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A Cappella (Todd Rundgren Album)
''A Cappella'' is a 1985 album by Todd Rundgren. The album is one of Rundgren's most unusual in that every sound is the product of the artist's voice. Rundgren employed overdubbing techniques and an E-mu Emulator (an early sampler), electronically manipulating the sound of his voice to mimic conventional rock instruments, handclaps, and other sounds. This approach to music making was later explored by artists such as Mike Patton and Björk. ''A Cappella'' was finished in 1984 and slated for release on Bearsville Records later that year. But with Bearsville's slimming artist roster and lack of successful artists, founder Albert Grossman did not want to risk releasing an album that he felt was too experimental and would not sell, so ''A Cappella'' was shelved. According to journalist Barney Hoskyns, Grossman's increasingly fractious relationship with Rundgren also factored into the decision. Bearsville filed for bankruptcy in 1985 and all of its remaining master recordings were ...
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Todd Rundgren
Todd Harry Rundgren (born June 22, 1948) is an American multi-instrumentalist, singer, songwriter, multimedia artist, sound engineer and record producer who has performed a diverse range of styles as a solo artist and as a member of the band Utopia. He is known for his sophisticated and often unorthodox music, his occasionally lavish stage shows, and his later experiments with interactive entertainment. He also produced music videos and was an early adopter and promoter of various computer technologies, such as using the Internet as a means of music distribution in the late 1990s. A native of Philadelphia, Rundgren began his professional career in the mid 1960s, forming the psychedelic band Nazz in 1967. Two years later, he left Nazz to pursue a solo career and immediately scored his first US top 40 hit with "We Gotta Get You a Woman" (1970). His best-known songs include "Hello It's Me" and " I Saw the Light" from ''Something/Anything?'' (1972), which get frequent air time on ...
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Bearsville Records
Bearsville Records was founded in 1970 by Albert Grossman. Artists included Todd Rundgren, Elizabeth Barraclough, Foghat, Halfnelson/ Sparks, Bobby Charles, Randy VanWarmer, Paul Butterfield's Better Days, Lazarus, Jesse Winchester, and NRBQ. The label closed in 1984, two years before Grossman's death. Sally Grossman, Albert Grossman’s widow, was running Bearsville Records from 2010 until her death in March 2021, at the age of 81. Bearsville's initial distributor was Ampex Records. From 1972 until its folding, the label was distributed by Warner Bros. Records in most countries. In the UK it was distributed by Warner until 1979, and then Island until 1981; its last few British releases were licensed to independent labels Avatar and Lamborghini. Rhino Records currently distributes the Bearsville catalog. Many of the artists on the roster recorded at Grossman's Bearsville Studios. Notable artists * Elizabeth Barraclough *Paul Butterfield *Jonathan Cain *Felix Cavaliere *Bobb ...
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The Hunter (Jennifer Warnes Album)
''The Hunter'' is the seventh studio album by Jennifer Warnes, released in 1992. ''The Hunter'' was released five years after her breakthrough album ''Famous Blue Raincoat''. Classified as adult contemporary, the album is jazz/R&B infused. The album includes several covers, including Todd Rundgren's "Pretending To Care", The Waterboys "The Whole Of The Moon", and "Way Down Deep", co-written by Amy La Television, and Warnes's mentor Leonard Cohen. Track listing # "Rock You Gently" ( Henry Gaffney, Gregory Abbott) – 4:24 # "Somewhere, Somebody" (Larry John McNally, Andrew Kastner, Max Carl) – 2:47 # "Big Noise, New York" (Donald Fagen, Marcelle Clements) – 5:02 # "True Emotion" (Jennifer Warnes, John Fannin, Bill Ginn) – 4:05 # "Pretending to Care" (Todd Rundgren) – 4:43 # "The Whole of the Moon" ( Mike Scott) – 5:00 # "Lights of Lousianne" (Warnes, Rob Muerer, Nancy Bacal) – 4:24 # "Way Down Deep" (Amy LaTelevision, Warnes, Leonard Cohen) – 5:45 # "The Hunter" (Wa ...
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Jennifer Warnes
Jennifer Jean Warnes (born March 3, 1947) is an American singer and songwriter. She has performed as a vocalist on a number of film soundtracks. She has won two Grammy Awards, in 1983 for the Joe Cocker duet "Up Where We Belong" and in 1987 for the Bill Medley duet "(I've Had) The Time of My Life". Warnes also collaborated closely with Leonard Cohen. Early life Warnes was born on March 3, 1947, in Seattle, Washington but raised in Anaheim, California. Her desire and ability to sing came early; at age seven she was offered her first recording contract, which her father declined. She sang in church and local pageants until age 17 when Warnes was offered an opera scholarship to Immaculate Heart College. She was so committed to her Catholic faith, that for a while she entered a convent after graduating from high school. Warnes chose to sing folk music as it became popularized by Joan Baez in the mid-1960s. In 1968, after a few years with musical theatre and clubs, she signed with ...
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Kindness (musician)
Kindness is the solo project of English singer Adam Bainbridge. History In 2007, Adam Bainbridge was a recipient of the Eric James Johnson Memorial Fellowship, at The Philadelphia Institute for Advance Study. ''Live in Philly'' was released in 2007 as a free MP3 download and CDr, with no label. In 2009, Moshi Moshi Records released Kindness debut single ''Swingin’ Party''. ''Gee Up'' was included on the vinyl b-side and a VHS video directed by Jack Latham accompanied it. In October 2011, ''Cyan'' was released as a limited edition 12" vinyl through Kindness's own record label Female Energy in the UK and Terrible Records in North America. The B-side contained 3 unnamed lock grooves. Kindness's debut album, ''World, You Need a Change of Mind'', co-produced & mixed by Grammy Award-winning producer Philippe Zdar was released on 16 March 2012. Live sessions were recorded for Radio 1's Zane Lowe and Rob da Bank as well as BBC Radio 6 Music's ''Lauren Laverne, Live from Maida V ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ...
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Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ...
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Mighty Love (song)
"Mighty Love" is a 1973 song recorded by the American R&B vocal group The Spinners (known as "Detroit Spinners" in the UK). The song was co-written by Joseph B. Jefferson, Bruce Hawes and Charles Simmons and was produced by Thom Bell. Background Recorded at Philly's Sigma Sound Studios, the house band MFSB provided the backing. Bobbie Smith and Philippé Wynne rotate lead vocals during the first half of the song, with Wynne taking over completely for the final two and half minutes. During live performances by the Spinners, the song was often used to showcase Wynne's exceptional ad-lib ability. Chart performance When it was released as the lead single from the album of the same name, the song was split into two parts and "Mighty Love – Pt.1" became another hit for the group, holding the number one spot on the US R&B singles chart for two weeks in March 1974 while also reaching number twenty on the pop singles chart. Personnel * Lead vocals by Bobbie Smith and Philippé W ...
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Rhino Records
A rhinoceros (; ; ), commonly abbreviated to rhino, is a member of any of the five extant species (or numerous extinct species) of odd-toed ungulates in the family Rhinocerotidae. (It can also refer to a member of any of the extinct species of the superfamily Rhinocerotoidea.) Two of the extant species are native to Africa, and three to South and Southeast Asia. Rhinoceroses are some of the largest remaining megafauna: all weigh at least one tonne in adulthood. They have a herbivorous diet, small brains (400–600 g) for mammals of their size, one or two horns, and a thick (1.5–5 cm), protective skin formed from layers of collagen positioned in a lattice structure. They generally eat leafy material, although their ability to ferment food in their hindgut allows them to subsist on more fibrous plant matter when necessary. Unlike other perissodactyls, the two African species of rhinoceros lack teeth at the front of their mouths; they rely instead on their lips to pl ...
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King Biscuit Flower Hour
The ''King Biscuit Flower Hour'' was an American syndicated radio show presented by the D.I.R. Radio Network that featured concert performances by various rock music recording artists. History The program was broadcast on Sunday nights from 1973 until 1993. Following the end of original programming, the broadcast continued on Sunday nights until 2005, airing previously broadcast shows. During its prime, the program was carried by more than 300 radio stations throughout the United States. The show's name was derived from the influential blues radio show ''King Biscuit Time'', which was sponsored by the King Biscuit Flour Co., combined with the hippie phrase "flower power". The first show was broadcast on February 18, 1973, and featured Blood, Sweat & Tears, the Mahavishnu Orchestra, and Bruce Springsteen. The long-time host of the show until the mid-1990s was Bill Minkin, whose voice has been described as "the perfect blend of hipster enthusiasm and stoner casualness." The conc ...
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Bootleg Recording
A bootleg recording is an audio or video recording of a performance not officially released by the artist or under other legal authority. Making and distributing such recordings is known as ''bootlegging''. Recordings may be copied and traded among fans without financial exchange, but some bootleggers have sold recordings for profit, sometimes by adding professional-quality sound engineering and packaging to the raw material. Bootlegs usually consist of unreleased studio recordings, live performances or interviews without the quality control of official releases. The practice of releasing unauthorised performances had been established before the 20th century, but reached new popularity with Bob Dylan's ''Great White Wonder'', a compilation of studio outtakes and demos released in 1969 using low-priority pressing plants. The following year, the Rolling Stones' ''Live'r Than You'll Ever Be'', an audience recording of a late 1969 show, received a positive review in ''Rolling Ston ...
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White Label
A white label record is a vinyl record with white labels attached. There are several variations each with a different purpose. Variations include test pressings, white label promos, and plain white labels. Test pressings Test pressings, usually with ''test pressing'' written on the label, with catalogue number, artist and recording time or date, are the first vinyl discs made at the factory. Such discs are produced in very small quantities (usually no more than 5 or 6 copies) to evaluate the quality of the disc before mass production begins. A review of the test pressing may expose problems with the tape to disc transfer ( mastering) and helps to ensure that the defective discs do not reach the public. Promotional recordings In the United States, the term ''white label promo'' (often abbreviated as WLP) refers to a promotional pressing with a label that has mostly the same text and label logo/artwork as the commercial label, but with a white background instead of the color l ...
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