A Cool Million
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A Cool Million
''A Cool Million: The Dismantling of Lemuel Pitkin'' is Nathanael West's third novel, published in 1934. It is a brutal satire of Horatio Alger's novels and their eternal optimism. Plot summary ''A Cool Million'', as its subtitle suggests, presents “the dismantling of Lemuel Pitkin,” piece by piece. As a satire of the Horatio Alger myth of success, the novel is evocative of Voltaire’s '' Candide'', which satirized the philosophical optimism of Gottfried Wilhelm Leibniz and Alexander Pope. Pitkin is a typical ‘Schlemiel’, stumbling from one situation to the next; he gets robbed, cheated, unjustly arrested, frequently beaten and exploited. In a parallel plot Betty Prail, Pitkin's love interest, is raped, abused, and sold into prostitution. Over the course of the novel Pitkin manages to lose an eye, his teeth, his thumb, his scalp and his leg, but nevertheless retains his optimism and gullibility to the inevitably bitter end. Pitkin's troubles, however, don't end with his ...
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Nathanael West
Nathanael West (born Nathan Weinstein; October 17, 1903 – December 22, 1940) was an American writer and screenwriter. He is remembered for two darkly satirical novels: ''Miss Lonelyhearts'' (1933) and '' The Day of the Locust'' (1939), set respectively in the newspaper and Hollywood film industries. Early life Nathanael West was born Nathan Weinstein in New York City, the first child of Ashkenazi Jewish parents, Anuta (Anna, née Wallenstein, 1878–1935) and Max (Morduch) Weinstein (1878–1932), from Kovno, Russia (present-day Kaunas, Lithuania), who maintained an upper middle class household in a Jewish neighborhood on the Upper West Side. West displayed little ambition in academics, dropping out of high school and only gaining admission into Tufts College by forging his high school transcript. After being expelled from Tufts, West got into Brown University by appropriating the transcript of a fellow Tufts student, his cousin, Nathan Weinstein. Although West d ...
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Postmodernism
Postmodernism is an intellectual stance or Rhetorical modes, mode of discourseNuyen, A.T., 1992. The Role of Rhetorical Devices in Postmodernist Discourse. Philosophy & Rhetoric, pp.183–194. characterized by philosophical skepticism, skepticism toward the "meta-narrative, grand narratives" of modernism, opposition to epistemological, epistemic certainty or stability of meaning (semiotics), meaning, and emphasis on ideology as a means of maintaining political power. Claims to objective fact are dismissed as naïve realism, with attention drawn to the instrumental conditionality, conditional nature of knowledge claims within particular historical, political, and cultural discourses. The postmodern outlook is characterized by self-reference, self-referentiality, epistemological relativism, moral relativism, pluralism (philosophy), pluralism, irony, irreverence, and eclecticism; it rejects the "universal validity" of binary oppositions, stable identity (philosophy), identity, hierar ...
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Novels By Nathanael West
A novel is a relatively long work of narrative fiction, typically written in prose and published as a book. The present English word for a long work of prose fiction derives from the for "new", "news", or "short story of something new", itself from the la, novella, a singular noun use of the neuter plural of ''novellus'', diminutive of ''novus'', meaning "new". Some novelists, including Nathaniel Hawthorne, Herman Melville, Ann Radcliffe, John Cowper Powys, preferred the term "romance" to describe their novels. According to Margaret Doody, the novel has "a continuous and comprehensive history of about two thousand years", with its origins in the Ancient Greek and Roman novel, in Chivalric romance, and in the tradition of the Italian renaissance novella.Margaret Anne Doody''The True Story of the Novel'' New Brunswick, NJ: Rutgers University Press, 1996, rept. 1997, p. 1. Retrieved 25 April 2014. The ancient romance form was revived by Romanticism, especially the historic ...
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