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A Little Party Never Killed Nobody (All We Got)
"A Little Party Never Killed Nobody (All We Got)" is a 2013 song recorded by Fergie, Q-Tip and GoonRock for the soundtrack to the 2013 film ''The Great Gatsby'', an adaptation of F. Scott Fitzgerald's novel of the same name, released through Interscope Records on May 17, 2013. Background and composition On April 4, 2013, Interscope and Warner Bros. announced the track listing for the ''Music from Baz Luhrmann's Film The Great Gatsby'', which included a brand new track titled "A Little Party Never Killed Nobody (All We Got)" performed by Fergie with Q-Tip and GoonRock. Prior to the release of the album, the song premiered on ''Rolling Stone''s official website on April 15, 2013. "A Little Party Never Killed Nobody (All We Got)" is a swing-flavored hip hop and electro house Electro house is a genre of electronic dance music characterized by heavy bass and a tempo around 130 beats per minute. The term has been used to describe the music of many ''DJ Mag'' Top 100 DJs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fergie (singer)
Stacy Ann Ferguson (born March 27, 1975), better known by her stage name Fergie (), is an American singer and rapper. She first achieved chart success as part of the hip hop group the Black Eyed Peas. Her debut solo album, '' The Dutchess'' (2006), saw commercial success and spawned three ''Billboard'' Hot 100 number one singles: "London Bridge", " Glamorous", and "Big Girls Don't Cry". Although she vocally incorporates rapping into some of her performances, she does not consider herself a rapper. Fergie was originally a member of the children's television series '' Kids Incorporated'' and the girl group Wild Orchid. In 2001, she left the group and in the subsequent year joined the Black Eyed Peas. She worked with the Black Eyed Peas on two albums before releasing her debut solo album, ''The Dutchess'', in 2006. She continued her collaboration with the Black Eyed Peas and released a further two albums with them, '' The E.N.D.'' (2009) and '' The Beginning'' (2010). Her seco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interscope Records
Interscope Records is an American record label owned by Universal Music Group through its Interscope Geffen A&M imprint. Founded in late 1990 by Jimmy Iovine and Ted Field as a $20 million joint venture with Atlantic Records of Warner Music Group and Interscope Communications, it differed from most record companies by letting A&R staff control decisions and allowing artists and producers full creative control. Its first hit records arrived in under a year, and it achieved profitability in 1993. Chair and CEO until May 2014, Iovine was succeeded by John Janick. In 1992, Interscope acquired the exclusive rights to market and distribute releases from the hardcore hip hop label Death Row, whose artists included Dr. Dre and Snoop Dogg, a decision that ultimately put the label at the center of the mid-1990s gangsta rap controversy. As a result, Time Warner, owning Atlantic, severed ties with Interscope by selling its 50 percent stake back to Field and Iovine for $115&n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Official Charts Company
The Official Charts (legal name: The Official UK Charts Company Limited) is a British inter-professional organization that compiles various "official" record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA. The Chart Information Network (CIN) took over as compilers of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polish Video Chart
The Polish music charts are provided by ZPAV, the Polish Society of the Phonographic Industry (Polish: Związek Producentów Audio-Video). Albums charts In the 1970s and the 1980s, Polish music monthly ''Non Stop'' published a year-end list of the best selling albums in Poland. In the mid-1990s, two monthly sales lists were launched and published in music magazines. The first one was a top 50 compiled by ZPAV, based on shipment, not sales, which continues to be published to date. The other was a top 100 called Gorąca Setka (English: Hot 100), printed monthly in ''Gazeta Muzyczna''. This chart was compiled from actual sale figures as reported by over 130 music shops across Poland and included both albums and singles. From autumn 1994 to September 1997, journalist Artur Orzech presented a top 20 albums list on Radio Bis which was later extended to 25 and 30 positions. This chart was also based on actual sales data obtained from about 150 music shops, including albums as well as s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ZPAV
The Polish Society of the Phonographic Industry ( pl, Związek Producentów Audio-Video, ZPAV) is the trade organization that represents the interests of the music industry in Poland, and the Polish chapter of the International Federation of the Phonographic Industry (IFPI). Founded in 1991, it is authorized by the Polish Ministry of Culture and National Heritage to act as a copyright collective in the field of phonogram and videogram producers' rights. ZPAV publishes the Polish Music Charts and awards music recording sales certifications. It also issues the Fryderyk annual award for Polish music. History ZPAV was officially founded on July 11, 1991, following the recognition of the IFPI given in June of that year. In February 1995, ZPAV was authorized by the Polish Ministry of Culture to act as a rights management organization in the field of phonogram and videogram producers' rights. This was followed in December with the right to collect a share of the 3% blank me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polish Music Charts
The Polish music charts are provided by ZPAV, the Polish Society of the Phonographic Industry (Polish: Związek Producentów Audio-Video). Albums charts In the 1970s and the 1980s, Polish music monthly ''Non Stop'' published a year-end list of the best selling albums in Poland. In the mid-1990s, two monthly sales lists were launched and published in music magazines. The first one was a top 50 compiled by ZPAV, based on shipment, not sales, which continues to be published to date. The other was a top 100 called Gorąca Setka (English: Hot 100), printed monthly in ''Gazeta Muzyczna''. This chart was compiled from actual sale figures as reported by over 130 music shops across Poland and included both albums and singles. From autumn 1994 to September 1997, journalist Artur Orzech presented a top 20 albums list on Radio Bis which was later extended to 25 and 30 positions. This chart was also based on actual sales data obtained from about 150 music shops, including albums as well as s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Federazione Industria Musicale Italiana
The Federazione Industria Musicale Italiana (FIMI) is an umbrella organization that keeps track of virtually all aspects of the music recording industry in Italy. It was established in 1992, when major corporate labels left the previously existing Associazione dei Fonografici Italiani (AFI). During the following years, most of the remaining Italian record labels left AFI to join the new organisation. As of 2011, FIMI represents 2,500 companies operating in the music business. FIMI is a member of the International Federation of the Phonographic Industry and of the Italian employers' federation, Confindustria. Its main purpose is to protect the interests of the Italian record industry. Starting in March 1995, the Italian Music Industry Federation began providing the Italian official albums chart. In January 1997, FIMI also became the provider of the Italian official singles chart. Due to the decrease of CD singles sales in Italy, FIMI replaced its physical singles chart with a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
FIMI
The Federazione Industria Musicale Italiana (FIMI) is an umbrella organization that keeps track of virtually all aspects of the music recording industry in Italy. It was established in 1992, when major corporate labels left the previously existing Associazione dei Fonografici Italiani (AFI). During the following years, most of the remaining Italian record labels left AFI to join the new organisation. As of 2011, FIMI represents 2,500 companies operating in the music business. FIMI is a member of the International Federation of the Phonographic Industry and of the Italian employers' federation, Confindustria. Its main purpose is to protect the interests of the Italian record industry. Starting in March 1995, the Italian Music Industry Federation began providing the Italian official albums chart. In January 1997, FIMI also became the provider of the Italian official singles chart. Due to the decrease of CD singles sales in Italy, FIMI replaced its physical singles chart with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drop City Yacht Club
Drop City Yacht Club was an American hip hop group performing for Platform, LLC, A&M/Octone Records through a joint venture with Exit 8 Records. Drop City Yacht Club members include Kristo (rapper) and THX (producer). One of the original members, A-Wolf, left for unknown reasons. Originally called The Freshmen, they adopted their new moniker in early 2013. Known for their atypical approach to making a rap record, they describe themselves as individually crazy artists collaborating to create one sane group. The group's style fuses hip hop, pop and 1960s rock. A-Wolf described these characteristics as similar to The Beach Boys and The Beastie Boys. A single, "Crickets," featuring R&B singer Jeremih Jeremy Phillip Felton (born July 17, 1987), known professionally as Jeremih ( ), is an American singer, songwriter and record producer. In 2009, he signed a record deal with Def Jam Recordings. Jeremih's commercial debut single, "Birthday Sex", ..., was their first release. A&M/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The A
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun '' thee'') when followed by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electro House
Electro house is a genre of electronic dance music characterized by heavy bass and a tempo around 130 beats per minute. The term has been used to describe the music of many ''DJ Mag'' Top 100 DJs, including Benny Benassi, Skrillex, Steve Aoki & Deadmau5. Characteristics Simon Reynolds described electro house, as a style attributed to artists like Zedd, Erol Alkan and Bloody Beetroots. Electro-house is typified by its heavy bass. This is often in the form of buzzing basslines, such as those created with sawtooth waves and distortion. It is also often in the form of large bass drum sounds in a four-on-the-floor pattern. The tempo of electro house is usually between 125 and 135 beats per minute, usually 130. Electro house sometimes resembles tech house, but it can contain melodic elements and electro-influenced samples and synths. In contrast, Reynolds stated the genre had "little relationship with either house or electro". History Reynolds described the sound as being ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swing Music
Swing music is a style of jazz that developed in the United States during the late 1920s and early 1930s. It became nationally popular from the mid-1930s. The name derived from its emphasis on the off-beat, or nominally weaker beat. Swing bands usually featured soloists who would improvise on the melody over the arrangement. The danceable swing style of big bands and bandleaders such as Benny Goodman was the dominant form of American popular music from 1935 to 1946, known as the swing era. The verb "to swing" is also used as a term of praise for playing that has a strong groove or drive. Musicians of the swing era include Duke Ellington, Benny Goodman, Count Basie, Cab Calloway, Jimmy Dorsey, Tommy Dorsey, Woody Herman, Harry James, Lionel Hampton, Glenn Miller, Artie Shaw and Django Reinhardt. Overview Swing has its roots in 1920s dance music ensembles, which began using new styles of written arrangements, incorporating rhythmic innovations pioneered by Louis Armstron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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