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A Free Song
Secular Cantata No. 2: ''A Free Song'' (October 16, 1942) is a cantata for chorus and orchestra by William Schuman, using text by Walt Whitman, that was awarded the first Pulitzer Prize for Music in 1943, after it was premiered by the Boston Symphony Orchestra (with the amateur Harvard-Radcliffe Chorus) under Serge Koussevitzky.Heinz-Dietrich Fischer, Erika J. Fischer (2001). ''Musical Composition Awards 1943-1999: From Aaron Copland and Samuel Barber to Gian-Carlo Menotti and Melinda Wagner'', p.3-4. . Music Sales Classical describes it as containing, "granite-like blocks of dissonant harmony and sharp-edged counterpoint." Either about 22 minutesGreen, Jonathan D. (2003). ''A Conductor's Guide to Choral-orchestral Works, Part 1'', p.206. . or less than 14 Oteri, Frank J. (August 16, 2011).Sounds Heard: William Schuman—A Free Song, Finally!, ''NewMusicBox.org''. in length, the form is as follows: # a. Too long, Americab. Look down, fair moon # Song of the banner The piece is mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum-Taps
''Drum-Taps'', first published in 1865, is a collection of poetry written by American poet Walt Whitman during the American Civil War. 18 additional poems were added later in the year to create '' Sequel to Drum-Taps''. History Creating the publication On April 12, 1861, Confederate cannons fired upon Fort Sumter signaling the opening of the American Civil War. Consequently, this would also mark the beginning of a very important time in the life of American poet Walt Whitman. Whitman's style of writing drew from his attempts to better manage the psychological chaos he experienced. As the nation began to dramatically shift, so did Whitman. His poetry during this time would begin to demonstrate his vision of democracy as people acting collectively and pragmatically to secure a meaningful political freedom. Regarding many of the poems in ''Drum-Taps'', little is known about when they were actually written. However, in the winter of 1862, Whitman traveled to Virginia in search of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prayer In Time Of War
Prayer is an invocation or act that seeks to activate a rapport with an object of worship through deliberate communication. In the narrow sense, the term refers to an act of supplication or intercession directed towards a deity or a deified ancestor. More generally, prayer can also have the purpose of thanksgiving or praise, and in comparative religion is closely associated with more abstract forms of meditation and with charms or spells. Prayer can take a variety of forms: it can be part of a set liturgy or ritual, and it can be performed alone or in groups. Prayer may take the form of a hymn, incantation, formal creedal statement, or a spontaneous utterance in the praying person. The act of prayer is attested in written sources as early as 5000 years ago. Today, most major religions involve prayer in one way or another; some ritualize the act, requiring a strict sequence of actions or placing a restriction on who is permitted to pray, while others teach that prayer may b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
On Freedom's Ground
On, on, or ON may refer to: Arts and entertainment Music * On (band), a solo project of Ken Andrews * ''On'' (EP), a 1993 EP by Aphex Twin * ''On'' (Echobelly album), 1995 * ''On'' (Gary Glitter album), 2001 * ''On'' (Imperial Teen album), 2002 * ''On'' (Elisa album), 2006 * ''On'' (Jean album), 2006 * ''On'' (Boom Boom Satellites album), 2006 * ''On'' (Tau album), 2017 * "On" (song), a 2020 song by BTS * "On", a song by Bloc Party from the 2006 album ''A Weekend in the City'' Other media * ''Ön'', a 1966 Swedish film * On (Japanese prosody), the counting of sound units in Japanese poetry * ''On'' (novel), by Adam Roberts * ONdigital, a failed British digital television service, later called ITV Digital * Overmyer Network, a former US television network Places * On (Ancient Egypt), a Hebrew form of the ancient Egyptian name of Heliopolis * On, Wallonia, a district of the municipality of Marche-en-Famenne * Ahn, Luxembourg, known in Luxembourgish as ''On'' * Ontario ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Piston
Walter Hamor Piston, Jr. (January 20, 1894 – November 12, 1976), was an American composer of classical music, music theorist, and professor of music at Harvard University. Life Piston was born in Rockland, Maine at 15 Ocean Street to Walter Hamor Piston, a bookkeeper, and Leona Stover. He was the second of four children. Although his family was mainly of English origin, his paternal grandfather was a sailor named Antonio Pistone, who changed his name to Anthony Piston when he came to Maine from Genoa, Italy. In 1905 the composer's father, Walter Piston Sr, moved with his family to Boston, Massachusetts. Walter Jr first trained as an engineer at the Mechanical Arts High School in Boston, but was artistically inclined. After graduating in 1912, he enrolled in the Massachusetts Normal Art School, where he completed a four-year program in fine art in 1916. During the 1910s, Piston made a living playing piano and violin in dance bands and later playing violin in orchestras led by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elliott Carter
Elliott Cook Carter Jr. (December 11, 1908 – November 5, 2012) was an American modernist composer. One of the most respected composers of the second half of the 20th century, he combined elements of European modernism and American "ultra-modernism" into a distinctive style with a personal harmonic and rhythmic language, after an early neoclassical phase. His compositions are performed throughout the world, and include orchestral, chamber music, solo instrumental, and vocal works. The recipient of many awards, Carter was twice awarded the Pulitzer Prize. Born in New York City, Carter had developed an interest in modern music in the 1920s. He was later introduced to Charles Ives, and he soon came to appreciate the American ultra-modernists. After studying at Harvard University with Edward Burlingame Hill, Gustav Holst and Walter Piston, he studied with Nadia Boulanger in Paris in the 1930s, then returned to the United States. Carter was productive in his later years, pub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virgil Thomson
Virgil Thomson (November 25, 1896 – September 30, 1989) was an American composer and critic. He was instrumental in the development of the "American Sound" in classical music. He has been described as a modernist, a neoromantic, a neoclassicist, and a composer of "an Olympian blend of humanity and detachment" whose "expressive voice was always carefully muted" until his late opera ''Lord Byron'' which, in contrast to all his previous work, exhibited an emotional content that rises to "moments of real passion". Biography Early years Thomson was born in Kansas City, Missouri. As a child he befriended Alice Smith, great-granddaughter of Joseph Smith, founder of the Latter-day Saint movement. During his youth he often played the organ in Grace Church, (now Grace and Holy Trinity Cathedral), as his piano teacher was the church's organist. After World War I, he entered Harvard University thanks to a loan from Dr. Fred M. Smith, the president of the Reorganized Church of Jesus Chr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patriotism
Patriotism is the feeling of love, devotion, and sense of attachment to one's country. This attachment can be a combination of many different feelings, language relating to one's own homeland, including ethnic, cultural, political or historical aspects. It encompasses a set of concepts closely related to nationalism, mostly civic nationalism and sometimes cultural nationalism. Some manifestations of patriotism emphasize the "land" element in love for one's native land and use the symbolism of agriculture and the soil – compare ''Blut und Boden''. Terminology and usage An excess of patriotism in the defense of a nation is called chauvinism; another related term is '' jingoism''. The English word 'Patriot' derived from "Compatriot," in the 1590s, from Middle French "Patriote" in the 15th century. The French word's "Compatriote" and "Patriote" originated directly from Late Latin Patriota "fellow-countryman" in the 6th century. From Greek Patriotes "fellow countryman," f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jingoism
Jingoism is nationalism in the form of aggressive and proactive foreign policy, such as a country's advocacy for the use of threats or actual force, as opposed to peaceful relations, in efforts to safeguard what it perceives as its national interests. Colloquially, jingoism is excessive bias in judging one's own country as superior to others – an extreme type of nationalism. (''cf''. Chauvinism and Ultranationalism) Etymology The chorus of a song by the songwriter G. W. Hunt, popularized by the singer G. H. MacDermott – which was commonly sung in British pubs and music halls around the time of the Russo-Turkish War of 1877–78 – gave birth to the term. The lyrics included this chorus: The capture of Constantinople was a long-standing Russian strategic aim, since it would have given the Russian Navy, based in the Black Sea, unfettered access to the Mediterranean Sea through The Bosphorus and the Dardanelles (known as the " Turkish Straits"); conversely, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Victor Berger
Arthur Victor Berger (May 15, 1912 – October 7, 2003) was an American composer and music critic who has been described as a New Mannerist. Biography Born in New York City, of Jewish descent, Berger studied as an undergraduate at New York University, during which time he joined the Young Composer's Group, as a graduate student under Walter Piston at Harvard, and with Nadia Boulanger and at the Sorbonne under a Paine Fellowship. He taught briefly at Mills College and Brooklyn College, then worked briefly at the ''New York Sun'' and then for a longer period of time at the '' New York Herald Tribune''. In 1953 he left the paper to teach at Brandeis University where he was eventually named the Irving Fine Professor Emeritus. His notable students there included Gustav Ciamaga and Richard Wernick. He taught occasionally at the New England Conservatory during his retirement. He co-founded (with Benjamin Boretz), in 1962, '' Perspectives of New Music'', which he edited until 1964. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music For The Requiem Mass
The Music for the Requiem Mass is any music that accompanies the Requiem, a Mass in the Catholic Church for the deceased. It has inspired a large number of compositions, including settings by Mozart, Berlioz, Donizetti, Verdi, Bruckner, Dvořák, Fauré and Duruflé. Originally, such compositions were meant to be performed in liturgical service, with monophonic chant. Eventually the dramatic character of the text began to appeal to composers to an extent that they made the requiem a genre of its own, and the compositions of composers such as Verdi are essentially concert pieces rather than liturgical works. Common texts The following are the texts that have been set to music. Note that the ''Libera Me'' and the ''In Paradisum'' are not part of the text of the Catholic Mass for the Dead itself, but a part of the burial rite that immediately follows. ''In Paradisum'' was traditionally said or sung as the body left the church, and the ''Libera Me'' is said/sung at the burial si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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