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A Forest
"A Forest" is a song by the English rock band The Cure. Co-produced by Mike Hedges and the band's Robert Smith, it was released as a single from the band's second album ''Seventeen Seconds'' on 28 March 1980. It was their debut entry on the UK Singles Chart, reaching number 31. The accompanying music video was first shown on BBC's ''Top of the Pops'' programme on 24 April 1980. Recorded and mixed over seven days, along with the rest of the songs from the album, "A Forest" is representative of The Cure's 1980s gothic rock phase. The song has featured on the band's set lists for many years. Several versions have appeared on concert albums, and it was re-recorded, then subsequently remixed and released as a single from '' Mixed Up'' in 1990. Background and recording Mike Hedges co-produced the album ''Seventeen Seconds'' as well as "A Forest" with The Cure's Robert Smith. Hedges had first worked with the band on the track " Killing an Arab." Interviewed in 2004, he did not re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Cure
The Cure are an English Rock music, rock band formed in 1978 in Crawley, Crawley, West Sussex. Throughout numerous lineup changes since the band's formation, guitarist, lead vocalist, and songwriter Robert Smith (musician), Robert Smith has remained the only constant member. The band's debut album, ''Three Imaginary Boys'' (1979), along with several early singles, placed the band in the post-punk and New wave music, new wave movements that had sprung up in the United Kingdom. Beginning with their second album, ''Seventeen Seconds'' (1980), the band adopted a new, increasingly dark and tormented style, which, together with Smith's stage look, had a strong influence on the emerging genre of gothic rock as well as gothic subculture, the subculture that eventually formed around the genre. After the release of the band's fourth album, ''Pornography (album), Pornography'' (1982), Smith introduced a greater Pop music, pop sensibility into the band's music, and they subsequently garner ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Rock
Gothic rock (also called goth rock or simply goth) is a style of rock music that emerged from post-punk in the United Kingdom in the late 1970s. The first post-punk bands which shifted toward dark music with gothic overtones include Siouxsie and the Banshees, Joy Division, Bauhaus, and the Cure. The genre itself was defined as a separate movement from post-punk. Gothic rock stood out due to its darker sound, with the use of primarily minor or bass chords, reverb, dark arrangements, or dramatic and melancholic melodies, having inspirations in gothic literature allied with themes such as sadness, nihilism, dark romanticism, tragedy, melancholy and morbidity. These themes are often approached poetically. The sensibilities of the genre led the lyrics to represent the evil of the century and the romantic idealization of death and the supernatural imagination. Gothic rock then gave rise to a broader goth subculture that included clubs, fashion and publications in the 1980s, 1990s, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flanging
Flanging is an audio effect produced by mixing two identical signals together, one signal delayed by a small and (usually) gradually changing period, usually smaller than 20 milliseconds. This produces a swept comb filter effect: peaks and notches are produced in the resulting frequency spectrum, related to each other in a linear harmonic series. Varying the time delay causes these to sweep up and down the frequency spectrum. A flanger is an effects unit that creates this effect. Part of the output signal is usually fed back to the input (a "re-circulating delay line"), producing a resonance effect which further enhances the intensity of the peaks and troughs. The phase of the fed-back signal is sometimes inverted, producing another variation on the flanger sound. Origin As an audio effect, a listener hears a "drainpipe" or "swoosh" or "jet plane" sweeping effect as shifting sum-and-difference harmonics are created analogous to use of a variable notch filter. The term "flang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pentatonic
A pentatonic scale is a musical scale with five notes per octave, in contrast to the heptatonic scale, which has seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations and are still used in various musical styles to this day. There are two types of pentatonic scales: those with semitones (hemitonic) and those without (anhemitonic). Types Hemitonic and anhemitonic Musicology commonly classifies pentatonic scales as either ''hemitonic'' or ''anhemitonic''. Hemitonic scales contain one or more semitones and anhemitonic scales do not contain semitones. (For example, in Japanese music the anhemitonic ''yo'' scale is contrasted with the hemitonic ''in'' scale.) Hemitonic pentatonic scales are also called "ditonic scales", because the largest interval in them is the ditone (e.g., in the scale C–E–F–G–B–C, the interval found between C–E and G–B). (This should not be con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Minor
A minor is a minor scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has no flats and no sharps. Its relative major is C major and its parallel major is A major. The A natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The A harmonic minor and melodic minor scales are: : : Well-known compositions in A minor *Johann Sebastian Bach ** Violin Concerto in A minor, BWV 1041 *Ludwig van Beethoven ** Violin Sonata No. 4, Op. 23 ** String Quartet No. 15, Op. 132 ** Bagatelle in A minor, "Für Elise" * Johannes Brahms **Double Concerto, Op. 102 * Frédéric Chopin ** Étude Op. 10, No. 2 ** Étude Op. 25, No. 4 ** Étude Op. 25, No. 11, ''Winter Wind'' ** Mazurka Op. 17, No. 4 ** Mazurka Op. 59, No. 1 ** ''Boléro'', Op. 19 ** Prelude No. 2 in A minor, Op. 28/2 ** Waltz in A minor, Op. 34, B. 150 * Franz Liszt ** Transcendental Étude No. 2, ''Fusà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in classical, Western art, and Western pop music. The group features a '' tonic note'' and its corresponding ''chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest, and also has a unique relationship to the other pitches of the same group, their corresponding chords, and pitches and chords outside the group. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major or minor mode, though musicians assume major when this is not specified, e.g., "This piece is in C" implies that the key of the song is C major. Popular songs are usually in a key, and so is classical music during the common practice period, around 1650–1900. Longer pieces in the classical repertoire may have sections in contrasting keys. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louder Than War
''Louder Than War'' is a music and culture website and magazine focusing on mainly alternative arts news, reviews, and features. The site is an editorially independent publication that was started by journalist John Robb in 2010 and is now run by a team of other journalists with a worldwide team of freelancers. There has been a print edition since 2015. The site is built around live reviews, album reviews and interviews. In 2012, ''Louder Than War'' launched a record label to promote and champion lesser known bands and artists. History In its first year, in November 2011, Robb was voted to win the UK Association of Independent Music "Indie Champion" award. Louder Than War created the record label Louder Than War Records in 2014, to act as a platform for bands and artists to reach a wider audience; the first release being Evil Blizzard 'The Dangers Remixes', a 300 copy CD only release without a catalogue number, each being hand numbered; the 8 track releases being a remix of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Far Out Magazine
''Far Out'' is a British online culture magazine, headquartered in London and founded in 2010. ''Far Out'' focuses on independent and alternative culture, reviewing music, films and the arts along with relative interviews and curated playlists. History ''Far Out'' was founded in 2010 by Lee Thomas-Mason, then a student of Leeds Metropolitan University. Shortly after, Jack Whatley became an editor of the website as both pushed the content into new directions. Lee Thomas-Mason had previously worked as a sports reporter at Sky Sports, '' The Mirror'' and ''Metro''. While first focusing on unsigned artists and independent music venues with a Gonzo journalism approach, ''Far Out'' expanded into coverage of cinema in 2013 and, subsequently, included curated travel, arts and photography sections. In 2017 ''Far Out'' ''Magazine'' partnered with suicide prevention charity CALM. In 2021, ''Far Out'' also confirmed a media partnership with the British Film Institute (BFI), focusing on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-punk
Post-punk (originally called new musick) is a broad genre of punk music that emerged in the late 1970s as musicians departed from punk's traditional elements and raw simplicity, instead adopting a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire, Public Image Ltd, the Pop Group, Cabaret Voltaire, Magazine, Pere Ubu, Joy Division, Talking Heads, Devo, Gang of Four, the Slits, the Cure, and the Fall. The movement was closely related to the development of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chris Parry (producer)
John Christopher Parry, known as Chris Parry (born 7 January 1949), is a New Zealand record producer and former musician, known for being the former manager and producer for The Cure and for founding Fiction Records. Early life Parry was born in Lower Hutt, New Zealand; the son of Virginia and Thomas, who was British. He grew up with ten siblings: five sisters (Virginia, Margaret, Josephine, Annette and Helen) and five brothers (David, James Richard, Robin and Peter). In 1966, Parry was a management trainee at Philips Electrical. Career In 1967, whilst studying at Silverstream College, Parry auditioned as drummer for a band called the Sine Waves, who later renamed themselves the Fourmyula. He has stated "I got the job because I had a truck driver's licence". Within a year, the band had hit the charts, reaching number 2 in New Zealand with "Come with Me" and reached number 1 in 1969 with "Nature". The band made two trips to the UK, but were not so successful there. After ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Associates (band)
The Associates (or simply Associates) were a Scottish post-punk and pop band, formed in Dundee in 1979 by singer Billy Mackenzie and guitarist Alan Rankine. The group first gained recognition after releasing an unauthorized cover of David Bowie's " Boys Keep Swinging" as their debut single in 1979, which landed them a contract with Fiction Records. They followed with their debut album ''The Affectionate Punch'' in 1980 and the singles collection '' Fourth Drawer Down'' in 1981, both to critical praise. They achieved commercial success in 1982 with the UK Top 10 album '' Sulk'' and UK Top 20 singles " Party Fears Two" and "Club Country", during which time they were associated with the New Pop movement. Rankine left the group that year, leaving MacKenzie to record under the Associates name until 1990. They briefly reunited in 1993. MacKenzie died by suicide in 1997. History 1979–1982: Formation and independent success Billy Mackenzie and guitarist Alan Rankine met in E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Dempsey
Michael Stephen Dempsey (born 29 November 1958) is an English musician and composer, who has played bass as a member of several post-punk and new wave bands, including the Cure and the Associates. History Early years Dempsey was born on 29 November 1958 in Salisbury, Southern Rhodesia (now known as Harare, Zimbabwe); the son of Nancy and William. He moved to Salfords in Surrey, England in 1961, and attended Salfords County School from 1963 to 1970. He then went to Notre Dame Middle School between 1970 and 1972, where he met Robert Smith, Marc Ceccagno and Lol Tolhurst. Here they first played music together as the Obelisk in April 1972, giving an end-of-year performance for their classmates. Although he is ordinarily known as a bass guitar player, Dempsey played guitar for The Obelisk's only known live performance, whereas one Alan Hill played bass. He later attended Saint Wilfrid's Catholic Comprehensive School (1972–1976), and Crawley College from 1976 to 1978. In Jan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
