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A-Hunting We Will Go
"A-Hunting We Will Go" is a popular folk song and nursery rhyme composed in 1777 by English composer Thomas Arne. Arne had composed the song for a 1777 production of ''The Beggar's Opera'' in London. The '' a-'' is an archaic intensifying prefix; compare " Here We Come A-wassailing/Here We Come A-caroling" and lyrics to " The Twelve Days of Christmas" (e.g., “Six geese a-laying”). Lyrics A-hunting we will go, A-hunting we will go Heigh-ho, the derry-o, A-hunting we will go. A-hunting we will go, A-hunting we will go We'll catch a fox and put him in a box And never let him go (Modern versions often change the last line to “And then we’ll let him go”.) Each consequent verse gets modified by putting in a different animal: : "...a fish and put him on a dish..." : "...a bear and cut his hair..." : "...a pig and dance a little jig..." : "...a giraffe and make him laugh..." : "...a mouse and put him in a house..." : ... Earlier versions of the song switch the word ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Augustine Arne
Thomas Augustine Arne (; 12 March 17105 March 1778) was an English composer. He is best known for his patriotic song "Rule, Britannia!" and the song " A-Hunting We Will Go", the latter composed for a 1777 production of ''The Beggar's Opera'', which has since become popular as a folk song and a nursery rhyme. Arne was a leading British theatre composer of the 18th century, working at the West End's Drury Lane and Covent Garden. He wrote many operatic entertainments for the London theatres and pleasure gardens, as well as concertos, sinfonias, and sonatas. Early life Arne was born on March 12th, 1710 in Covent Garden and baptised at St Paul's, Covent Garden. Arne's father and grandfather were both upholsterers and both held office in the Worshipful Company of Upholders of the City of London. His grandfather fell on hard times and died in the debtors' prison of Marshalsea. His father earned enough money not only to rent 31 King Street, a large house in Covent Garden, but al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-Hunting We Will Go
"A-Hunting We Will Go" is a popular folk song and nursery rhyme composed in 1777 by English composer Thomas Arne. Arne had composed the song for a 1777 production of ''The Beggar's Opera'' in London. The '' a-'' is an archaic intensifying prefix; compare " Here We Come A-wassailing/Here We Come A-caroling" and lyrics to " The Twelve Days of Christmas" (e.g., “Six geese a-laying”). Lyrics A-hunting we will go, A-hunting we will go Heigh-ho, the derry-o, A-hunting we will go. A-hunting we will go, A-hunting we will go We'll catch a fox and put him in a box And never let him go (Modern versions often change the last line to “And then we’ll let him go”.) Each consequent verse gets modified by putting in a different animal: : "...a fish and put him on a dish..." : "...a bear and cut his hair..." : "...a pig and dance a little jig..." : "...a giraffe and make him laugh..." : "...a mouse and put him in a house..." : ... Earlier versions of the song switch the word ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Song
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nursery Rhyme
A nursery rhyme is a traditional poem or song for children in Britain and many other countries, but usage of the term dates only from the late 18th/early 19th century. The term Mother Goose rhymes is interchangeable with nursery rhymes. From the mid-16th century nursery rhymes begin to be recorded in English plays, and most popular rhymes date from the 17th and 18th centuries. The first English collections, '' Tommy Thumb's Song Book'' and a sequel, ''Tommy Thumb's Pretty Song Book'', were published by Mary Cooper in 1744. Publisher John Newbery's stepson, Thomas Carnan, was the first to use the term Mother Goose for nursery rhymes when he published a compilation of English rhymes, ''Mother Goose's Melody, or, Sonnets for the Cradle'' (London, 1780). History Lullabies The oldest children's songs of which we have records are lullabies, intended to help a child fall asleep. Lullabies can be found in every human culture. The English term lullaby is thought to come from "lu, l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Arne
Thomas Augustine Arne (; 12 March 17105 March 1778) was an English composer. He is best known for his patriotic song " Rule, Britannia!" and the song "A-Hunting We Will Go", the latter composed for a 1777 production of '' The Beggar's Opera'', which has since become popular as a folk song and a nursery rhyme. Arne was a leading British theatre composer of the 18th century, working at the West End's Drury Lane and Covent Garden. He wrote many operatic entertainments for the London theatres and pleasure gardens, as well as concertos, sinfonias, and sonatas. Early life Arne was born on March 12th, 1710 in Covent Garden and baptised at St Paul's, Covent Garden. Arne's father and grandfather were both upholsterers and both held office in the Worshipful Company of Upholders of the City of London. His grandfather fell on hard times and died in the debtors' prison of Marshalsea. His father earned enough money not only to rent 31 King Street, a large house in Covent Garden, but also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beggar's Opera
''The Beggar's Opera'' is a ballad opera in three acts written in 1728 by John Gay with music arranged by Johann Christoph Pepusch. It is one of the watershed plays in Augustan drama and is the only example of the once thriving genre of satirical ballad opera to remain popular today. Ballad operas were satiric musical plays that used some of the conventions of opera, but without recitative. The lyrics of the airs in the piece are set to popular broadsheet ballads, opera arias, church hymns and folk tunes of the time. ''The Beggar's Opera'' premiered at the Lincoln's Inn Fields Theatre on 29 January 1728 and ran for 62 consecutive performances, the second-longest run in theatre history up to that time (after 146 performances of Robert Cambert's '' Pomone'' in Paris in 1671). The work became Gay's greatest success and has been played ever since; it has been called "the most popular play of the eighteenth century". In 1920, ''The Beggar's Opera'' began a revival run of 1,463 per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Here We Come A-wassailing
''Here We Come A-wassailing'' (or ''Here We Come A-Caroling''), also known as ''Here We Come A-Christmasing,'' ''Wassail Song'' and by many other names, is a traditional English Christmas carol and New Year song, typically sung whilst wassailing, or singing carols, wishing good health and exchanging gifts door to door. It is listed as number 209 in the Roud Folk Song Index. Gower Wassail and Gloucestershire Wassail are similar wassailing songs. History and context The song dates from at least the mid 19th century, but is probably much older. The '' a-'' in "a-wassailing" is an archaic intensifying prefix; compare ''A-Hunting We Will Go'' and lyrics to '' The Twelve Days of Christmas'' (e.g., "Six geese a-laying"). According to ''Reader's Digest''; "the Christmas spirit often made the rich a little more generous than usual, and bands of beggars and orphans used to dance their way through the snowy streets of England, offering to sing good cheer and to tell good fortune if the h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Twelve Days Of Christmas (song)
"The Twelve Days of Christmas" is an English Christmas carol. A classic example of a cumulative song, the lyrics detail a series of increasingly numerous gifts given on each of the twelve days of Christmas (the twelve days that make up the Christmas season, starting with Christmas Day). The carol, whose words were first published in England in the late eighteenth century, has a Roud Folk Song Index number of 68. A large number of different melodies have been associated with the song, of which the best known is derived from a 1909 arrangement of a traditional folk melody by English composer Frederic Austin. Lyrics "The Twelve Days of Christmas" is a cumulative song, meaning that each verse is built on top of the previous verses. There are twelve verses, each describing a gift given by "my true love" on one of the twelve days of Christmas. There are many variations in the lyrics. The lyrics given here are from Frederic Austin's 1909 publication that established the current fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-Haunting We Will Go (other)
A-Haunting We Will Go may refer to: * ''A-Haunting We Will Go'' (1942 film), a 1942 Laurel and Hardy comedy film * ''A Haunting We Will Go'' (1949 film), a 1949 animated short directed by Seymour Kneitel * ''A-Haunting We Will Go'' (1966 film), a 1966 theatrical Looney Tunes cartoon * ''A-Haunting We Will Go'' (play), a 1981 play by Tim Kelly {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bye, Baby Bunting
"Bye, baby Bunting" (Roud 11018) is an English-language nursery rhyme and lullaby A lullaby (), or cradle song, is a soothing song or piece of music that is usually played for (or sung to) children (for adults see music and sleep). The purposes of lullabies vary. In some societies they are used to pass down cultural knowledg .... Lyrics and melody The most common modern version is: Bye, baby Bunting, Daddy's gone a-hunting, Gone to get a rabbit skin o get a little rabbit's skinTo wrap the baby Bunting in. I. Opie and P. Opie, ''The Oxford Dictionary of Nursery Rhymes'' (Oxford University Press, 1951, 2nd edn., 1997), p. 63. : \relative c' \addlyrics From 1784: : Origins The expression bunting is a term of endearment that may also imply 'plump'. A version of the rhyme was published in 1731 in England. A version in ''Songs for the Nursery'' 1805 had the longer lyrics: Bye, baby Bunting, Father's gone a-hunting, Mother's gone a-milking, Sister's gone a-silking, Bro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Farmer In The Dell
"The Farmer in the Dell" is a singing game, nursery rhyme, and children's song. It probably originated in Germany and was brought to America by immigrants.I. Opie and P. Opie, ''The Singing Game'' (Oxford: Oxford University Press, 1985), pp. 183–189. From there, it spread to many other nations and is popular in a number of languages. It is Roud Folk Song Index number 6306. Lyrics Lyrics vary even within the same country. The following is a common version in the United States: One UK variant has "The nurse takes a dog"; it ends by clapping attingthe dog. Origin and dissemination The rhyme was first recorded in Germany in 1826, as "Es fuhr ein Bau'r ins Holz". It was more clearly a courtship game, with a farmer choosing a wife, then selecting a child, maid, and serving man who leaves the maid after kissing her. This was probably taken to America by German immigrants, where it next surfaced in New York City in 1883, in its modern form and using a melody similar to " A-Hunting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Omar Little
Omar Devone Little is a fictional character on the HBO drama series ''The Wire'', portrayed by Michael K. Williams. He is a notorious Baltimore stick-up man, who frequently robs street-level drug dealers. He is legendary around Baltimore for his characteristic duster, under which he hides his shotgun, large caliber handgun, and bulletproof vest, as well as for his facial scar and his whistling of " The Farmer in the Dell" when stalking targets. When people see or hear him approaching, they run away and will often warn others by shouting "Omar comin'!" Omar has a strict moral code, which involves refusal to harm innocent "civilians" and distaste (usually) for profanity, setting him apart from other street-level characters. His homosexuality and privately tender nature starkly contrast with typical notions of machismo attached to violent criminals. Omar cares for his grandmother and is seen escorting her to church on Sunday mornings. He also has a tendency to refer to himself ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
