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A Briefcase Full Of Blues
''Briefcase Full of Blues'' is the debut album by The Blues Brothers, released on November 28, 1978, by Atlantic Records. It was recorded live on September 9, 1978, at the Universal Amphitheatre in Los Angeles, when the band opened for comedian Steve Martin. The album consists of covers of blues and soul songs from the 1950s to 1970s. The album reached number one on the ''Billboard'' 200 and went double platinum; according to Blues Brothers member Dan Aykroyd, the album has sold 3.5 million copies in all. It is among the highest-selling blues albums of all time. Three singles were released from the album: " Rubber Biscuit", which reached number 37 on the ''Billboard'' Hot 100, " Soul Man", which reached number 14, and " Hey Bartender", which did not chart. The album is dedicated to Curtis Salgado, the inspiration behind John Belushi's creation of the Blues Brothers characters. Track listing Personnel * "Joliet" Jake Blues ( John Belushi) – lead vocals * Elwood Blues ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Blues Brothers
The Blues Brothers are an American blues and soul revivalist band founded in 1978 by comedians Dan Aykroyd and John Belushi as part of a musical sketch on ''Saturday Night Live''. Belushi and Aykroyd fronted the band, in character, respectively, as lead vocalist ' Joliet' Jake Blues and harmonica player/vocalist Elwood Blues, donning black suits with matching fedoras and sunglasses. The band was composed of well-known musicians, and debuted as the musical guest in a 1978 episode of ''Saturday Night Live'', opening the show performing "Hey Bartender", and later " Soul Man". In 1978, the band released their debut album, ''Briefcase Full of Blues'', and opened for the Grateful Dead at the closing of Winterland Arena in San Francisco. They gained further fame after spawning a Hollywood comedy film in 1980, ''The Blues Brothers''. After Belushi's death in 1982, the Blues Brothers continued to perform with a rotation of guest singers and other band members. The band reformed in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rubber Biscuit
"Rubber Biscuit" is a novelty doo-wop song performed by the vocals-only team the Chips, who recorded it in 1956. It was covered by the Blues Brothers on their 1978 debut album, '' Briefcase Full of Blues'', among many other artists, as well as being featured in the 1973 film '' Mean Streets.'' Songwriting "Rubber Biscuit" started life as Kinrod Johnson's answer to the marching rhythms of the Warwick School For Delinquent Teenagers while he was an intern there. Label credit for writing and composing the song was given to Chips lead singer Charles Johnson and Adam R. Levy. But Levy's father, label owner Morris Levy, was notorious for adding either his or his son's names to songwriting credits in order to claim partial, or in some cases full, author-composer royalties on songs they did not write. There is no evidence that Morris Levy or Adam Levy ever wrote any songs. Lyrics Few of the lyrics can actually be understood, as they are sung in the scat manner. The scat is interrupte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Groove Me
"Groove Me" is a song recorded by R&B singer King Floyd. Released from his eponymous album in late 1970, it was a crossover hit, spending four non-consecutive weeks at number-one on Billboard Soul chart and peaking at No. 6 on the ''Billboard'' Hot 100. The song was recorded and produced by Wardell Quezergue at Malaco Records' Jackson, Mississippi recording studios during the same session as another Quezergue-produced song, Jean Knight's "Mr. Big Stuff". "Groove Me" was originally released as the B-side to Floyd's "What Our Love Needs" on the Malaco subsidiary Chimneyville. When New Orleans disc jockey George Vinnett started playing the B-side, the song began meriting attention, and as the record emerged as a local smash, Atlantic Records scooped up national distribution rights. Personnel No credits are listed for the Malaco studio musicians on the record. According to Rob Bowman's liner notes from the 1999 box set, ''The Last Soul Company: Malaco, A Thirty Year Retrospecti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Chips
The Chips were a short-lived New York City doo-wop vocal group consisting of teenage friends Charles Johnson (lead vocal), Nathaniel Epps (baritone), Paul Fulton (bass), Sammy Strain and Shedrick Lincoln (tenors). The group's first recording is their most enduring; "Rubber Biscuit" started life as Johnson's answer to the marching rhythms of the Warwick School For Delinquent Teenagers while he was an intern there.http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.730.2954&rep=rep1&type=pdf When Josie Records heard the tune they signed the group and the record was issued in September 1956. Although it did not chart, "Rubber Biscuit" became an instant east coast radio favourite, and saw its performers touring alongside The Dells, Cadillacs, and Bo Diddley, but the momentum gained by their debut single was waning and the group broke up at the end of 1957. Only Sammy Strain went on to success in the music industry, as a member of Little Anthony & The Imperials from about 1961 to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Downchild Blues Band
The Downchild Blues Band is a Canadian blues band, described by one reviewer as "the premier blues band in Canada". The band is still commonly known as the Downchild Blues Band, though the actual band name was shortened to "Downchild" in the early 1980s. The Blues Brothers band was heavily influenced by Downchild Blues Band. History Early history: 1969-1982 "(Donnie) Walsh has been called the 'father of Canadian blues' and with good reason. He is a blues pioneer on the Canadian scene. It was Walsh who paid the highest dues so that later Canadian blues acts, such as the Jeff Healey Band, the Colin James Band, the Powder Blues, Sue Foley, The Sidemen and The Highliners could also enjoy their success. The Canadian blues scene, which has blossomed nicely in the last few years, was relatively barren in the late 1960s when The Downchild Blues Band first started out.'" :David Dicaire, ''More Blues Singers: Biographies of 50 Artists from the Later 20th Century'' (McFarland, 2002 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Junior Wells
Junior Wells (born Amos Wells Blakemore Jr., December 9, 1934January 15, 1998) was an American singer, harmonica player, and recording artist. He is best known for his signature song "Messin' with the Kid" and his 1965 album ''Hoodoo Man Blues'', described by the critic Bill Dahl as "one of the truly classic blues albums of the 1960s". Wells himself categorized his music as rhythm and blues. Wells performed and recorded with various notable blues musicians, including Muddy Waters, Earl Hooker, and Buddy Guy. He remained a fixture on the blues scene throughout his career and also crossed over to rock audiences while touring with the Rolling Stones. Not long before Wells died, the blues historian Gerard Herzhaft called him "one of the rare active survivors of the 'golden age of the blues. Life and career Early years Wells may have been born in Memphis, Tennessee, and raised in West Memphis, Arkansas (some sources report that he was born in West Memphis). Initially taught by his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mel London
Mel London (April 9, 1932 – May 16, 1975) was an American songwriter, record producer, and record label owner. He was active in the Chicago blues and R&B scenes in the 1950s and 1960s. London is best known for his compositions for Chicago blues artists Howlin' Wolf, Muddy Waters, Elmore James, and Junior Wells as well as being the record producer and owner of Chief Records (and its Profile Records and Age Records subsidiaries). In 1954, Mel London wrote the first of several hit songs for the blues and R&B markets. His "Poison Ivy" was recorded by Willie Mabon and reached number seven in the Billboard R&B chart in 1954. In 1955, three hits written by London followed: "Who Will Be Next" by Howlin' Wolf and two by Muddy Waters - "Sugar Sweet" and " Manish Boy.""Manish Boy" cowriters: Bo Diddley and Muddy Waters Not content with just songwriting, in 1957 he started his own record label, Chief Records. Chief's first single, the London-penned "Man from the Island," featured L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Messin' With The Kid
"Messin' with the Kid" is a rhythm and blues-influenced blues song originally recorded by Junior Wells in 1960. Chief Records owner/songwriter/producer Mel London is credited as the songwriter. Considered a blues standard, it is Junior Wells's best-known song. "Messin' with the Kid" was inducted into the Blues Hall of Fame and has been recorded by a variety of blues and other artists. Background and composition "Messin' with the Kid" is an up-tempo twelve-bar blues which alternates between Afro-Cuban- and Little Richard-style rhythmic accompaniment. According to Junior Wells, the title was inspired by his young daughter Gina. Mel London arrived early at Wells' home to pick him up for a scheduled recording session: "'Where's you Daddy at? Get him up'. 'No, you said you were goin' to be here at nine o'clock. It's not nine o'clock... You're not goin' to be messin' with the kid'". "The Kid" was a nickname for Wells. Later in the studio, they needed another song for the sessio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floyd Dixon
Floyd Dixon (February 8, 1929 – July 26, 2006) was an American rhythm-and-blues pianist and singer. Life and career Dixon was born in Marshall, Texas. Some sources give his birth name as Jay Riggins, Jr., although Dixon himself stated that Floyd Dixon was his real name and that his parents were Velma and Ford Dixon. Growing up, he was influenced by blues, gospel, jazz and country music. His family moved to Los Angeles, California, in 1942. There Dixon met Charles Brown, who had an influence on his music. The self-dubbed "Mr. Magnificent", Dixon signed a recording contract with Modern Records in 1949, specializing in jump blues and sexualized songs like "Red Cherries", "Wine Wine Wine", "Too Much Jelly Roll" and "Baby Let's Go Down to the Woods". Both "Dallas Blues" and "Mississippi Blues", credited to the Floyd Dixon Trio, reached the ''Billboard'' R&B chart in 1949, as did "Sad Journey Blues", issued by Peacock Records in 1950. Dixon replaced Charles Brown on piano and voc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otis Redding
Otis Ray Redding Jr. (September 9, 1941 – December 10, 1967) was an American singer and songwriter. He is considered one of the greatest singers in the history of American popular music and a seminal artist in soul music and rhythm and blues. Nicknamed the " King of Soul", Redding's style of singing gained inspiration from the gospel music that preceded the genre. His singing style influenced many other soul artists of the 1960s. Redding was born in Dawson, Georgia, and at age two, moved to Macon. Redding quit school at age 15 to support his family, working with Little Richard's backing band, the Upsetters, and by performing in talent shows at the historic Douglass Theatre in Macon. In 1958, he joined Johnny Jenkins's band, the Pinetoppers, with whom he toured the Southern states as a singer and driver. An unscheduled appearance on a Stax recording session led to a contract and his first hit single, " These Arms of Mine", in 1962. Stax released Redding's debut album, '' Pain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Can't Turn You Loose
"I Can't Turn You Loose" is a song written and first recorded by American soul singer Otis Redding. It was released as the B-side to his 1965 single "Just One More Day". The up-tempo song became a bigger hit on the US R&B chart than its A-side and was one of Redding's signature songs and often appeared in his live performances. Chart history Cover versions *In 1968, the Chambers Brothers' version of this song reached number 37 on the ''Billboard'' Hot 100 The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming ... singles chart. References {{authority control Otis Redding songs The Chambers Brothers songs Songs written by Otis Redding 1965 songs 1965 singles 1968 singles Atco Records singles The Blues Brothers songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Curtis Salgado
Curtis Salgado (born February 4, 1954, in Everett, Washington, United States) is a Portland, Oregon-based blues, blues rock, and blue-eyed soul singer-songwriter. He plays harmonica and fronts his own band as lead vocalist. Career Salgado began his career leading The Nighthawks, based in Eugene, Oregon. He then joined forces with Robert Cray and sang and played harmonica in The Robert Cray Band for six years, including singing on Cray's debut album, released in 1980. Salgado and Cray parted ways in 1982. Salgado went on to front Roomful of Blues, singing and touring with them from 1984 through 1986. Returning to Oregon, he formed Curtis Salgado & The Stilettos in 1991 on the JRS label. The band opened for The Steve Miller Band during the summer of 1992. In 1995, Curtis spent a short stint as the lead singer with the band Santana. In 1997, he and Portland guitarist Terry Robb toured with Miller to promote their album ''Hit It 'n Quit It,'' including an appearance with Mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
