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A Day In New York
''A Day in New York'' is a 2003 studio album by the trio Morelenbaum²/Sakamoto, consisting of Jaques Morelenbaum, Paula Morelenbaum, and Ryuichi Sakamoto. The album was recorded live in the studio and featured songs they had been performing together on the 2002 tour for their previous album, ''Casa,'' a tribute to Antônio Carlos Jobim. Track listing Personnel *Ryuichi Sakamoto – piano *Jaques Morelenbaum – cello * Paula Morelenbaum – vocals *Luiz Brasil Luiz Brasil (born Luiz Alberto Brasil de Carvalho in Salvador, Bahia, Brazil, on April 21, 1954) is a Brazilian guitarist. He is best known as a guitarist who has performed with Caetano Veloso, Gilberto Gil, Gal Costa, Nando Reis, Cássia Eller, ... – guitar *Marcelo Costa – drums, percussions References 2003 collaborative albums Ryuichi Sakamoto albums Sony Music albums Albums recorded at the Hit Factory {{2000s-jazz-album-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaques Morelenbaum
Jaques Morelenbaum (() born 18 May 1954) is a Brazilian instrumentalist, arranger, conductor, composer and music producer. Morelenbaum was born in Rio de Janeiro, the son of conductor Henrique Morelenbaum and piano teacher Sarah Morelenbaum. His siblings are Lucia Morelenbaum, clarinetist in the Brazilian Symphony Orchestra, and Eduardo Morelenbaum, conductor, arranger and instrumentalist. He is married to singer Paula Morelenbaum. He started his musical career as part of the group A Barca do Sol, and participated in the Nova Banda that performed live with Antonio Carlos Jobim and in recordings that led to a Grammy win for the CD ''Antonio Brasileiro''. As a cellist, he studied music in Brazil and later attended the New England Conservatory of Music. In 1995, with Paula Morelenbaum, Paulo Jobim and Daniel Jobim he created the ''Quarteto Jobim Morelenbaum''. The group has toured Europe several times, including an appearance at the ''Expo'98'' held in Lisbon. They have also tour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vinicius De Moraes
Marcus Vinícius da Cruz e Mello Moraes (19 October 1913 – 9 July 1980), better known as Vinícius de Moraes () and nicknamed O Poetinha ("The little poet"), was a Brazilian poet, diplomat, lyricist, essayist, musician, singer, and playwright. With his frequent and diverse musical partners, including Antônio Carlos Jobim, his lyrics and compositions were instrumental in the birth and introduction to the world of bossa nova music. He recorded numerous albums, many in collaboration with noted artists, and also served as a successful Brazilian career diplomat. Early life Moraes was born in Gávea, a neighbourhood of Rio de Janeiro, to Clodoaldo da Silva Pereira Moraes, a public servant, and Lidia Cruz, a housewife and amateur pianist. In 1916, his family moved to Botafogo, where he attended Afrânio Peixoto Primary School. Fleeing the 18 of the Copacabana Fort revolt, his parents moved to Governador Island while Moraes remained at his grandfather's home in Botafogo to finis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2003 Collaborative Albums
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luiz Brasil
Luiz Brasil (born Luiz Alberto Brasil de Carvalho in Salvador, Bahia, Brazil, on April 21, 1954) is a Brazilian guitarist. He is best known as a guitarist who has performed with Caetano Veloso, Gilberto Gil, Gal Costa, Nando Reis, Cássia Eller, and many other vocalists. He was born into a musical family: his mother played piano, his brothers Jorge and Marcelo became drummers, and his brother Mou became a jazz guitarist. More recently, his daughter Tamima Brasil is a percussionist. His early career included stints as guitarist with the rock group Mar Revolto, Scorpius (1970–1974), Zezé Motta (1978–1980), and the carnaval Trio elétrico of Armandinho. More recently he has performed as a multi-instrumentalist (including mandolin and percussion instruments), arranger, composer, teacher, and occasional singer. His recent collaborators include Jaques Morelenbaum, Ryuichi Sakamoto, Jussara Silveira, and Rita Ribeiro Rita may refer to: People * Rita (given name) * Rita (Indian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fotografia (Antônio Carlos Jobim Song)
"Fotografia" (also known as "Photograph") is a bossa nova song written and composed in 1959 by Antônio Carlos Jobim. English lyrics were published in 1965 by Ray Gilbert. "Fotografia" was one of Jobim's first compositions for which he wrote the words as well as the music. According to author Ruy Castro, this came about partly because Jobim's songwriting partner, Vinicius de Moraes, had left Rio de Janeiro to take up a diplomatic post in Montevideo, Uruguay, during much of 1958 and 1959. The change allowed Jobim to work with other lyricists, such as close friend Newton Mendonça, Dolores Duran and Aloísio de Oliveira, and to try his hand at penning his own lyrics. Jazz critic Gary Giddins, writing in The New Yorker, referred to "Fotografia" as an "ingenious" composition full of "flirtatious romance," while Mark Holston at Jazziz Magazine said the song was "mesmerizing." Thom Jurek at AllMusic called it "a tome of memory and longing." Brazilian vocalist Flora Purim, who recorded " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba Do Avião
"Samba do Avião" (), also known as "Song of the Jet", is a Brazilian song composed in 1962 by Antônio Carlos Jobim, who also wrote the original Portuguese lyrics. The English-language lyrics are by Gene Lees. In the biography ''Antonio Carlos Jobim: An Illuminated Man'', Helena Jobim describes how her brother came up with the idea for the song: "Tom's many walks from Ipanema to Santos Dumont Airport yielded that ode of beauty... He would head towards the airport, following the water's edge around Guanabara's Bay. The pretext to go there was to buy foreign magazines and newspapers. From Santos Dumont Airport he could observe his passion, the airplane. Yet he still kept some distance from those machines. He was afraid of flying, but he loved their power, splendor, and aerodynamics—man's conquest over machine".Jobim, Helena, ''Antonio Carlos Jobim: An Illuminated Man'', Hal Leonard, Montclair, NJ, 2011. > In the song, Jobim writes about landing at "Galeão" in Rio de Janeiro. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chega De Saudade
"Chega de Saudade" (), also known as "No More Blues", is a bossa nova jazz standard. It is often considered to be the first bossa nova song to be recorded. Like "The Girl from Ipanema", the music for "Chega de Saudade" was composed by Antônio Carlos Jobim, with lyrics by Vinícius de Moraes. Overview The song was first recorded in 1957 by Brazilian singer Elizete Cardoso and released on her 1958 album, ''Canção Do Amor Demais''. However, people took little notice of her release of the song. João Gilberto included the second recorded version in 1958. Released as a single, the song became a hit and would consolidate bossa nova as a permanent genre in the Latin music lexicon. The song also appeared on Gilberto's first album ''Chega de Saudade''. The title can be translated roughly as "enough longing", though the Portuguese word, ''saudade'', carries a far more complex meaning. The word implies an intensity of heartfelt connection that is yearned for passionately, not unlike feeli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chico Buarque
Francisco Buarque de Hollanda (born 19 June 1944), popularly known simply as Chico Buarque, is a Brazilian singer-songwriter, guitarist, composer, playwright, writer, and poet. He is best known for his music, which often includes social, economic, and cultural reflections on Brazil. The firstborn son of Sérgio Buarque de Hollanda, Buarque lived at several locations throughout his childhood, though mostly in Rio de Janeiro, São Paulo, and Rome. He wrote and studied literature as a child and found music through the bossa nova compositions of Tom Jobim and João Gilberto. He performed as a singer and guitarist in the 1960s as well as writing a play that was deemed dangerous by the Brazilian military dictatorship of the time. Buarque, along with several Tropicalist and MPB musicians, was threatened by the Brazilian military government and eventually left Brazil for Italy in 1969. However, he came back to Brazil in 1970, and continued to record, perform, and write, though much of hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sabiá (song)
"Sabiá" (also known as "The Song of the Sabiá") is a Brazilian song composed in 1968 by Antônio Carlos Jobim, with lyrics by Chico Buarque. English-language lyrics were written later by Norman Gimbel. In 1968, "Sabiá" won first place at Brazil’s III Festival Internacional da Canção (International Festival of Song), where it was performed by Cynara and Cybele. After Buarque wrote the original lyrics, he traveled to Italy, and, while he was away, Jobim added a last verse, which was included in the performance at the Festival but was not well received. Buarque convinced Jobim to drop the verse, and it has not been used since. The ''sabiá'' is a songbird (Rufous-bellied thrush in English) and the List of national birds, national bird of Brazil. Buarque's lyrics allude to the sabiá in the famous Brazilian poem "Canção do exílio", written in 1843 by Gonçalves Dias. Sinatra & Jobim recording In 1969, Frank Sinatra and Jobim recorded "The Song of the Sabiá" for an album ent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caetano Veloso
Caetano Emanuel Viana Teles Veloso (; born 7 August 1942) is a Brazilian composer, singer, guitarist, writer, and political activist. Veloso first became known for his participation in the Brazilian musical movement Tropicalismo, which encompassed theatre, poetry and music in the 1960s, at the beginning of the Brazilian military dictatorship that took power in 1964. He has remained a constant creative influence and best-selling performing artist and composer ever since. Veloso has won nine Latin Grammy Awards and two Grammy Awards. On November 14, 2012, Veloso was honored as the Latin Recording Academy Person of the Year. Veloso was one of seven children born into the family of José Telles Velloso (commonly known as ''Seu Zeca''), a government official, and Claudionor Viana Telles Veloso (known as ''Dona Canô''). He was born in the city of Santo Amaro da Purificação, in Bahia, a state in the eastern area of Brazil, but moved to Salvador, the state capital, as a college ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
How Insensitive
"How Insensitive" is a bossa nova and jazz standard song composed by Brazilian musician Antônio Carlos Jobim. The lyrics were written in Portuguese by Vinícius de Moraes and in English by Norman Gimbel. Jobim recorded the song in 1994 with Sting on lead vocals for his album, ''Antônio Brasileiro''. Background In Brazil the song goes by the title "Insensatez", which translates more accurately to "Foolishness". The song resembles Chopin's prelude in E minor. Recorded versions The song has been performed and recorded often by a diverse group of singers, such as: *Frank Sinatra *Peggy Lee (1964) *Andy Williams on His Album ''The Shadow of Your Smile'' in 1966 *Shirley Bassey *Telly Savalas *Olivia Newton-John *Petula Clark *The Monkees (Recorded in 1968, Released in 1996) *Liberace *William Shatner *Iggy Pop *Judy Garland *The 5th Dimension *Sinéad O'Connor *Robert Wyatt Musicians who covered the composition in the jazz genre: * Joao Gilberto *Laurindo Almeida *Wes Montgomery ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
