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A-lan-nah
''A-lan-nah'' is the third studio album by Canadian singer Alannah Myles. It was in released in 1995 on Atlantic Records. Miles Copeland was credited as the executive producer. Track listing Personnel * Alannah Myles – vocals * Phil Parlapiano – acoustic piano (1, 4), Wurlitzer electric piano (1, 6), organ (1, 2, 3, 5, 6, 7, 10), accordion (2, 4, 5, 7, 9-12), mandolin (2), Rhodes piano (3), Mellotron (4, 8, 11), keyboards (5), acoustic guitar (8), pump organ (12) * Kurt Schefter – electric guitars (1-7, 11), backing vocals (1, 2, 9), acoustic guitar (2, 4, 7-10), slide guitar (2) * David Wipper – acoustic guitar (1, 2, 3, 5-9, 11), mandolin (4, 8, 9), banjo (9) * Armand Sabal-Lecco – bass (1-9, 11) * Jørn Andersen – drums, backing vocals (1, 2, 9), spoons (4) * Ray Caldwell – bodhrán (5), tin whistle (5), low whistle (12), Uilleann pipes (12) * Hugh Marsh – violin (4, 5, 8) * George Koller – cello (8, 10) * Jackie Richardson – backing vocals (1, 6, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alannah Myles
Alannah Myles (née Byles; born December 25, 1958) is a Canadian singer-songwriter who has won both a Grammy and a Juno Award for the song " Black Velvet". The song was a top-ten hit in Canada; it was also a number one hit on the US ''Billboard'' Hot 100 in 1990. Early life Myles was born Alannah Byles on Christmas Day 1958 in Toronto, Ontario. She is the daughter of William Douglas Byles, who was a pioneer in the Canadian broadcasting industry and was inducted into the Canadian Association of Broadcasters' Hall of Fame in 1997. She is the second of five children. Raised by her parents in Ontario, Myles spent her childhood composing and learning music. Myles began writing songs around age 9, and performed in a songwriting group for the Kiwanis Music Festival in Toronto at age 12. Career At the age of 18, she began performing solo gigs in southern Ontario, eventually meeting Christopher Ward, a recording artist and songwriter with Warner Music Group. With Ward's help, she for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rockinghorse
''Rockinghorse'' is the second studio album by Canadian singer-songwriter Alannah Myles, released on October 13, 1992, by Atlantic Records. It spawned five singles, "Song Instead of a Kiss", "Tumbleweed", "Our World, Our Times", "Living on a Memory", and "Sonny Say You Will" (the first one of which Myles co-wrote). The album was nominated for Best Rock Vocal Performance, Female at the 35th Annual Grammy Awards. Track listing Personnel Musicians * Alannah Myles – vocals * David Tyson – keyboards, bass, backing vocals * Kurt Schefter – guitars * David Wipper – acoustic guitars, mandolin * Buzz Feiten – electric guitars (5) * Will Lee – bass * Denny Fongheiser – drums, percussion * Jørn Andersen – additional cymbals (1) * Larry Williams – saxophones * Greg Smith – baritone saxophone (2, 4) * Gary Grant – trumpets * John Elefante – backing vocals * Mark Free – backing vocals * Tommy Funderburk – backing vocals * Christopher Ward – backing vo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phil Johnstone
Phil Johnstone (1 September 1957 – 31 May 2021) was an English songwriter, keyboardist, guitarist, and record producer, best known for his work with singer Robert Plant. His songwriting credits include Plant's number-one Mainstream Rock hits " Heaven Knows", " Tall Cool One" and "Hurting Kind (I've Got My Eyes on You)". Biography Johnstone first worked with Plant on the 1988 album ''Now and Zen'', which Johnstone co-produced. Johnstone co-wrote most of the songs on the album; he also wrote songs for Plant's follow-up albums ''Manic Nirvana'' (1990) and ''Fate of Nations'' (1993). Following his work with Plant, Johnstone wrote songs for singer Alannah Myles' 1995 album ''A-lan-nah''. Recorded and produced Freeborn John by Rev Hammer 1996 on Cooking Vinyl. Johnstone also co-wrote the whole of The Levellers' 2000 album '' Hello Pig''. Johnstone also headed the popular all-star musical festival act, "The Fabulous Good Time Party Boys", which featured members of the Levellers, I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accordion
Accordions (from 19th-century German ''Akkordeon'', from ''Akkord''—"musical chord, concord of sounds") are a family of box-shaped musical instruments of the bellows-driven free-reed aerophone type (producing sound as air flows past a reed in a frame), colloquially referred to as a squeezebox. A person who plays the accordion is called an accordionist. The concertina , harmoneon and bandoneón are related. The harmonium and American reed organ are in the same family, but are typically larger than an accordion and sit on a surface or the floor. The accordion is played by compressing or expanding the bellows while pressing buttons or keys, causing ''pallets'' to open, which allow air to flow across strips of brass or steel, called '' reeds''. These vibrate to produce sound inside the body. Valves on opposing reeds of each note are used to make the instrument's reeds sound louder without air leaking from each reed block.For the accordion's place among the families of musical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uilleann Pipes
The uilleann pipes ( or , ) are the characteristic national bagpipe of Ireland. Earlier known in English as "union pipes", their current name is a partial translation of the Irish language terms (literally, "pipes of the elbow"), from their method of inflation. There is no historical record of the name or use of the term ''uilleann pipes'' before the 20th century. It was an invention of Grattan Flood and the name stuck. People mistook the term 'union' to refer to the 1800 Act of Union; this is incorrect as Breandán Breathnach points out that a poem published in 1796 uses the term 'union'. The bag of the uilleann pipes is inflated by means of a small set of bellows strapped around the waist and the right arm (in the case of a right-handed player; in the case of a left-handed player the location and orientation of all components are reversed). The bellows not only relieve the player from the effort needed to blow into a bag to maintain pressure, they also allow relatively dry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Low Whistle
The low whistle, or concert whistle, is a variation of the traditional tin whistle/pennywhistle, distinguished by its lower pitch and larger size. It is most closely associated with the performances of British and Irish artists such as Tommy Makem, Finbar Furey and his son Martin Furey, Old Blind Dogs, Michael McGoldrick, ''Riverdance'', Lunasa, Donie Keyes, Chris Conway, and Davy Spillane, and is increasingly accepted as a feature of Celtic music. The low whistle is often used for the playing of airs and slow melodies due to its haunting and delicate sound. However, it is also becoming used more often for the playing of jigs, reels and hornpipes from the Irish, Scottish, Manx, Welsh, and English traditions. A reason put forward for this being, it's easier to produce some ornamentation on the whistle, due to the size of the finger holes. The most common low whistle is the "Low D", pitched one octave below the traditional D whistle. A whistle is generally classed as a ''low'' whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tin Whistle
The tin whistle, also called the penny whistle, is a simple six-holed woodwind instrument. It is a type of fipple flute, putting it in the same class as the recorder, Native American flute, and other woodwind instruments that meet such criteria. A tin whistle player is called a whistler. The tin whistle is closely associated with Irish traditional music and Celtic music. Other names for the instrument are the flageolet, English flageolet, Scottish penny whistle, tin flageolet, or Irish whistle (also ga, feadóg stáin or feadóg). History The tin whistle in its modern form is from a wider family of fipple flutes which have been seen in many forms and cultures throughout the world. In Europe, such instruments have a long and distinguished history and take various forms, of which the most widely known are the recorder, tin whistle, Flabiol, Txistu and tabor pipe. Predecessors Almost all primitive cultures had a type of fipple flute, and it is most likely the first pitched flu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bodhrán
The bodhrán (, ; plural ''bodhráin'' or ''bodhráns'') is a frame drum used in Irish music ranging from in diameter, with most drums measuring . The sides of the drum are deep. A goatskin head is tacked to one side (synthetic heads or other animal skins are sometimes used). The other side is open-ended for one hand to be placed against the inside of the drum head to control the pitch and timbre. One or two crossbars, sometimes removable, may be inside the frame, but this is increasingly rare on modern instruments. Some professional modern bodhráns integrate mechanical tuning systems similar to those used on drums found in drum kits. It is usually with a hex key that the bodhrán skins are tightened or loosened depending on the atmospheric conditions. History Seán Ó Riada declared the bodhrán to be the native drum of the ancient Celts (as did bodhrán maker Paraic McNeela), suggesting that it was possibly used originally for winnowing or wool dying, with a musical hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spoon (musical Instrument)
Spoons can be played as a makeshift percussion instrument, or more specifically, an idiophone related to the castanets. They are played by hitting one spoon against the other. Techniques # Fire tongs style: A pair of spoons is held tight with concave sides facing out and with index finger between their handles to space them apart. When the pair is struck, the spoons sharply hit each other and then spring back to their original position. The spoons are typically struck against the knee and the palm of the hand. The fingers and other body parts may also be used as striking surfaces to produce different sounds, rhythms, rattles and visual effects. # Salad serving style: One spoon between little, ring, and long finger; the other spoon between ring, thumb, and index finger in such a way that they can be rotated with ring finger as the common axis. They can be hit to each other at the convex sides by gathering the fingers (mostly middle and thumb). # Castanets style: Two in each h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armand Sabal-Lecco
Armand Sabal-Lecco is a Cameroonian bass guitarist, composer and multi-instrumentalist best known for playing bass-guitar on Paul Simon's The Rhythm of the Saints, The Rhythm of the Saint's tour in 1989. Sabal-Lecco has worked with Paul Simon, Brecker Brothers, the Brecker Brothers, Herbie Hancock, Stanley Clarke, John Patitucci, Vanessa Williams and many others. Armand is one of the world's leading session artists and also the brother of drummer Félix Sabal Lecco (musician), Félix Sabal Lecco. Early years Armand Sabal-Lecco was born in Cameroon. Armand Sabal-Lecco's father, Félix Sabal Lecco (politician), Félix Sabal Lecco, was a minister in the government of Ahmadou Ahidjo, and was later appointed ambassador to Italy and France. His father played the guitar as a young man, and two of his brothers are also musicians: Félix is a drummer and Roger is a bass player. Armand began playing the guitar when he was six, then took up drumming, and eventually settled on the bass, alth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banjo
The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, and usually made of plastic, or occasionally animal skin. Early forms of the instrument were fashioned by African Americans in the United States. The banjo is frequently associated with folk, bluegrass and country music, and has also been used in some rock, pop and hip-hop. Several rock bands, such as the Eagles, Led Zeppelin, and the Grateful Dead, have used the five-string banjo in some of their songs. Historically, the banjo occupied a central place in Black American traditional music and the folk culture of rural whites before entering the mainstream via the minstrel shows of the 19th century. Along with the fiddle, the banjo is a mainstay of American styles of music, such as bluegrass and old-time music. It is also very frequently used in Dixieland jazz, as well as in Caribbean genres like biguine, calypso and mento. Histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slide Guitar
Slide guitar is a technique for playing the guitar that is often used in blues music. It involves playing a guitar while holding a hard object (a slide) against the strings, creating the opportunity for glissando effects and deep vibratos that reflect characteristics of the human singing voice. It typically involves playing the guitar in the traditional position (flat against the body) with the use of a slide fitted on one of the guitarist's fingers. The slide may be a metal or glass tube, such as the neck of a bottle. The term bottleneck was historically used to describe this type of playing. The strings are typically plucked (not strummed) while the slide is moved over the strings to change the pitch. The guitar may also be placed on the player's lap and played with a hand-held bar (lap steel guitar). Creating music with a slide of some type has been traced back to African stringed instruments and also to the origin of the steel guitar in Hawaii. Near the beginning of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
