa ('' Three Sisters'' by Chekhov), Kvashnya (' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Kahn (theatre Director)
Michael Kahn is an American theater director and drama educator. He has, since 1986, been the artistic director of the Shakespeare Theatre Company in Washington, D.C. He retired from the Shakespeare Theatre in 2019. He held the position of Richard Rodgers Director of the Drama Division of the Juilliard School from 1992 to 2006.Greenya, JohnMichael Kahn Builds Harman Center for the Arts washingtonflyer.com, September/October 2007 After beginning his career off-off-Broadway in 1964, directing experimental theater and other works, including Shakespeare, Kahn had both notable failures and successes with Broadway projects, winning acclaim especially for productions of ''The Royal Family'' (1975–76) and ''Show Boat'' (1983). He joined the Juilliard School's faculty in 1968, becoming the head of its drama school. During his long tenure as artistic director of the Shakespeare Theatre Company, Kahn has overseen its growth, including initiating its Free For All productions. He has al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roundabout Theatre Company
The Roundabout Theatre Company is a leading non-profit theatre company based in Midtown Manhattan, New York City, affiliated with the League of Resident Theatres. History The company was founded in 1965 by Gene Feist, Michael Fried and Elizabeth Owens. Originally housed at a Chelsea, Manhattan, grocery store, on 26th Street, it moved to the nearby 23rd Street Theatre in 1972, performing there until their lease expired in 1984. The company now operates five theatres, all in Manhattan: the American Airlines Theatre (for classic Broadway plays and musicals); Studio 54 (for Broadway musicals and special events); the Stephen Sondheim Theatre (originally Henry Miller's Theatre, which was rebuilt in 2009 and incorporated the theater's original facade); the Laura Pels Theatre (for new off-Broadway works by established playwrights); and the Roundabout Underground Black Box Theatre (for new work of emerging writers and directors). The latter two theatres are located in the Harold and M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alla Nazimova
Alla Nazimova (Russian: Алла Назимова; born Marem-Ides Leventon, Russian: Марем-Идес Левентон; June 3 Old_Style_and_New_Style_dates">O.S._May_22.html" ;"title="Old_Style_and_New_Style_dates.html" ;"title="nowiki/>O.S._May_22">Old_Style_and_New_Style_dates.html"_;"title="nowiki/>Old_Style_and_New_Style_dates">O.S._May_22_1879_–_July_13,_1945)_was_a_Russian-American_actress,_director,_producer_and_screenwriter. On_ O.S._May_22">Old_Style_and_New_Style_dates.html"_;"title="nowiki/>Old_Style_and_New_Style_dates">O.S._May_22_1879_–_July_13,_1945)_was_a_Russian-American_actress,_director,_producer_and_screenwriter. On_Broadway_theatre">Broadway,_she_was_noted_for_her_work_in_the_classic_plays_of_O.S._May_22">Old_Style_and_New_Style_dates.html"_;"title="nowiki/>Old_Style_and_New_Style_dates">O.S._May_22_1879_–_July_13,_1945)_was_a_Russian-American_actress,_director,_producer_and_screenwriter. On_Broadway_theatre">Broadway,_she_was_noted_for_her_wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rouben Mamoulian
Rouben Zachary Mamoulian ( ; hy, Ռուբէն Մամուլեան; October 8, 1897 – December 4, 1987) was an American film and theatre director. Early life Mamoulian was born in Tiflis, Russian Empire, to a family of Armenian descent. His mother, Virginia (née Kalantarian), was a director of the Armenian theatre, and his father, Zachary Mamoulian, was a bank president.Luhrssen, David (2013)''Mamoulian: Life on Stage and Screen'' University Press of Kentucky. p. 8; Mamoulian moved to England and started directing plays in London in 1922. He was brought to the United States the next year by Vladimir Rosing to teach at the Eastman School of Music and was involved in directing opera and theatre. In 1925, Mamoulian was head of the School of Drama, where Martha Graham was working at the time. Among other performances, together they produced a short, two-color film titled ''The Flute of Krishna'', featuring Eastman students. Mamoulian left Eastman shortly after, and Graham ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanislavski's System
Stanislavski's system is a systematic approach to training actors that the Russian theatre practitioner Konstantin Stanislavski developed in the first half of the twentieth century. His system cultivates what he calls the "art of experiencing" (with which he contrasts the "art of representation").Benedetti (1999a, 201), Carnicke (2000, 17), and Stanislavski (1938, 16—36 "art of representation" corresponds to Mikhail Shchepkin's "actor of reason" and his "art of experiencing" corresponds to Shchepkin's "actor of feeling"; see Benedetti (1999a, 202). It mobilises the actor's conscious thought and will in order to activate other, less-controllable psychological processes—such as emotional experience and subconscious behaviour—sympathetically and indirectly. In rehearsal, the actor searches for inner motives to justify action and the definition of what the character seeks to achieve at any given moment (a "task"). Later, Stanislavski further elaborated the system with a more p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mstislav Dobuzhinsky
Mstislav Valerianovich Dobuzhinsky or Dobujinsky ( lt, Mstislavas Dobužinskis, August 14, 1875, Novgorod – November 20, 1957, New York City) was a Russian and Lithuanian artist noted for his cityscapes conveying the explosive growth and decay of the early twentieth-century city. Of noble Lithuanian extraction, Dobuzhinsky was born on August 14, 1875 in Novgorod into the family of an army officer. From 1885 to 1887, he attended the Drawing School of the Society for the Promotion of the Artists. Between 1895 and 1899, he read Law at the University of St. Petersburg, simultaneously studying in private studios. After graduating from the University, he was trained from 1899 to 1901 by Anton Ažbe in Munich and Simon Hollósy in Nagybánya (Austria-Hungary). In Munich, he came to be influenced by the Jugendstil. On his return to Russia, he joined the Mir Iskusstva, an artistic circle which idealized the 18th century as the "age of elegance". Dobuzhinsky was distinguished from other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mir Iskusstva
''Mir iskusstva'' ( rus, «Мир искусства», p=ˈmʲir ɪˈskustvə, ''World of Art'') was a Russian magazine and the artistic movement it inspired and embodied, which was a major influence on the Russians who helped revolutionize European art during the first decade of the 20th century. The magazine had limited circulation outside Russia. From 1909, several of the ''miriskusniki'' (i.e., members of the movement) also participated in productions of Sergei Diaghilev's Ballets Russes company based in Paris. Foundation The artistic group was founded in November 1898 by a group of students that included Alexandre Benois, Konstantin Somov, Dmitry Filosofov, Léon Bakst, and Eugene Lansere. The starting moments for the new artistic group was organization of the ''Exhibition of Russian and Finnish Artists'' in the Stieglitz Museum of Applied Arts in Saint-Petersburg. The magazine was co-founded in 1899 in St. Petersburg by Alexandre Benois, Léon Bakst, and Sergei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Gribunin
Vladimir Fyodorovich Gribunin (russian: Владимир Фёдорович Грибунин, in Kostroma Governorate, Russian Empire – 1 April 1933 in Moscow, USSR), was a male actor from the Russian Empire and later the Soviet Union. He learned drama at the Maly Theatre Drama college in the class of Mikhail Sadovsky, then joined the Moscow Art Theatre in 1898 with which he stayed until his death in 1933. Critically lauded were his performances as Nikita (in Leo Tolstoy's '' Power of Darkness''), Simeonov-Pishchik (Anton Chekhov's ''The Cherry Orchard'') and Kuroslepov in the 1926 production of Alexander Ostrovsky's ''An Ardent Heart'', the latter considered to be the high point of his artistic career. He was cast in three early Soviet films: ''Alyosha's Pipe'' (Алёшина дудка, 1919), ''Threesome'' (Трое, 1919) and ''Limping Landlord'' (Хромой барин, 1920). "Never rivaling Stanislavski, Moskvin, Kachalov or Leonidov in terms of the scope of artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ilya Uralov
Ilya Matveyevich Konkov (russian: Илья Матвеевич Коньков; 1872 – 16 October 1920) was a Russian stage actor better known under his stage name Uralov (Уралов).Илья Матвеевич Уралов Biography at the Moscow Art Theatre site Biography Born in Orsk to the family of , Konkov spent his youth travelling all over Russia, undertaking menial jobs. While in , in late 1890s he joined a visiting Ukrainian theatre troupe. I ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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