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A Converted British Family Sheltering A Christian Missionary From The Persecution Of The Druids
''A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids'' is a painting by William Holman Hunt that was exhibited at the Royal Academy in 1850 and is now in the Ashmolean Museum in Oxford. It was a companion to John Everett Millais's ''Christ in the House of His Parents''. Both artists sought to depict similar episodes from very early Christian history, portraying families helping an injured individual. Both also stressed the primitivism of the scene.Bronkhurst, Judith, William Holman Hunt: A Catalogue Raisonné, Yale University Press, 2006, pp.134-6 Subject Hunt's painting depicts a family of ancient Britons occupying a crudely constructed hut by the riverside. They are attending to a missionary who is hiding from a mob of pagan British Celts. A Druid is visible in the background on the left pointing towards another missionary, who is being taken by one of the mob. A stone circle is noticeable behind the missionary but is visible only th ...
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William Holman Hunt
William Holman Hunt (2 April 1827 – 7 September 1910) was an English painter and one of the founders of the Pre-Raphaelite Brotherhood. His paintings were notable for their great attention to detail, vivid colour, and elaborate symbolism. These features were influenced by the writings of John Ruskin and Thomas Carlyle, according to whom the world itself should be read as a system of visual signs. For Hunt it was the duty of the artist to reveal the correspondence between sign and fact. Of all the members of the Pre-Raphaelite Brotherhood, Hunt remained most true to their ideals throughout his career. He was always keen to maximise the popular appeal and public visibility of his works. Biography Born at Cheapside, City of London, as William Hobman Hunt, to warehouse manager William Hunt (1800–1856) and Sarah (c. 1798–1884), daughter of William Hobman, of Rotherhithe Hunt adopted the name "Holman" instead of "Hobman" when he discovered that a clerk had misspelled the ...
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Roman Conquest Of Britain
The Roman conquest of Britain refers to the conquest of the island of Britain by occupying Roman forces. It began in earnest in AD 43 under Emperor Claudius, and was largely completed in the southern half of Britain by 87 when the Stanegate was established. Conquest of the far north and Scotland took longer with fluctuating success. The Roman army was generally recruited in Italia, Hispania, and Gaul. To control the English Channel they used the newly formed fleet. The Romans under their general Aulus Plautius first forced their way inland in several battles against British tribes, including the Battle of the Medway, the Battle of the Thames, and in later years Caratacus's last battle and the Roman conquest of Anglesey. Following a widespread uprising in AD 60 in which Boudica sacked Camulodunum, VerulamiumChurchill, ''A History of the English-Speaking Peoples'', p. 7 and Londinium, the Romans suppressed the rebellion in the Defeat of Boudica. They went on eventually to ...
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Paintings In The Collection Of The Ashmolean Museum
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Paintings By William Holman Hunt
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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1850 Paintings
Year 185 ( CLXXXV) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Lascivius and Atilius (or, less frequently, year 938 ''Ab urbe condita''). The denomination 185 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Nobles of Britain demand that Emperor Commodus rescind all power given to Tigidius Perennis, who is eventually executed. * Publius Helvius Pertinax is made governor of Britain and quells a mutiny of the British Roman legions who wanted him to become emperor. The disgruntled usurpers go on to attempt to assassinate the governor. * Tigidius Perennis, his family and many others are executed for conspiring against Commodus. * Commodus drains Rome's treasury to put on gladiatorial spectacles and confiscates property to suppor ...
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Edward Lear
Edward Lear (12 May 1812 – 29 January 1888) was an English artist, illustrator, musician, author and poet, who is known mostly for his literary nonsense in poetry and prose and especially his limerick (poetry), limericks, a form he popularised. His principal areas of work as an artist were threefold: as a draughtsman employed to make illustrations of birds and animals; making coloured drawings during his journeys, which he reworked later, sometimes as plates for his travel books; and as a (minor) illustrator of Alfred, Lord Tennyson's poems. As an author, he is known principally for his popular nonsense collections of poems, songs, short stories, botanical drawings, recipes and alphabets. He also composed and published twelve musical settings of Tennyson's poetry. Biography Early years Lear was born into a middle-class family at Holloway, London, Holloway, North London, the penultimate of 21 children (and youngest to survive) of Ann Clark Skerrett and Jeremiah Lear, a stoc ...
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Pre-Raphaelite
The Pre-Raphaelite Brotherhood (later known as the Pre-Raphaelites) was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner who formed a seven-member "Brotherhood" modelled in part on the Nazarene movement. The Brotherhood was only ever a loose association and their principles were shared by other artists of the time, including Ford Madox Brown, Arthur Hughes and Marie Spartali Stillman. Later followers of the principles of the Brotherhood included Edward Burne-Jones, William Morris and John William Waterhouse. The group sought a return to the abundant detail, intense colours and complex compositions of Quattrocento Italian art. They rejected what they regarded as the mechanistic approach first adopted by Mannerist artists who succeeded Raphael and Michelangelo. The Brotherhood believed the Classical p ...
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Florence Claxton
Florence Ann Claxton (26 August 1838 Р3 May 1920), later Farrington, was a British artist and humorist, most notable for her satire on the Pre-Raphaelite movement. Claxton also wrote and illustrated many humorous commentaries on contemporary life. Biography Claxton was named after the city of her birth, Florence, Italy, where she was born on 26 August 1838 to painter Marshall Claxton and his wife, Sophia (''n̩e'' Hargrave); she was baptised 2 January 1839 at St Alfege Church, Greenwich.''London, England, Church of England Births and Baptisms, 1813-1917'' She had a younger sister, Adelaide, born three years later. Struggling as a painter, Marshall Claxton emigrated with his family in 1850 to Australia, where his brother-in-law Richard Hargrave had established himself as a settler in New South Wales. Other family members emigrated as well, including Lawrence Hargrave, who became an aeronautical pioneer. Claxton's arrival in Sydney was celebrated in the newspapers, but he on ...
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Claxton
Claxton may refer to: Places *Claxton, County Durham, England *Claxton, Norfolk, England *Claxton, North Yorkshire, England *Claxton, Georgia, USA ** the Claxton meteorite of 1984, which fell in Georgia, United States (see meteorite falls) * Claxton, Kentucky *Claxton, Anderson County, Tennessee * Claxton, McMinn County, Tennessee Other uses * Claxton (surname) *Claxton Shield The Claxton Shield was the name of the premier baseball competition in Australia held between state-based teams, as well as the name of the trophy awarded to the champion team. From the summer of 1989–90 until 2001–02, and again since 2010â ... * Claxton Bakery * Claxton Castle * USS ''Claxton'' (DD-571) * USS ''Claxton'' (DD-140) {{Disambig, geo, ship ...
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Vestment
Vestments are liturgical garments and articles associated primarily with the Christian religion, especially by Eastern Churches, Catholics (of all rites), Anglicans, and Lutherans. Many other groups also make use of liturgical garments; this was a point of controversy in the Protestant Reformation and sometimes since, in particular during the ritualist controversies in England in the 19th century. Origins of vestments In the early Christian churches, officers and leaders, like their congregations, wore the normal dress of civil life in the Greco-Roman world, although with an expectation that the clothing should be clean and pure during holy observances. From the 4th century onward, however, modifications began to be made to the form of the garments, and as secular fashions changed from the 6th century the church retained the original forms of their garments, although with separate development and with regional variations. Having separate, consecrated clothing for the cere ...
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Stone Circle
A stone circle is a ring of standing stones. Most are found in Northwestern Europe – especially in Britain, Ireland, and Brittany – and typically date from the Late Neolithic and Early Bronze Age, with most being built from 3000 BC. The best known examples include those at the henge monument at Avebury, the Rollright Stones, and elements within the ring of standing stones at Stonehenge. Scattered examples exist from other parts of Europe. Later, during the Iron Age, stone circles were built in southern Scandinavia. Stone circles are usually grouped in terms of the shape and size of the stones, the span of their radius, and their population within the local area. Although many theories have been advanced to explain their use, usually related to providing a setting for ceremony or ritual, no consensus exists among archaeologists regarding their intended function. Their construction often involved considerable communal effort, including specialist tasks such as planning, quar ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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